South African Metal

Wildernessking – Mystical Future [Vinyl Review]

By Angry Metal Guy on January 25, 2016 in 2016, Black Metal, Reviews, South African Metal, Vinyl Review, Atmospheric Black Metal, Black Metal, 41 comments

South Africa’s Wildernessking is an atmospheric black metal band that has undergone a maturation before our very eyes. Starting as Heathens the band played an immediate (and still excellent) form of black n’ roll. The early material was reminiscent of Enslaved, but lacked the Norwegians’ progressive punch. The writing was concise and to the point, and the word “atmospheric” would never have crossed my keyboard in those days—until the release of the track “Morning” in 2011. In 2012, under the new moniker Wildernessking, these South African ex-heathens released The Writing of Gods in the Sand, which unfurled their sound into expansive, atmospheric territory. The record had a production that helped the band’s music to balance between a raw, heavy black metal feel and their growing interest for more airy writing. Mystical Future progresses Wildernessking’s journey, taking steps further away from the intensity and riff-driven black metal, toward a more expansive, atmospheric sound.

Zombies Ate My Girlfriend – Retrocide Review

By Mark Z. on February 15, 2015 in 2015, Burning Tone Records, Melodic Death Metal, Metalcore, Reviews, South African Metal, Melodic Death Metal, Metalcore, 7 comments

“I never got into the modern zombie craze. Maybe I just had too much of it when I was younger: in high school I played the Gamecube Resident Evil reboots with religious fervor and watched more George A. Romero movies than was probably healthy…thus, you can imagine my sentiments when assigned a promo from a South African band called Zombies Ate My Girlfriend. Not only is that moniker absolutely terrible, it blatantly panders to a trend that was stale two years ago – a trend that I never gave a shit about in the first place. However, as I learned with Calm Hatchery, a bad moniker doesn’t always equate to bad music.” Terrible name, terrible cover, but it’s the music that counts, you elitist snobs!

Things You Might Have Missed 2014: Wildernessking – The Devil Within

By Angry Metal Guy on December 19, 2014 in 2014, Black Metal, Reviews, South African Metal, Things You Might Have Missed 2014, Black Metal, 9 comments

“Wildernessking is a great band. Their sounds is well-developed, nuanced, interesting and even back to when they were Heathens, they had a choke-hold on the craft of song writing. That they continue to develop and have not garnered the attention of the big(ger) labels who should be clamoring to support them surprises me. Is it because they’re from South Africa and can’t be expected to tour? Is it because the world is riddled with luck and unequal chances and they haven’t gotten in front of the right eyes? Or is it because Angry Metal Guy didn’t get his ass in gear and review the band’s EP The Devil Within, the second follow-up to the band’s remarkable debut The Writing of Gods in the Sand? As a man who obviously has an inflated enough sense of self to believe that starting a blog to air his opinion out on the Internet was something that everyone would be dying to read, we’ll go with the latter. I’m here to make amends.” And amends are hereby made.

Wildernessking – The Writing of Gods in the Sand Review

By Angry Metal Guy on January 30, 2012 in 2012, 4.5, Antithetic Records, Black Metal, Reviews, South African Metal, Black Metal, 8 comments

Time and time again, I have berated black metal as an institution. Partially because it is so institutionalized that it seems to have lost its teeth and inventiveness, and partially ’cause where it does seem to be advancing is into areas that I think are boring. So, I’m not exactly the guy who you should be looking to for your black metal needs (my flash in the pan status among the young and hip is evidence enough of that). I require things to not suck move a little faster, have a little more action and not be generally cliche and irritating. Wildernessking (formerly known as Heathens and hailing from South Africa) is all of these things, while not falling into the cliches of a scene past its prime. While the band has moved on a bit from the black n’ roll origins of their first demo Oh, Mock the Heavens and Let the Heathens Sing, they offer up with their new full length The Writing of Gods in the Sand, a remarkable slab of inventive black metal, whatever way you want to slice it.

Strident – Oath (From Chaos to Glory) Review

By Steel Druhm on March 3, 2011 in 2.0, 2011, Epic Metal, Power Metal, Reviews, South African Metal, Unsigned Bands, Heavy Metal, Power Metal, 8 comments

So apparently there’s this burgeoning metal scene in South Africa. How fucking cool is that? We already ran a review from scenesters Crow Black Sky, A Walk with the Wicked and Heathens and now we get the first proper self release from unsigned Cape Town heroes Strident. Playing what they describe as “epic South African power metal,” these gentlemen are out to show the rest of the world that true metal runs deep in the African earth. This is indeed power metal in its purest form and clearly influenced by the likes of Manowar and Rhapsody of Fire (together again, ain’t that sweet AMG?). Needless to say, with those guys as primary influences, you can expect things to get mighty cheesy real quick and that’s exactly how things go down here. Sporting an album cover suitable for the next Brutal Legend video game, their debut Oath (From Chaos to Glory) throws every power metal and true metal staple, stereotype and standard at you in a manic fury. It’s fun, funny and cringe worthy in equal measures and sets a new standard for the phrase “hugely over-the-top.” Whether you like it or not has a lot to do with your overall lactose tolerance and sense of humor.

A Walk with the Wicked – Architects of Sadism Review

By Angry Metal Guy on January 27, 2011 in 2011, 3.5, Death Metal, Reviews, South African Metal, Unsigned Bands, 0 comments

Old school death metal is making a comeback around the world and apparently South Africa is no exception to this rule. In fact, as I’ve already referenced, South Africa is an up-and-coming scene that seems to have little cohesive sound but still has a lot of talent in it. Because of that, whenever you get a demo from one of these bands it’s always a surprise, and this was an old school death metal surprise that came out in the form of A Walk with the Wicked’s debut disc Architects of Sadism. It was also a pleasant surprise, at that.

Crow Black Sky – Pantheion Review

By Angry Metal Guy on January 16, 2011 in 2010, 3.5, Death Metal, Epic Metal, Progressive Death, Reviews, South African Metal, Swedish Metal, Unsigned Bands, 1 comment

One of the things that people have been lamenting about the dawn of the Internet and how it will affect the future of music is that localized scenes no longer get localized sounds, and Crow Black Sky is definitely an example of this. Or more specifically, the South African metal scene seems to be a great example of this. See, Crow Black Sky is a melodic death metal band, whereas the other two bands that I’ve heard from South Africa (Heathens and A Walk with the Wicked) are black metal/black n’ roll and old school death metal. Due to access to music and information worldwide, it sorta kills that homogenization effect that gigging together, hanging out together and shopping at the same record store seemed to cause. Is it possible that the black metal scene from Oregon is the last cohesive scene we’re going to ever see? Well, that’s not actually relevant to this review. What is relevant to this review is that despite (or because of) the lack of homogeneity in the South African scene every single one of these bands that I’ve heard has been really very good. Crow Black Sky being no exception.