Relapse

Ilsa – Corpse Fortress Review

Ilsa – Corpse Fortress Review

“If pressed, I would have a hard time describing what “heavy” means in terms of music. I can contrast it with what it is not, but that only gets us a partial answer; essence cannot be defined by privations. In this young year, Washington’s Ilsa have me wondering now about what that definition contains and excludes more than any other band. Their fifth full-length Corpse Fortress sports a great title and the laudable accolade of being released by Relapse Records. The cover and the title hint at Ilsa releasing some truly heavy stuff, as did the appealing death-doom tag attached to it. Yet still I wonder: is this heavy?” Heavy is as heavy does.

Mammoth Grinder – Cosmic Crypt Review

Mammoth Grinder – Cosmic Crypt Review

The first time I saw Mammoth Grinder live, I was wasted at a bar in Portland and had to laugh as the band announced every song as a Deep Purple track to see if anyone would notice. The second time I saw Mammoth Grinder live, I was shithoused in Brooklyn and had a Warriors-style adventure trying to find my way home on the New York subway system after the show. Point is, apparently being drunk and seeing Mammoth Grinder live is the best way to get hooked on them, because I’ve been anticipating Cosmic Crypt since before I started writing for AMG.” Fat, drunk and at a Mammoth Grinder show is no way to go through life, Z.

Exhumed – Death Revenge Review

Exhumed – Death Revenge Review

“Like a fine wine, the mighty Exhumed keep getting better with age. The career parallels with their idols Carcass are obvious but not debilitating, manipulating their worship into their own finely honed death metal machine. From the grimy days of their fun and gruesome 1998 debut Gore Metal, through to 2013’s excellent Necrocracy, Exhumed’s career has been on a constant upward trajectory of consistency, refinement and dependable quality. With the focus of Matt Harvey and co on various other projects in recent years, the band finally dusted themselves off and returned to the studio to record a goddamn concept album!” Feeling offal? Try more gore!

Usnea – Portals into Futility Review

Usnea – Portals into Futility Review

“Like labelmates Graves at Sea and Lycus, and fellow American’s Bell Witch and Samothrace, Usnea live life in the slow(er) lane. Their brand of doom features a rotating spit of tasty off-shoots: funeral doom, black metal, sludge, and progressive metal all permeate through the five dense and atmospheric tracks of Portals into Futility, the band’s third full-length. A vague and ethereal science-fiction concept runs through the album, too. I’ve deduced this not from the lyrics but from the reading list supplied by the band: the works of Gene Wolfe, Ursula Le Guin, Carl Sagan, Margaret Atwood, Philip K. Dick, and Frank Herbert are expected to be cosmically crumbled into this curious concoction.” Sci-ops.

Poison Blood – Poison Blood Review

Poison Blood – Poison Blood Review

“You may not have thought it but Beherit brings people together, much like Christmas and accounts of drunken excess. A mutual affinity for the Finnish blackened barbarians drew Neill Jameson of Krieg and Jenks Miller of Horseback into collaborating on a new project called Poison Blood. Tales of the occult are spun through the medium of black metal but Miller, particularly, draws from a repertoire far beyond that which is typical for the genre.” Punk up the blackness.

Incantation – Profane Nexus Review

Incantation – Profane Nexus Review

“Once again, Incantation have returned to drop another platter of death metal denser than the Earth’s mantle and more noxious than whatever genetic twist of fate finds us sharing a world with Kardashians. Previous album, Dirges of Elysium, was described by Steel Druhm – the one man guaranteed to bring a gun to a knife fight – as “accessible;” a relative term when discussing any metal band, but particularly one like Incantation.” Art in the abyss.

Atriarch – Dead As Truth Review

Atriarch – Dead As Truth Review

“I’m fed up with wizards, dragons, and leather-cladded warriors in metal. I’m fed up with corpse paint, studs, and leather-cladded necromancers in metal. I’m fed up with groove, headbanging, and flannel-cladded bong wizards in metal. I’m fed up with melody and happiness in metal, that’s why Atriarch – with their fourth full-length Dead As Truth – have arrived at the perfect time.” Celebrate the sludge.