Deadlight Entertainment

Deliverance – Holocaust 26:1-46 Review

Deliverance – Holocaust 26:1-46 Review

“Like Amenra, they have the ability to suck you deep into tension-building ascensions before coming down on the front of your skull like a sledgehammer. But, the biggest difference between Amenra and Deliverance is that the latter prefers the accompaniment of rasping vocals and black-metal song structures. Combining this foundation with Amenra-like builds and Gojira-esque, concrete-cracking riffs, 2020 finds Deliverance releasing their most-impressive work to date. But, good luck looking beyond the haunting artwork, the heart-sickening album title, and a band name that reminds one of hillbilly butt sex. Now, everyone, open your books to the chapter of ‘Holocaust’ and let’s begin.” End times.

Ataraxie – Résignés Review

Ataraxie – Résignés Review

“If life really is a tale told by an idiot, full of sound and fury and signifying nothing, then France’s Ataraxie have an unenviable inside line. Doom metal is always downtrodden, and its more extreme iterations never fail to manifest the maudlin. But the inherent ceremony and circumstance rarely coalesce into as voracious a sonic black hole as heard on Résignés. The band’s fourth album is an unnatural aperture into a single moment of crushing and immutable understanding. Although it doesn’t deviate from their discography’s trajectory, it just might perfect it.” Welcome to the end.