InsideOut

Spiritual Beggars – Earth Blues Review

Spiritual Beggars – Earth Blues Review

“One of our readers recently commented that we convinced him the only independent bands were stoner/doom bands. That sentiment is surely understandable given the enormous volume of the stuff cropping up these days. It’s not limited to independent bands either, as Spiritual Beggars clearly demonstrates again on album number eight, Earth Blues. Since Michael Amott’s (Arch Enemy, Carcass) long-lived stoner/retro-rock project clearly isn’t going away, you might as well put on the obnoxiously colorful tie-dye shirt (the theme this time appears to be radioactive orange) and enjoy the homage to all things late 60s/early 70s.” Set the lava lamps to “wake and bake” and get settled into your bean bag chairs, the Spiritual Beggars are back to shake your VW van! Steel Druhm shook off his contact high to tell you if this is worth your free love.

Riverside – Shrine of New Generation Slaves Review

Riverside – Shrine of New Generation Slaves Review

Back in 2009 when I started this website, I was really getting back into metal and music in general, after having spent the previous year working on my own music and being really invested in learning a new language and trying to integrate into a new country. Upon having done this, I started up Angry Metal Guy with the purpose of giving myself something to do and a crash course in new music. One of the first labels I actually got a hold of was InsideOut (via Century Media) and received several very cool promos at around the same time. 2009 was actually a really good year, with several awesome releases that still stick out for me. One of these is the modern rock tinged opus Anno Domini High Definition with the slightly embarrassing acronym of ADHD. The record was modern, heavy and progressive. I was impressed and have been looking forward to the band’s follow up since.

Arjen Lucassen – Lost in the New Real Review

Arjen Lucassen – Lost in the New Real Review

A few years back when Guilt Machine released, Arjen Lucassen (of—deep breath—Ayreon, Star One, Arjen Lucassen, Guilt Machine, Galexia, Stream of Passion, Vengeance, Ambeon and a myriad of other projects I probably don’t even know exist) is reported to have said that if he’d had to do it over again, Ayreon would have sounded like Guilt Machine. Whether that was just talk in the build up for a new record or not, it appears that to a certain extent he meant it, as his new Lost in the New Real sounds like the combination of the two projects. On the one hand, Lost in the New Real is a concept record and (faux) double album, featuring the dulcet tones of Rutger Hauer as narrator and “psychologist,” like one would expect from an Ayreon record. However, like Guilt Machine, the record features primarily only one vocalist (Arjen himself), and the music is largely a post-Pink Floyd progressive rock heavy with atmospherics and sweet, but melancholic, melodies. As a fan of Guilt Machine and not of Ayreon, I can say that I was curious to see how this sort of combination would work and I was pleasantly surprised.

Pain of Salvation – Road Salt Two [Ebony] Review

Pain of Salvation – Road Salt Two [Ebony] Review

In 2010 Pain of Salvation, best known for their progressive stylings and vocalist who wishes he could talk rhythmically like Mike Patton, released a record that blew me away and shook their fanbase: Road Salt One. It was shocking mainly because it was a largely not tech-geek-progressive and it was very 70s rock influenced. This left some long-time fans peeved, at best. They wanted something different. Well, Road Salt Two is definitely not that something different. It is stubbornly more of the same and it may have lost a bit of its luster with a year to sit on it.

Leprous – Bilateral Review

Leprous – Bilateral Review

Progressive music is a vast category filled with all sorts of various constellations of bands from Dream Theater to Symphony X to Rush to Opeth to Death to Pink Floyd to Pain of Salvation to Coheed & Cambria (arguably) and so forth. It can be very difficult to keep all that shit in order and, frankly, to find good progressive bands because it’s such a huge category. Despite the fact that progressive music should be the biggest, best and most original music in the world it suffers from some serious problems. The first is a tendency towards living in the past (för svenskar: bakÃ¥tsträvande) and the second is unoriginality, oddly enough. So finding a progressive band that is excellent, modern and original is still a hard thing to do. But you’ll never guess who has some angry (but good) news.

Devin Townsend Project – Ghost Review

Devin Townsend Project – Ghost Review

Devin Townsend Project // Ghost Label: InsideOut Websites: hevydevy.com Release Dates: EU: 2011.06.20 | US: 06.21.2011 By:Natalie Zed It’s impossible and incorrect to review Ghost or Deconstruction as entirely antonymous albums. Even if they were released years apart, they exist in the same milieu as the other Devin Townsend Project releases, Ki and Addicted. But […]

Devin Townsend Project – Deconstruction Review

Devin Townsend Project – Deconstruction Review

Devin Townsend Project // Deconstruction Label: InsideOut Websites: hevydevy.com Release Dates: EU: 2011.06.20 | US: 06.21.2011 By: Natalie Zed Thinking of Devin Townsend as a musician no longer works. While his command of his instruments is awe-inspiring, to confine him only as such would be a disservice. With Deconstruction, Devin Townsend has ascended to the […]

Above Symmetry – Ripples Review

Above Symmetry – Ripples Review

Progressive metal isn’t an easy place to be. Let’s face it, much of the world of progressive metal is a tussle between an old guard of old fans (the Neanderthals of Metal) who really like bands that sound like Dream Theater, Queensryche, and so forth, and then there’s kind of everyone else. It’s disparate, difficult to define and often pretentious as hell with little logic as to what is in fashion with which group. This is the natural outcome of genrefication, in my opinion, and part of that is a question of where a band can actually progress to. You’re either not heavy enough or you’re too heavy and you never please anyone. Few bands ever really manage to fall outside of these well-worn ruts in the road, but there are some fantastic bands in those ruts, Above Symmetry is one of those bands.