AFM Records

Bloodbound – Unholy Cross Review

Bloodbound – Unholy Cross Review

When I first heard that super talented metal vocalist Urban Breed had left the excellent Tad Morose I was very unhappy. When he popped up in the strangely corpse painted but great classic metal band Bloodbound for their 2006 debut, I was happy again. Then he left, then he came back, and now he’s left yet again. C’mon man, what the hell are you doing? As the ever fickle Mr. Breed contemplates his career options, the boys in Bloodbound soldiered on without him and are set to release their fourth platter Unholy Cross. With vocals now being handled by Patrik Johnansson (Dawn of Silence), Unholy Cross finds Bloodbound bouncing back and forth between their usual classic metal sound and modern Euro-power metal similar to Edguy, Mystic Prophecy and Stratovarius. Gone is the slick blend of classic and modern metal they explored on 2009’s excellent Tabula Rasa and sadly, a lot of the overall excitement seems leeched from their sound this time as well. While still worthwhile, this is inferior to their earlier material, especially Tabula Rasa.

Suidakra – Book of Dowth Review

Suidakra – Book of Dowth Review

There will always be examples of bands that fate hasn’t been kind to despite their hard work and professional approach. Suidakra is unfortunately one of those bands, but regardless of the size of his fanbase, the name of Arkadius has been linked to fecundity, quality music and progress. Having started the band as a black metal project with folklore elements, he has continued to develop this sound further in order to forge out one of the most musically successful, yet not so widely-consumed folk melodeath bands out there. That being said, Suidakra is not an exception from the painful “quantity vs. quality” issue which resulted in the bittersweet aftertaste that Cragacht left us with. Now, however, they have a chance to compensate that downfall and strike back with a solid piece of work called Book of Dowth.

Tankard – Vol(l)ume 14 Review

Tankard – Vol(l)ume 14 Review

Wow, back in the day when the first few Tankard albums stumbled into the light like a wino from a dark alley, I never imagined these guys would be around very long. While amusing, they were the essence of a third tier act and didn’t stand out all that much even in the heyday of thrash. Well, since I now find myself reviewing album fourteen by these alcohol fueled Germanic thrashers, I would say I was pretty wrong about my initial impressions. While these guys were never in the same league as Sodom, Kreator or Destruction they still managed to become an enduring and productive minor league team. Unlike their bigger peers in the German thrash scene, Tankard was always silly, tongue-in-cheek and largely wrote on the few topics they knew best: drinking, partying and alcohol. Since I myself was a hard partying youth, I casually enjoyed their Chemical Invasion and The Morning After releases for their good humor and frantic pace. After that they dropped off my radar and only in the past week did I start getting to know the Tankard again. Although the goofy, “anything goes” feel is still there, the music and writing doesn’t hold up like I remember it. Once the nostalgia factor wore off, things started tasting a little skunky.

Things You May Have Missed 2010: Triosphere – The Road Less Travelled

Things You May Have Missed 2010: Triosphere – The Road Less Travelled

Triosphere is a Norwegian progressive/power metal band that has gotten a little bit of play among fans of the genre, but isn’t actually super well known or discussed widely. Released on AFM, the band’s second full length The Road Less Travelled is a surprisingly interesting and fresh sounding power metal record in a genre filled with tired, tired, tired bands playing tired, tired, tired music. Instead, the band seems to have carved out a fairly unique place, partially due to the androgynous vocals of Ida Haukland. This isn’t an insult to her by any means, it’s just that I couldn’t tell if this was a male vocalist or a female vocalist and she’s one of the few female vocalists in power metal that I’ve ever heard that really do metal voice convincingly, instead of donning a dress and pretending she’s a diva. To the contrary, with solid backing from a band that can go between Dream Theater-flavored solos and Dragonforce-flavored blasts, she nails the presence the album needs to be convincing and unique at the same time.

Ross the Boss – Hailstorm Review

Ross the Boss – Hailstorm Review

Is this new Manowar? No, that it ain’t. So it’s Rossowar? Closer, but still no. What we actually have before us is Hailstorm, the second album by Ross the Boss. Mr. The Boss was of course the original fret master for the legendary Manowar and he played on all their classic, seminal albums before riding off to seek glory on his own (yes AMG, there really are classic Manowar albums [I resent that statement. – AMG]). So what type of music would one of the founding fathers of sword and furry loincloth metal create in this day and age? Well, those hoping Ross assembled a merry band of Manowar imitators will be disappointed. While there are several unsubtle stylistic nods to his original band (the most unsubtle band of all time), this is way less Mano-thematic than 2008’s New Metal Leader and focuses more on early 80’s style metal and straight ahead power metal. In some ways this departure from his musical comfort zone works, in others it falls just a bit short.