Viking Metal

Svartsot – Maledictus Eris Review

Svartsot – Maledictus Eris Review

There’s nothing quite like Danish melodic death/folk, right kids? What’s that you say? You don’t know what Steel Druhm speaks of? For shame! By now you probably should know of Svartsot and their heavier than thou approach to folk metal since they’ve been churning it out since 2007. I was a big fan of their quirky debut Ravnenes Saga and was equally amused by the follow up Mulmets Viser (as was AMG himself). Both featured heavy but very catchy and anthemic folk metal with very deathy vocals. Their sound can almost be summed up as Korpiklaani meets Cannibal Corpse after too many ales. Its a weirdly festive and danceable style (yes, you may want to dance around like a spazz to some of their tunes) that somehow remains bruisingly heavy at the same time. Because their approach is so offbeat and unique, it struck a nerve with me and I had high hopes that nerve would continue getting struck with Maledictus Eris, their third release. I’m happy to report this is more entertaining, beer stein swinging, gnome jigging, renaissance faire approved folk metal. All the elements that made the previous albums work are present and if anything, this may be more catchy and fun than before. Now, their admittedly quirky style might not be everyone’s cup of grog. It requires a little tolerance for folk-infused camp and silliness but if you can handle the oddness, its more fun than a barrel full of forest gremlins.

Kromlek – Finis Terrae Review

Kromlek – Finis Terrae Review

never heard of these guys before and didn’t know what to expect but they’re described as folk/viking black metal from Germany. Finis Terrae is their third platter and features guest appearances from members of Heidevolk and Equilibrium. Since I wasn’t able to locate their earlier works, I can’t speak intelligently about how this stacks up to their past material but I can say this isn’t what I expected from a viking/folk group. Instead, a lot of Finis Terrae reminds me of a mid-paced, way more melodic version of Children of Bodom with some hints of Kalmah appearing throughout as well. Only during the back half of the album does KromleK employ what could be considered a traditional viking/black metal style and by then it seems out of place after all the COB-lite noodling. Thus, this becomes a tale of two half albums that don’t necessarily compliment each other. While I was pleasantly surprised by the strange, progressive approach on some of the material here, things get pretty uneven and spotty as things move along. What we get left with is a confusing mish-mash of styles and intentions.

Demonaz – March of the Norse Review

Demonaz – March of the Norse Review

Hard to believe it, but it’s finally here! The long-awaited solo debut of Demonaz. Some of you may still remember Perfect Visions, the low bitrate demo and its problematic sound that was circulated years ago. I doubt that fans who heard it didn’t fall for the four songs immediately because despite the bad production the coldly distant, mysterious epic mood was something to worship, remember and hope for in terms of a future full-time debut. In due time an announcement was made and the record was given the title March of the Norse as well as record label home in Nuclear Blast, also responsible for Demonaz’s other obligations in Immortal. The only question is, was it really worth the wait?

Crimfall – The Writ of Sword Review

Crimfall – The Writ of Sword Review

One of the things that one can never take into account when one is a music reviewer is the fact that one receives records and must render judgment in a short amount of time. Especially as a “soulless blog,” production of material sometimes happens in a week. In a sense, every review you read from a label who doesn’t trust this Angry Metal Guy is being done “split second” as opposed to having time to let a record ripen. Such was definitely the case with Crimfall’s first record As the Path Unfolds… which, while I enjoyed it, didn’t strike me as anything more than just an enjoyable record. However, here I am two years later listening to it regularly and really loving it. If I would score the record today I would give it a 4.5 and I would encourage you all to buy it (buy it, seriously, it’s great).

Turisas – Stand Up and Fight Review

Turisas – Stand Up and Fight Review

Few bands have ever generated the kind of excitement that Turisas generated among my friends in 2004 when we first got wind of Battle Metal, the debut record from this Finnish viking metal group. Stylistically it really was like nothing we had ever heard. Over the top orchestrations ruled the disc with nary a guitar solo in sight. Instead, the music was largely good for beer swilling and chanting at our drunken parties (which were usually followed up by everyone putting their hair in a certain type of ponytail and running around screaming “Riders of Rohan!”). Hard hitting tracks like “Battle Metal” and “The Land of Hope and Glory” excited us to no end. This band was something unique and special.

Moonsorrow – Varjoina Kuljemme Kuolleiden Maassa Review

Moonsorrow – Varjoina Kuljemme Kuolleiden Maassa Review

Moonsorrow is one of the few bands I can think of that no one I know doesn’t like. They seem to unite all fans of underground metal because of their amazing music and authenticity. Let’s face it, a band who writes 15 minute dirges in their native, and arguably alien, tongue doesn’t want for authenticity. Only a few other bands I can think of, like Primordial and Enslaved really have the respect of everyone in what they do. It’s like they’re playing on another plane of existence or something. That, predictably, raises expectations for new Moonsorrow records through the roof (to say the least). But unlike others, Moonsorrow never fails to deliver and Varjoina Kuljemme Kuolleiden Maassa (Like Shadows we Walk through the Land of the Dead) is a monument to what atmospheric black metal should be like and to Moonsorrow’s impeccable legacy.

Falkenbach – Tiurida Review

Falkenbach – Tiurida Review

The new year sees cult hero Markus Tummers aka (Vratyas Vakyas) and his one man project Falkenbach rise from a long wintry slumber to release Tiurida, album number five. Those familiar with Falkenbach will know they/he specialize in sometimes epic, folk-heavy viking metal influenced primarily by Bathory and likely Ulver as well. Being that their last release, Heralding – the Fireblade, was a re-recording of the old demo material, they haven’t released new material since 2003’s excellent Ok Nefna Tysvar Ty. That’s a mighty long time to keep fans waiting for some new stuff! So has the time away changed the style or vision? Has the endless wait by long suffering and loyal fans been amply rewarded with musical treasure? Well, gather all ye around the merry campfire and let me tell you the tale of my review whilst playing yea old mandolin. Please don your hoods and chant along appropriately.

Things You Might Have Missed 2010: SIG:AR:TYR – Godsaga

Things You Might Have Missed 2010: SIG:AR:TYR – Godsaga

The one man Canadian black/folk/viking metal band known as SIG:AR:TYR came out with a really great new album this year but did anyone hear it? (sounds of crickets chirping and wind whistling across the frozen wastelands). Sole band member Daemonskald (you think it says that on his drivers license?) has continued to refine his vision […]