Contrite Metal Guy – Mistakes Were Made

Contrite Metal Guy – Mistakes Were Made

“The life of the unpaid, overworked metal reviewer is not an easy one. Cascading promos, unreasonable deadlines, draconian editors and the unwashed metal mobs – it makes for a swirling maelstrom of music and madness. In all that tumult, errors are bound to happen and sometimes our initial impression of an album may not be completely accurate. With time and distance comes wisdom, and so we’ve decided to pull back the confessional curtain and reveal our biggest blunders, missteps, oversights and ratings face-plants. Consider this our sincere AMGea culpa. Redemption is retroactive, forgiveness is mandatory.” Tiny missteps.

Hornwood Fell – Cursed Thoughts – I II Review

Hornwood Fell – Cursed Thoughts – I II Review

“Now, here’s an interesting concept. One that wouldn’t slip by ole Grier. Hornwood Fell‘s eighty-minute epic, Cursed Thoughts – I II, happens to be a combination of two records released earlier this year. With the help of Third-I-Rex and Kadabra Music, the band was able to combine this independently-released two-parter into a single release. The first part inspired by Charles Baudelaire’s Les Fleurs du Mal and the second by the poems of Edgar Allan Poe.” Deep thoughts.

The Moon and the Nightspirit – Aether Review

The Moon and the Nightspirit – Aether Review

“I love receiving distinctly non-metal promos. I mean, it’s the name of the site, right? Angry ‘Metal’ Guy. Receiving folk, neo-folk, ambient, and similar musical styles feels like a statement from their artists: “no, it isn’t literally metal, but it’s metal in enough ways for you, ‘Guy.’” And I’m not complaining; from Winterfylleth’s The Hallowing of Heirdom to October Falls’s Kaarna to Forndom’s Faþir, some of my favorite musical discoveries have been metal “in all the right ways but one,” and all featured on this site. Since 2005, The Moon and the Nightspirit, a Hungarian duo featuring multi-instrumentalists Ágnes Tóth and Mihály Szabó, have been making traditional folk music; Aether is their seventh full-length album, and it feels like it belongs in all three of the above fields.” Aether realms?

Serment – Chante, Ô Flamme de la Liberté Review

Serment – Chante, Ô Flamme de la Liberté Review

“Some black metal bands are sheer aggression and violence, while others are all about slow-build atmosphere and ambience. Lurking around the fringes, just outside these respective circles of firelight, are the folk black metal bands, crooked harps and battered lutes clutched in their claws. By far the most interesting – to me at least – are the black metal acts that dip their bucket in multiple wells, and we have one such specimen on our hands today. Quebec’s Serment is the one-man side project from Forteresse’s guitarist and bassist, Moribond.” Folk in the eye.

Threadbare – Silver Dollar Review

Threadbare – Silver Dollar Review

Mimic, Guillermo del Toro’s 1997 creature feature, revolves around a mutated, highly evolved sort of insect capable of making itself look like a human being. Embracing a predatory strategy called aggressive mimicry – with people as their prey of choice – the insects’ appearance becomes an interplay of shadows and deception. Their humanoid silhouette is unstable and misleading, made of moving organs and chitin exoskeletons, yet strangely beguiling in its alienness. Silver Dollar, the debut record by Chicago trio Threadbare, is a similar creature in style, with a fluidly metallized, rocking, and faintly dangerous exterior projected from within a free jazz organism.” More than meets the ear.

Dead Carnage – From Hell for Hate Review

Dead Carnage – From Hell for Hate Review

“Some things seem to be just one tweak away from being great. Dead Carnage is an okay band name, but it seems a bit redundant. Isn’t most carnage dead? Better, I think, would be Live Carnage. The image of butchered and bloody bodies, moaning and clinging to their last vestiges of life, seems a lot more brutal to me than any imagery evoked by “Dead Carnage.” But hey, I’m a guy that listens to Goatpenis—a band’s moniker has never stopped me from checking out an album before.” Live undead.

Creature – Ex Cathedra Review

Creature – Ex Cathedra Review

“A mere six months ago I wrote a TYMHM piece on the second Creature album Contes Funèbres, noting that while that album had a black metal base and clear elements of 70s prog, it also contained an anachronistic theatricality, like a corpse-painted staging of Les Misérables. If Contes Funèbres was broadway, Ex Cathedra is opera.” Shock me, Amadeus.

Protest the Hero – Palimpsest Review

Protest the Hero – Palimpsest Review

Protest the Hero couldn’t have known everything that’s happened since their last EP, Pacific Myth, in 2016. Since Rody Walker’s vocal cord scare last year. Hell, since announcing their fifth full-length in April. Protest the Hero couldn’t have known, and yet Palimpsest couldn’t be timelier. Though centering on key events in America’s early 20th century, the record reads so close to our current, woeful zeitgeist that my apophenia is still hovering at Threat Level QAnon.” Protests, man.

Wino – Forever Gone Review

Wino – Forever Gone Review

“Scott “Wino” Weinrich is at a point in his lengthy and influential music career where he can do pretty much anything he wants. He can cut more albums with his seminal doom act, The Obsessed, or perform with that other seminal doom act, Saint Vitus. He might even pursue collaborations with a who’s who of musicians as he did with Dave Grohl in Probot and with German dark folk artist Conny Ochs. Another option would be to record an album of stripped down, bare bones acoustic Americana rock. It seems as Wino ages, his heart gravitates back to that final option more and more.” Forever Wino.