“Back in 2012 I reviewed Ragnarok’s Malediction and promptly fell hard for the band’s fifth vocalist – HansFyrste. His blend of Hell and damnation hit all the right spots with this AMG spokeswoman for all things “necro,” and naturally prompted me to go scrummaging around into his side projects.” When Madam X scrummages, black metal reviews get written. Read all about her latest bout of stalking and obsession.
“The idea of a death metal version of Tobias Sammet’s ambitious and overblown Avantasia vanity project is sure to inspire curiosity and I suspect, a fair amount of bemused doubt and sniggers. After all, that vehicle famously attempted to cram every notable metal vocalist into diverse styles of music ranging from Euro-power to hard rock and even poppy hair metal. Leaving aside the success ratio of that project (which was surprisingly high), dragging that template into the crusty world of death metal could easily lead to a train wreck on the scale of Six Feet Under covering Yes and Jethro Tull.” Is this a disaster or a delight? Steel Druhm gives you the straight skinny.
“Are you sick and tired of getting your evil delivered to you in cold, icy, frost-bitten care packages from Norway? Does your black heart sink when there’s too much treble in your diet? Do you lack the strength to pick up those juicy invisible oranges you once craved? Sometimes, you just want Satan’s message to be delivered in a nice, toasty-warm basket with some fresh bread, a bottle of wine, and a couple of aromatic cigars.” And that’s where Hail Spirit Noir comes in. It’s time for a cozy brunch date with the Dark Lord.
“Steel Druhm loves his old school death metal, but I get tired of comparing every band’s sound to Entombed, Dismember and/or Grave. Thankfully, Corpsessed arrived in my queue with a terrific moniker and a sound that doesn’t require the standard comparisons. That’s because these sick Finnish death mongers deliver a crusty, ugly style that sounds like a mix of Demigod, Onward to Golgotha era Incantation, Autopsy, primitive low-fi blackness and sludgy doom.” They say nothing cleans the palate like sewage spewing death metal. Well then, take a big slurp of this nastiness.
Every once in a while the metal scene collectively heaps too much praise on a band or record and someone needs to step up and announce that the Emperor has no clothing. We normally don’t spend a lot of time attacking beloved records, but sometimes genuinely overrated records get far too much love from the metal sheeples and that calls for a professional contrarian to set things right! If ever there were professional contrarians, they would be us at AMG. This floor: troll bait and flame throwers.
“Mother Earth’s favorite metalcore squad, Earth Crisis, has once again descended upon the meat-eatin’, leather-clad masses with their latest aural assault, Salvation of Innocents.” Those defenders of animal rights are back with a new, PETA approved album and it even features a thematic comic book! Although Happy Metal Guy is better with coloring books, we gave him a chance at social promotion by reviewing this thing. Be supportive!
“Sometimes, when you hear a new band, you are reminded of a long-forgotten gem that is hidden in the recesses of your mind. As years pass, you forget certain things, sure, but it’s always interesting when something jostles your memory banks and brings back a flood of missing memories. Stilla, the alter ego of Sweden’s Bergraven plus vocalist A. Petterson (De Arma) are an interesting proposition. Atmospheric, moody, and cold, Stilla have a very creative little gem of an album with Ensamhetens andar [Spirits of Loneliness in translation – AMG], their second full-length. In their pursuit of atmosphere and the desire to be at one with nature, they opened up an unexpected floodgate.” Grymm waxes nostalgic for black metal’s younger days as he examines some new darkness. Ah, black stuff….
When you’re talking about what makes a record engaging, responsibility usually falls in the drummer’s lap. A guitarist may come up with a given riff, but it doesn’t truly take shape unless sculpted by capable limbs.
Death metal bands—especially of the “brutal” variety—have an overkill problem. They’re too busy, too serious, too caught up in their over-the-top culture. That cool riff the rhythm guitarist turns in is usually in danger of being strangled by octopus-powered flashsizzle. (Remember We Are the Nightmare? Or any Spawn of Possession song ever?) The result of such overkill? Teflon. A scribble-logo’d sea of arms-clasped, black-clad, NO SMILING, GODDAMMIT Teflon.
But somehow, Benighted always manages to stick.
“No one can begrudge you for being a little skeptical of a release by American power metal institution Iced Earth in 2014. Following the departure of Matt Barlow post-9/11, and the entry of one-trick-pony and professional Rob Halford impersonator Ripper Owens, the band has spit out terrible record after mediocre tripe. With the entry of Stu Block, formerly of Into Eternity, Iced Earth was poised for a big comeback in the form of Dystopia — but even that fell short. The record was plodding, mediocre at best, and Block didn’t feel like part of the crew.” So, can our heroes right the ship with Plagues of Babylon? Or are they… plague ridden?
There is no way to dodge the issue, expectations for The Satanist are sky high. It’s easy to understand how that could be. Behemoth’s most recent release was in 2009 but felt overwrought and flat; it had the form but little substance and the sound was loud but fatigued. Nearly 5 years later, Anno Domine 2014, Nergal has been through a bout with cancer and a fight with the Polish legal system. The narrative arising is simple. Indeed, it’s low hanging fruit: the best art arises from adversity. The long wait — 4.5 years between records is almost unheard of for a band on Behemoth’s level — has set the stage for what has the makings of a rebirth of sorts for Poland’s best-known extreme metal act. The Satanist can set the stage for a new era in Behemoth’s storied career and, as one would expect, the attention of the metal world is firmly fixed on it.
