Artillery – Penalty by Perception Review

Artillery – Penalty by Perception Review

“You gotta hand it to Artillery. They just keep firing away long after the original thrash wars faded into memory and many a speed détente was put in place. Longevity aside, it seems they’re taking their second (or third) run at metal immortality quite seriously. 2013s Legions was a solid dose of Danish steel with a more melodic bent courtesy of new voice Michael Bastholm Dahl.” And the cannons of wrath did thunder once more….

Demonstealer – This Burden Is Mine Review

Demonstealer – This Burden Is Mine Review

“In my almost three years of reviewing for AngryMetalGuy.com, very few things surprise me anymore. Yet, while doing research for This Burden Is Mine, the second album by Indian one-man project Demonstealer, I hopped onto their Facebook page, and realized just how prolific one Sahil Makhija, aka The Demonstealer, is. Not only is he the guitarist and vocalist on here (as well as in his main band, Demonic Resurrection), but he also runs his own eponymous record label (which is also India’s first extreme metal label). He also has his own online cooking blog. In fact, the first thing I saw on Facebook was was a link to a YouTube video for making bacon cake. I didn’t know such a concoction of magnificence even existed on this lowly plane, proving that magic does indeed manifest on Earth.” Bacon cake impresses even the jaded staff of AMG.

Endless – The Truth, the Chaos, the Insanity Review

Endless – The Truth, the Chaos, the Insanity Review

“Latin American metal is cruelly under-represented on the world stage, lacking the major label support of their European and North American counterparts. The exception to this seems to be power metal, with figureheads such as Angra and Hibria having emerged from Brazil’s urban jungles. A compatriot to these names, Endless has been limited by a spotty output of only 2 albums in around 20 years but their third full-length is now due and calls itself The Truth, the Chaos, the Insanity. Power metal though it is, drawing on the Europower formula, the riffy rhythm guitars land it somewhere close to Symphony X’s prog-power.” Well, how could this be bad!?

Hammer Fight – Profound and Profane Review

Hammer Fight – Profound and Profane Review

We can argue about what the dividing line between metal and hard rock is until the cows come home, involve the cows in the argument until we feel like steaks, and then argue over some rare 16 oz. deliciousness and a wonderful glass of Cornet. But a satisfying conclusion will never be reached. New Jersey’s Hammer Fight and their sophomore record Profound and Profane are intent on making this fight even more difficult by walking the dividing line with the precision of a man who’s just consumed fifteen beers and is intent on doing a balancing act using the lines in the dive bar parking lot. Regardless of genre tags, what we’re all concerned with here is whether or not Hammer Fight is the life of the party or the unfortunate soul who pukes in the punch bowl and falls asleep on the staircase.

Horrified – Of Despair Review

Horrified – Of Despair Review

“Newcastle (upon Tyne [UK]) based Horrified released their debut about a year and a half ago, and the AMG staff collectively shrugged. A throwback death metal record with some neat riffs and an authentic sound, it lacked in both originality and execution, and was summarily dismissed by yours truly. But wise old man of the AMG staff, Al Kikuras saw something in the band, a certain rough charm and attitude that’s missing in the majority of retro-death.” Al knows retro-death.

Izegrim – The Ferryman’s End Review

Izegrim – The Ferryman’s End Review

“For those new to Izegrim, it only takes a few descriptive words to describe these Dutch metallers. What if I described the vocalist as a blonde woman with raspy, deathy vox? What if I categorized their sound as melodeath with thrashy breakdowns? What if I described their mission as causing inner-ear damage and venue deconstruction?” I know what you’re thinking: NIGHTWISH!

Rotten Sound – Abuse to Suffer Review

Rotten Sound – Abuse to Suffer Review

“It must be tough carving out a lengthy career within the somewhat narrow and restrictive confines of the grindcore genre and remaining vital and relevant as fresh faced young upstarts storm the scene. This problem hasn’t seemed to halt Finnish stalwarts Rotten Sound, who started their career back in 1993, from delivering consistent, high quality output.” And yet somehow these guys keep it up!

Spiritual Beggars – Sunrise to Sundown Review

Spiritual Beggars – Sunrise to Sundown Review

“If you’ve been reading these here blog pages over the years you’ve learned that Steel Druhm loves his dirty 70s hippie rock. Spiritual Beggars is a super duper mega group composed of some of metal’s most respected folks and guess what? They play filthy hippie rock just the way it should be played (dirty?). Featuring former members of Carcass, Opeth, Mercyful Fate and Shining, you might not expect so much dirt-core, but man, these cats rock so hard, free and trve, they may accidentally bring back the Age of Aquarius (or Cthulhu, same difference).” Prepare to be grooved unto bliss.

Sunburst – Fragments of Creation Review

Sunburst – Fragments of Creation Review

“It’s well known that I have a bit of a love/hate relationship with power metal and progressive/power. Some of my favorite bands ever—Symphony X and Blind Guardian the most obvious among them—fall into this category, and I keep an ever-watchful eye peeled for new additions to my catalogue. Yet the genre is also plagued by some serious annoyances for me. First, many of the most popular vocalists are people who I find nigh-on unlistenable (Warrel Dane). Second, unlike my esteemed colleague and dictatorial collaborator Lieutenant Corporal Steel Druhm, I find that much of the music being produced within this scene just isn’t terribly heavy. Bands that others worship—see Anubis Gate—feel washed out and bland, offering up little “metal” to keep me engaged.”

Atlantis Chronicles – Barton’s Odyssey Review

Atlantis Chronicles – Barton’s Odyssey Review

“It’s bands like this that keep Pär Olafsson employed. While it appears that 2014’s lampooning of less-than ballsy artwork nearly shamed the sphere out of existence, bands are still very much in the market for both cities and the color purple, and nobody does them better. As you might expect, Atlantis Chronicles are a modern death metal band whose bio describes them as having “a strong ocean’s mysteries theme,” although the true mystery here is how that name wasn’t already taken by a series of young adult fantasy novels.” Yeah, well. That can’t be good.