Cyclone Empire

40 Watt Sun – The Inside Room Review

40 Watt Sun – The Inside Room Review

How often does music effectively convey the emotions that have been put into it? How often do lyrics and music truly fit and complement each other? I really don’t think it happens that often. I’m not a lyrics kind of guy, mostly because, most of the time, the lyrics don’t really do anything to me or they are plain stupid. And when does the music itself ever really seem heartfelt? There are so many examples of bands that are great at songwriting, who handle their instruments perfectly, but on that important emotional level, it just isn’t what it could be. Still, it can be great music. Take Opeth for example. Boy, can those guys make music! The sheer awesomeness of some stuff they put to record is something to behold. But much of their back catalog really doesn’t convey any emotion, at least to me, that is. It’s actually quite cold, buried somewhere between all that awesome-sounding stuff. It’s really very much like a rollercoaster ride. You get overwhelmed with all kinds of input and it feels great, you enjoy it, but does it move you in any other way?

Demonical – Death Infernal Review

Demonical – Death Infernal Review

I’ve said it before and now please allow me to say it again. I love old school Swedish death metal. I think it was one of the best pure metal sounds and when done right, its like a little slice of hell on Earth. I recently sang the praises of Blood Mortized for doing the style enormous justice and now here comes Demonical, yet another Swedish retro death mob. Death Infernal is their third release and as with their prior material, it’s a full on love fest for all things Entombed, Dismember, Grave and Unleashed. Featuring members who did time in Grave, Interment and other SDM acts, these guys have been around the block and clearly know what they’re doing genre-wise. While there’s little to no originality on display here, that need not spell disaster if a band executes their chosen influences and style with skill and conviction. For the most part, Demonical manages to do just that and delivers some decent Swedish flavored death mayhem. While not not a perfect album, it’s solid, serviceable and at times pretty darn good.

Gloria Morti – Anthems of Annihilation Review

Gloria Morti – Anthems of Annihilation Review

One of the best parts about being a reviewer, honestly, is getting a hold of records that you’d’ve never thought to buy on your own and really enjoying them. 2010 hasn’t actually had a lot of those for me. The year has gone pretty much as expected (and a little worse for certain bands, unfortunately). But one of the big disappointments has been the number of bands that I’ve gotten who I’d never heard of that just never pan out to anything. Because obviously it’s newer bands that keep things going and some of my favorite records of the last few years have been from bands that I didn’t even know existed until I got the record to review (Istapp for example, or In Mourning). Gloria Morti is one of those bands that I’d sorta gotten wind of, but never really heard before. I wasn’t sure what to expect when I received Anthems of Annihilation but I was pleasantly surprised.

Demiurg – Slakthus Gamleby Review

Demiurg – Slakthus Gamleby Review

When I was doing my interview with Ed Warby last November, I reached the end of the review and he mentioned that I hadn’t asked about Demiurg. Embarrassed, I admitted that I hadn’t heard Demiurg and was quickly informed as to its nature. To paraphrase Warby (who plays drums in this band, in case you didn’t know that) this is the “Rolls Royce” among vocalist Rogga Johansson’s bands and a real juggernaut of Swedish death metal. He hooked me up with a copy of The Hate Chamber, the band’s second record, and I was duly impressed. The band, made up of Rogga (Bone Gnawer, Paganizer, Ribspreader, The Grotesquery), Dan Swano (maybe you’ve heard of him), Johan Berglund (This Haven, The Grotesquery) and Ed Warby (The 11th Hour, Gorefest, Hail of Bullets, and more), has come back in 2010 with a new take on their already well-developed and unique sound.