Svart Records

Domovoyd – Oh, Sensibility Review

Domovoyd – Oh, Sensibility Review

“Finland has a dark legacy within the subterranean world of doom metal. Browsing the Encyclopaedia Metallum’s list of Finnish bands reveals the likes of funeral doom pioneers Thergothon and Skepticism, as well as other underground stalwarts of the genre such as Wormphlegm, Shape of Despair and Stabat Mater, to name a few. Indeed, the Finns do not fuck around with their doom – perversion, depression, sadism and Lovecraftian horror is the name of the game. Even the more traditionally oriented Reverend Bizarre was similarly steeped in lyrical and musical despondency alongside their trademark tongue-in-cheek snarkiness. Yet, here we have relative newcomers Domovoyd. Somewhat of an anomaly within the country’s pitch-black doom metal reputation, Domovoyd is a stoner doom group that looks to the likes of Electric Wizard, Sleep and The Sweet Leaf for inspiration.” A new and exciting band and a review of same by a new and exciting writer for AMG. JF Williams is here to discuss doom, stoner rock and all things Sabbath worshipping.

Oranssi Pazuzu – Valonielu Review

Oranssi Pazuzu – Valonielu Review

“Music that takes you places in your mind is a queer phenomenon. How the hell did the mind associate certain patterns of molecular vibrations in the air with such far-flung imagery as the cold depths of interstellar space and impossibly colorful dreamscapes in the first place anyway? To answer my own question because I’m solipsistic like that: unicorns. Also: invisible fairies sitting on your shoulders that are hosing liquid fairy dust into your ears. And oh, don’t forget about those psychic ants chewing and burrowing into your brain’s numerous ridges.” The staff at AMG apologies in advance for the cutesy-tootsy nature of this here review. We’ve tried nothing with Happy Metal Guy and nothing hasn’t worked. Anywho, read all about the unicorns and blackened doom from Finland.

Exitus – Statutum Est Hominibus Mori Review

Exitus – Statutum Est Hominibus Mori Review

“What catapults one album to the front of a promo pile (seeing it reviewed on countless sites), and has the next album lurching and blundering along, no reviews, the band lost in obscurity? Active only between 89 and 90, Finnish doom thrashster’s Exitus suffered just such a fate with their one and only release Statutum Est Hominibus Mori seeing the light as a demo sold to friends. A lifetime later (23 years to be exact) Svart Records saw fit to drag this dusty masterpiece kicking and screaming out into the sun, pulled a little remastering magic out of the hat and wham Exitus are back!” Madam X uses the release of a long buried demo from an unknown act to jump into the whole “retro-spective review” craze. Yep, now she’s a bandwagon gal.

Church of Void – Dead Rising Review

Church of Void – Dead Rising Review

Church of Void is a young upstart Finnish doom band, but they like to bill themselves as the spearhead of the “new wave of traditional heavy doom metal.” While that might be putting the cart before the dead horse quite a bit for an obscure band, I admire their hyperbole and moxie. Featuring former members of Battlelore and Horna, they play a slightly amorphous style of doom that skips between 70s Sabbath worshipping acts like Orchid and Hour of 13, modern doom like Katatonia and even stoner rock like Monster Magnet.” Can a young band lead the way in a style so old and gnarly? Steel Druhm is also old and gnarly so we asked him.

Hexvessel – Iron Marsh Review

Hexvessel – Iron Marsh Review

“Things seem to come on threes, be they good, bad or some combination thereof. As proof of this cosmic law, this week has graced me with three examples of stoner/doom/retro music: Ghost, Spiritual Beggars and now Hexvessel. I hadn’t heard of this oddball, psychedelic group of Finns until their No Holier Temple album last year, and I found myself quite taken with their folksy, trippy and hypnotic take on 60s and 70s rock.” And now they’re back with an EP that tells the rest of the story! Are you ready for more Finnish forest folk? You better be!

Victor Griffin’s In-Graved Review

Victor Griffin’s In-Graved Review

“As a long time fan of American doom pioneers Pentagram, I’ve been an admirer of Victor Griffin’s playing and his bluesy, but street tough style. Sure, he borrowed a lot of his sound from Tony Iommi, but he made it his own by mixing it with the sound of Cream-era Clapton and a touch of Hendrix. When he left Pentagram, their stock dropped precipitously, and when he returned for their Last Rites opus, everything was right in the doom world again. I enjoyed most of the material from his Place of Skulls outing, so when I heard of the new Victor Griffin’s In-Graved project, I expected solid results, which this delivered, along with a few surprises.” Doomy biker rock? Does Steel Druhm need to say more? Well, he will anyway because he’s wordy!

Convulse – Inner Evil EP Review

Convulse – Inner Evil EP Review

Like many tragic biographies of great artists who were not recognized in their time, Finnish death metal pioneers Convulse released only two records during the brief initial run of their career: World Without God in 1991 and Reflections in 1994. In the intervening years, they have become recognized as an important and influential extreme metal force in the country. Now, nearly two decades after their last release, Convulse are finally making music again together.