“Yes, a band called Pissgrave exists and yes, that’s a very dead human being on the cover. Fifteen year old Diabolus is really stoked about how edgy this whole thing is, but much older than fifteen year old Diabolus is fairly aloof about this whole ordeal. While they’re not dressed as pirates, this is nonetheless quite gimmicky.” It always comes back to pirates with this guy.
“Longtime readers may recall the genesis of my infatuation with Hope Drone in late 2014 when I featured them on the very first Sampling Bias (um, yeah I’ll do another one of those sometime) which covered the proud continent of Australia. I lauded their self-titled debut as ‘possibly the most devastatingly nihilistic recording I’ve ever heard, both instrumentally and lyrically’.” Relapse blurbed that little line, so does Kronos love Hope Drone’s newest record enough to merit a second blurb? Or did he fawn himself into a corner only escape-able through a good panning?
“Angry Metal-Fi is a series of articles that are cross posted on Angry Metal Guy and Metal-Fi as a collaborative effort to evangelize dynamics in metal.” And this time they discus high-res recordings and the facts behind the hype.
“As post-Pantera flagbearers for delivering modern American metal to the masses, Virginia’s Lamb of God has garnered similar levels of commercial success and popularity while keeping their heads above water as their profile has snowballed. Even in the face of inevitable detractors, Lamb of God’s workmanlike dedication and impressive work ethics on the road has firmly established the divisive veterans as one of metal’s most (commercially) adored and successful bands during the post-millennium era.” Is this a new beginning or the Lamb of La Mancha?
“Chilean metal miscreants Perversor have unfortunately created what will likely become yet another “left by the wayside” album on their second full-length, Anticosmocrator. Not a confidence-inspiring start to a review, but let’s count the ways, shall we?” But things may get better if you think happy thoughts.
“In Quebec, a delicious golden ale called La Fin Du Monde has been brewed for over twenty years. It’s potent by regular beer standards, sitting at about 9% alcohol. The first time I tasted it I was with numerous smart people in a pub, and as soon as I took one sip I knew this would be a beer I’d have a long and happy drinking relationship with. Quebec has also seen the production of Kataklysm material for over two decades now, and my first time hearing them via Serenity in Fire’s “As I Slither” yielded similar results.” Let the ale flow and the death play.
“The biggest problem with grabbing a thrash promo from a band that references Forbidden, Annihilator and Testament, is that I have no choice but to spend hours listening to some of the greatest metal albums to date. Not that I’m complaining but it is difficult to shut off Annihilator’s Alice in Hell once it gets started.” Thrash is back…for the attack.
“The past couple of years have been good to Akercocke fans. Though that entity is sadly dead and buried, the magnificent Voices emerged from its grave, releasing an excellent debut in 2013 as well as last year’s near-masterpiece London. But Voices wasn’t the only thing to slither from Akercocke’s rotten cadaver….” That’s one potent carcass!
“Hot on the lashing tail of the cheesiest of Sharknado films, Powerwolf return with another wolfnado of larger than life proportions. I’m told it’s supposed to be a humdinger, boasting some of the finest power metal, speed, hard rock and unholy orchestra contributions, and Powerwolf kept this firecracker under wraps for near on two years before unleashing it on the unsuspecting public.” Where are you when we need you, Tara Reid?
“I’m aware many readers think I pick promos to review based solely on the presence or absence of a sword wielding barbarian on the cover. I can certainly see the reasoning behind that school of thought, but you’ll note there is no such angry warrior here, only a solitary dude in feathers and native garb. That dude is none other than Jonne Javela, vocalist and guitarist of Finnish folk-metal pioneers, Korpiklaani, and Jonne is his new solo album.” Finland’s woodland spirits are loose and feeling frisky.
