“Having finally stepped out from the shadow of Roman numerals and single-track full-length albums, the French Monolithe has returned with their fifth LP, Epsilon Aurigae. I considered Monolithe IV a slight regression from the monumental Monolithe III, and it seems the decision taken to step away from the established formula (which had already been more-or-less perfected by III) was a smart one.” Attach the Rock of Triumph again!
This post has been removed because it promoted Nazi or Nazi-adjacent metal bands or musicians. We apologize.
“There’s a lot to be said about a band that can produce albums that are radically different from each other, but still are unmistakably recognizable as a product of their arduous labor. Even more can be said when those albums are consistent in their high level of quality.” Can the high quality and creative insanity keep going or have we finally found the rut?
Earlier this year I wrote a “YER METAL IS OLDE!” article about the ongoing influence of Ulver’s epic Bergtatt, a classic by any measure. But in some ways, it only introduced a ‘trope’ of sorts that has become one of my favorite parts of the underground metal scene: the harmonized acoustic folk record. And while Ulver only did it once, on Kveldssanger, October Falls—whom you certainly have heard of if you’re a long-time reader of Angry Metal Guy [or other blogs I guest/write for]—produced a number of excellent acoustic records in this vein. These included a full length by the name of Marras, two EPs entitled Sarastus and Tuoni, and a number of singles. These are all available as lossless files via October Falls’ BandCamp website and worth purchasing, if you don’t mind spending money on a digital, lossless format.
“A one-man black metal army of darkness – yes, like you I’m already cringing at the thought of spending a week or, God forbid, longer being tormented by fuzzed-out direction-less blackened murk! Somewhere in the midst of releasing their range of splits, EPs and their full-length (Worshipping Times of Old), German band Infestus switched from being a force of three, to being left to the power of one.” Madam X takes on the dank, dark depression of one-man project Infestus, will she end up cut up, depressed and alone? Read on and find out!
“When I throw the label “experimental metal” out to you, what does your blastbeat-addled mind conjure for images and sounds? Does your brain picture off-the-wall time changes, weird instrumentation, musical concepts foreign to metal, or something truly out of left field? Or, like me, does it simply explain that what you’re about to listen to, well, isn’t really metal? Sadly, 9 times out of 10, most “experimental” bands fall into the latter category. Lethe is a new project featuring Anna Murphy (Eluveitie) and Tor-Helge Skei (Manes) waving the “experimental metal” flag with their debut, When Dreams Become Nightmares. Does Lethe carve a new path through the thickets, emblazoning new trails, and sending the hordes kicking and screaming, welcoming the dawn of a new day in the world of heavy metal?” Grymm answers this thorny question and weighs the relative worth of this experiment in metal and/or non-metal.
“Considering the mighty seven year gap between Monolithe II and Monolithe III, it certainly comes as a surprise that this album arrived so soon, barely a year after III. Naturally, a four-part album series of crushing, spacey funeral doom, each with tracks spanning nearly an hour is as difficult a pill to swallow as one will find in this or any genre, but Monolithe have proven over the years they know exactly what they’re doing.” Our man Noctus seriously wet himself over the last album from these French doom-mongers. This time we outfitted him with young adult diapers and plastic wrapped his desk area. We learn from our mistakes….
“I wouldn’t blame you for having the thought in the back of your mind for giving Slidhr’s album a miss based solely on the fact black metal has become rather over-saturated with copycats and generally uninteresting bands. I hear the pitchforks raising already so allow me to stress that I adore black metal, it being one of my favoured subgenres of extreme metal, but I really have fallen out of touch with recent acts over the last five years.” I for one, support the pitchforks coming out and the forming of angry blackened mobs…after you read what Noctus has to say about Slidhr.
Back in ’10—when I was wearing an onion on my belt ’cause that was the fashion in those days—I reviewed a record from Finnish atmospheric black metallers October Falls called A Collapse of Faith. At 40+ minutes of a single song, my Angry Attention Deficit Disorder hindered me from loving this record. While it was good, had great melodies, interesting ideas and an old school production that added a fuzzy atmosphere to the whole thing, I was never able to really bring myself to come back to it. It might have been perfect for some of the depressing, snowy days that we get here in Sweden, but I’ve got a quite bit of go-to music for that. Still, I was curious was when I received the promo for The Plague of a Coming Age. With its fantastic cover art, and its 9 easily distinguishable songs, I thought this might be a step in a direction I could enjoy.
Long lost scribe, Noctus makes a big return with a review of the new Monolithe opus. He seems quite sure their unique style of spacey funeral doom with beautiful melodies makes this a major contender for album of the year. Welcome the prodigal son back and read this here review!
