“Sadist are a band who have always toed the line between cult classic and second tier. Their progressive death metal has run the gamut between introspective fusion and ham-fisted rhythm, but aside from their excellent debut, Absence of Light, our relationship remains regrettably distant. Now, imagine my intrigue when faced with the Italians’ eighth full-length, Spellbound, a record based on the work of the infinitely influential Alfred Hitchcock. Surely combining my favorite core genre with the oeuvre one of the greatest auteur directors of all time is a recipe for success? Don’t call me Shirley…” Sadism comes in many forms.
