Necromance Records

Inferno – Basado en Hechos Reales Review

Inferno – Basado en Hechos Reales Review

“Let me congratulate you. If you’re reading this, it means you’ve managed to survive “The Great Thrash Drought of 2018.” Thrash is one of my favorite genres in both its single malt and blended-with-other-genre forms, so it was rough having only one album of that style amongst my favorites of last year. There’s just something about the combination of riffs and attitude that makes well-performed thrash untouchable in my book. I’ve been tempted to give in to a sense of hopelessness when it comes to modern day thrash, but rather than relent to this urge, I’ve decided to opt for immersion therapy.” No speed kills.

Sad Eyes – vIV0 Review

Sad Eyes – vIV0 Review

“As a wee lad, I met a guy at camp who was quite the contortionist. He delighted in the responses his disconcerting levels of flexibility granted him, basking in the wide-eyed, slack-jawed and mildly disgusted attention of his peers. However, his flexibility never garnered him any true friends. He was a spectacle, an object of attention, nothing more. Hailing from Spain, one-man death metal project Sad Eyes, helmed by Santi Gzlez, seeks to turn his project into a musical contortion of sorts, assembling an album with a list of collaborators longer than I’ve had friends.” Death metal camp is rough.

Semper – Kháos Review

Semper – Kháos Review

“Repeat after me: Djent is not a dirty word. It certainly appears that way with the general consensus in the metal community of the often maligned offshoot sub-genre of progressive metal. The potential is definitely there for bands to take the basic template of the djent formula and manipulate the components in a myriad of interesting and innovative ways, yet the quality bands able to do this effectively appear few and far between.” Semper fi, or semper die, there is no semper try.