“It will be a long time before I can afford to visit Iceland, so I rely on music created by the likes of GlerAkur, an instrumental project of National Theater of Iceland sound engineer Elvar Geir Sævarsson, to deliver hearty wedges of this magical land to my adoring ears. Sævarsson’s seen its sights, breathed its air, and felt its magic, and from this he’s carved his vision of Iceland into a solid block of music.” Affordable ear travel.
“Anybody familiar with Sólstafir’s discography, knows that they’re agents of change. Where Í blóði og anda was steeped in abrasive black metal, Svartir sandar signalled a turning point for the band, showing signs of the post-rock/metal that Sólstafir would ultimately refine on their later releases. Do I have high expectations for Berdreyminn? Hell yes!” Great expectations is a depressing story.
“Narthraal are very proud of the fact that they are the only band in Iceland using the Boss HM-2 pedal to produce their fat and filthy old school Swedish death metal sound. Attempting to replicate the classic chainsaw sound is a tall order and Narthraal have a lot to live up to. Screaming From The Grave is a debut album that unashamedly plonks itself in the heart of the early 1990s.” Let’s give them an everflowing left hand welcome.
“Two years ago, the Grymm Grab Bag unearthed Vegferð tímans, the third album by Icelandic duo Dynfari. While it started off slowly, the album opened itself up to some beautiful post-rock influenced black metal that was both inspiring and beautiful, like the musical equivalent of watching the moon shimmer off of a glacier in the middle of winter. Fast-forward to now, and Dynfari, now a fully fleshed-out quartet, return with a concept album.” Blackened beauty.
“It’s no secret that—following a legacy now two decades old—black metal is synonymous with Scandinavia. For most, this refers to Norway and Sweden, but, depending on who you ask, this may also include Finland and Iceland. Regardless if these countries meet the rules for the “Scandinavia” tag, they have a plethora of black metal bands, with legacies all their own. And I thank that goat-headed deity for that.” Feeling Scandinavia, looking frozen tundra.
“So it was with great portent that night fell upon Reginald’s Emporium of the Fine Arts, cloaking Chicago in a sickly sodium glow. Just on the edge of Chinatown, next to a bombed-out taco joint under the Green Line, brutality was brewing, summoned in darkness from the ragged edges of the Earth. And as the sun set, than the venue was assailed by… no one at all.” The abyss is a lonely place.
“Vögguvísur Yggdrasils is the fourth full-length from Iceland’s most (only?) notable Viking metal band, Skálmöld. I’ve formerly criticized this genre tag in my review of the album’s predecessor but ultimately conceded that it was a neater way of describing the number of influences at play in their energetic interpretation of Northern European mythology.” Let your blood eagle fly.
“Hailing from the Kópavogur area of Iceland’s capital Reykjavik, Zhrine rose from the deathly remains of Gone Postal. Somewhere between taking top spot in the 2012 Wacken Metal Battle and and today, the voices behind Gone Postal noticed their sound growing darker, becoming more atmospheric and permeated with despair.” Iceland keeps the fires burning still.
“I’m inclined to jump at the opportunity to review any music that surfaces out of the Icelandic metal scene. Their strong talent, adventurous spirit, desire to cross or mix genres and their overall quirkiness usually makes for an exciting listen. That was my expectation with Naðra.” Feel the Icelandic burn!
“There aren’t many contexts wherein ‘Icelandic’ forms part of a natural phrase to an outsider such as myself. If I think ‘American…’ I complete the phrase with ‘Horror Story,’ ‘Hustle’ or ‘Heartbeat,’ among numerous other affiliated terms. There are but two completions which spring to mind after ‘Icelandic’ for me: ‘beer’ and ‘metal.’ I therefore understandably privilege the overachieving country and am here to impart on you the knowledge of yet more exemplary cultural output.” Everybody move to Iceland and drink lots of beer, everybody move to Iceland right now!
