Record reviews
![Witchmaster/Voidhanger – Razing the Shrines of Optimism [Split] Review](https://www.angrymetalguy.com/wp-content/uploads/2017/01/witchvoid-cover1000x1000-768x768.jpg)
“From Vader to Behemoth, Polish death metal has always rocked my socks off and left me standing in line for all the blastbeats and pierogies I can stomach. From the same foul breeding grounds come the perpetrators behind today’s split.” Nasty and nastier.
“Relentlessly picking on black metal bands whose members opt for anonymity is a favorite pastime of ours here at Angry Metal Guy, but it kinda sorta makes sense when you look at the practice from the band’s perspective. When trying to break into the scene, withholding one’s identity means that critics have only the music to go on, and if the musicians happen to suck, it eliminates any possibility of cred shredding in the eyes of the masses.” Secret identities are metal.
“Black Anvil is one of those bands you always expect to break through on their next record. Formed in 2007 by members of New York hardcore act Kill Your Idols, the black metal quartet’s 2009 debut Time Insults the Mind and 2010 follow-up Triumvirate initially seemed poised to break the group out of the underground with their infusion of Watain-style riffing into a sweaty hardcore aesthetic.” Is this when the Anvil cracks through?
“Here’s something to think about… If Darkthrone’s Transilvanian Hunger released today, would it make the same impression it made back in 1994? More importantly, would it get the same reception nowadays that it got in the past?” No chance.
“Collaborations between metal artists are quite common. The amount of “supergroups,” like Phil Anselmo’s own Down, can attest to that. Less common are collaborations between metal artists and people outside of metal. Sometimes these are successful, like when Anthrax teamed up with Public Enemy for “Bring the Noise.” Other times you get Lulu.” The South will writhe again.
“I think everyone feels a little relief when a year comes to an end. I’m not quite sure why this is—considering that January 1st is just as busy as December 31st—but the phenomenon is real. Be it my real job or my fake one, there’s plenty to get done before the year’s end. Between grading and submitting them, there was still the task of cataloging promos this year’s records and preparing for the Season of Lists.” AMG is the ONLY job!
“Once upon a time, this writer, still a wet-behind-the-ears thrash aficionado, met his first brother-in-metal. He was a lanky fellow who’d rattle his neighbors’ windows with sessions of Cannibal Corpse and hit the pits so hard he’d be out of class for a week. So strong was our bromance that I cut my very first class to hit my first real show with him — I even had a beer (underage!) — what a rebel I was. I owe him, specifically his deification of Glen Benton, for a good portion of my listening habits.” Beers, Benton, bromance, Battlestar Galactica.
“Every genre has its tropes. Power metal’s unhealthy obsession with dragons and unicorns, for example. Thrashers shower but twice a year. Did you know that most black metal musicians are allergic to both colors and happiness? All true facts! Progressive metal is no exception.” Unicorns are the new white meat.
“I like doom, it’s a genre replete with crushing riffs, evocative themes (doom spelled backward is “mood,” after all) and one of the best examples to turn to when you need something spine-crushingly heavy. What it doesn’t do is respect your time.” Time waits for no band.
“January isn’t known for being a break-out month for music. With Shaarimoth’s sole output being 2005’s Current 11, they return after a lengthy period of inactivity with Temple of the Adversarial Fire. Can their rituals hold up after a lengthy lay-off?” Everything has a return these days.
