Code666 Records

Cult of Erinyes – Blessed Extinction Review

Cult of Erinyes – Blessed Extinction Review

By Grymm on October 11, 2013 in 2013, Belgian Metal, Black Metal, Code666 Records, Reviews, Black Metal, 5 comments

“Man, I do love me some Blut Aus Nord. Ever since their landmark 2003 album, The Work Which Transforms God, the rebellious French “trio” (are they actually a band?) set a new standard for uncomfortably cold, ridiculously unpredictable black metal, inspiring future robe-wearers of the world to put down their torches and pick up a copy of Streetcleaner on vinyl. One such band to follow in their grimy footsteps is Belgium’s Cult of Erinyes, who have returned with their second album (and fourth overall release since their inception in 2009), Blessed Extinction. Have these upstarts taken the tools given to them by Vindsval and company to usurp the throne from the French masters of the frozen arts?” Is any French throne really guarded all that well? I think not!

Ecnephias – Necrogod Review

Ecnephias – Necrogod Review

By Madam X on June 20, 2013 in 2.5, 2013, Aural Music, Black Metal, Code666 Records, Death Metal, Doom Metal, Italian Metal, Melodic Death Metal, Reviews, 2 comments

“Yup, I’ve been picking promo’s based on album art again, some say it’s no way to pick an album, that the two don’t correlate, I disagree. Don’t knock the system till you’ve tried it! What it boils down to is that I have no history with Ecnephias, I’ve not come across their dark melodies before and as mentioned it was graphic artist Pierre-Alain D. (3mmi Design) and his attractive album art that prompted me towards this review.” Madam X reviews some blackened death which may or may not sound like Septicflesh. You people love when we do that!

Syn Ze Şase Tri – Între două lumi Review

Syn Ze Şase Tri – Între două lumi Review

By Angry Metal Guy on April 5, 2011 in 2.0, 2011, Black Metal, Code666 Records, Reviews, Black Metal, 1 comment

The audiophile in the age of digital mastering has some serious things to contend with. I mean, the amount of equipment out there and the ease of acquisition means that more and more people can do things themselves, but the quality isn’t always the best and CDs have gotten so loud that it’s often impossible to even listen to old records next to new records. For the uninitiated, this is called “The Loudness Wars,” or well, the movement to fight against this obsessive loudness is called this. There are some excellently instructive videos on YouTube showing it with Iron Maiden, if you’re interested. That note aside, when I received this Syn Ze Åžase Tri record, I was looking forward to it. Transylvanian black metal really strikes me as pretty much the most evil possible thing ever and I figured that these guys couldn’t be bad! Right? RIGHT!?

Raven Woods – Enfeebling the Throne Review

Raven Woods – Enfeebling the Throne Review

By Angry Metal Guy on April 1, 2011 in 2011, 3.5, Code666 Records, Death Metal, Progressive Metal, Reviews, Turkish Metal, Death Metal, Folk Metal, Progressive Metal, 2 comments

Middle-eastern tinged metal has become a slight trend. Since Nile really took off with the sound and influences, slowly but surely the metal scene has followed with. Behemoth played the Nile card and won big with it and Melechesh has grown to great popularity, releasing great records left and right. However, that bands from the middle-eastern or north African region are actually put out records influenced by their own culture, that’s pretty new. Sure, Orphaned Land has been around a long time, but they didn’t really catch the popular metal imagination until 2006. Myrath still hasn’t caught on and now we have Raven Woods of Turkish extraction.