Record reviews
“If there’s anything that can be gleamed about the giant web that is the world of heavy metal, it’s that you can always draw influence from outside of the genre’s comfort zone to provide a fresh flavor to the oftentimes stagnant scene. Whether it’s pulling from other sounds beyond metal, bringing in a new philosophical or religious slant, or simply injecting your culture into your sound, it’s pretty much guaranteed that, good or bad, you will be remembered.” Is Condor ready to be remembered?
“Except for AC/DC, few acts are as unchanging, predictable and satisfying as U.D.O. Since departing from Accept in 1996, Udo Dirkschneider has been a one man Germanic metal sweat shop, mass producing albums with startling regularity and consistency. While his style never strays far from what Accept did in their prime, the unsinkable lawn gnome of metal has made it his mission to keep the 80s sound alive.” Giving you exactly the same metal since the early 80s, Udo is prepared to give just a little more. He’s a giver…of metal.
“Believe it or not, we tend to research the bands we review here, even if it’s occasionally more tempting just to mash our palms against the keyboard for five hundred words, assign an arbitrary score, then knock off down to the pub. This week has, therefore, seen me listening to an unhealthy amount of the genre that discerning metalheads love to hate: djent (the ‘d’ is silent).” Djent is a challenging genre, but then again, a double album of material can make any genre challenging. We like challenges.
“Usurping the Throne of Disease gave me two things: one, a delightfully rotten piece of blackened death-crust (which, typing it out now, actually sounds more like a spicy appetizer than a genre); and two, a reason to move past my failed no-jerking-off New Year’s resolution and slave away at a review that will, inevitably, be given the ‘Quilted Northern’ treatment by my Great Overlord.” I like my crust blackened and radioactive with a side order of cold saw.
“Many moons ago when I walked uphill in ten feet of snow both ways to get to secondary school. The music department was populated with insufferable dorks who would lecture anyone within earshot on music’s death and subsequent stinking decay post-1979. This snobbery still exists in the present day, and I’m left wondering exactly where this incredibly soundproof rock these people are demonstrably living under is located.” Come back baby, rock n’ roll never forgets.
“There are three things you need to know in regards to Raunchy: 1) I’ve had an unhealthy love affair with them since stumbling across Wasteland Discotheque back in 2008; 2) they have the most misleading band name ever; and 3) never say “can I get Raunchy?” when asking for their promo.” We call that a micro-aggression, and we only tolerate macro-aggressions at AMG. HR awaits!
“Caïna certainly aren’t your typical black metal band, they’re not Norwegian, Swedish, American or French as you would expect. In fact, Caïna is the labor of heartache by Englishman Andrew Curtis-Brignell and his band’s discography is all over the map.” Constantly changing and mutating, this act is very hard to pin down. But Madam X has many pins and a will to win.
“Having recently gone through some much-needed “downsizing” in my personal life, hitting the gym has become a more common activity for me, so I selfishly jumped at the chance to review Salvation’s début album, Resurrect the Tradition. Salvation is a hardcore band featuring alumni of various other hardcore bands (including bassist Gary Meskil of Pro-Pain and Crumbsuckers), and this music is tailor-made to be a real life Game Genie for workouts.” Need some heavy hardcore for your heavy lifting? This might be your Salvation.
“Historically I’ve not been awfully big on punk, particularly in its more melodic forms. More recently, though, I’ve been warming to the genre. I’ve always loved grindcore, am increasingly enjoying crust and hardcore, and the past year has seen me revisiting – and, swipe me, enjoying – The Offspring.” Looks like it’s time for an intervention at AMG. Now where are the spiked bats?
“Nestled in the Southwest corner of Germany, Schwarzwald (Black Forest) provides writing inspiration to its native musical counterpart, Finsterforst (Dark Forest). Playing exactly the style of metal one would expect from their name, Finsterforst have been plugging their epic, folksy wares to the masses with four full-lengths now, and Mach Dich Frei does not stray far from their established formula. There are problems, but it’s very solid and enjoyable, drawing on Moonsorrow and Wintersun in crafting epic and heavy soundscapes.” Moonsorrow influenced epi-folk sounds good, right? But is it more moon or sorrow?
