Slough Feg – Digital Resistance Review

Slough Feg – Digital Resistance Review

“For the uninitiated, San Francisco’s Slough Feg has been producing high quality old-school rock since the dark ages known as the mid-1990’s. Their signature sound combines elements of early metal and Celtic-inspired hard rock topped off by the bizarre lyrics and unique vocals of Mike Scalzi. Think Thin Lizzy with Professor X on vocals, and you’re in the ballpark. Digital Resistance is the band’s 9th album, and according to their bio, it’s a semi-concept record about “the digital age not only in terms of music, but how technology affects life itself.” Old school metal bands doing concept albums about the horrors of technology? That makes me feel cranky and old.

Iced Earth – Plagues of Babylon (Vinyl Mix) Review

Iced Earth – Plagues of Babylon (Vinyl Mix) Review

Iced Earth is a bonafide heavy metal institution, and part of their long staying power and general widespread appeal has got to be attributed to their fearless leader and head riff master Jon Schaffer, whose strong work ethic, unwavering live free or die attitude, and keen sense of aesthetics, has kept this machine rolling for over the last two decades. With his tried and true formula of power, thrash, and lyrical armageddon, Schaffer has churned out a number of genre leading staples, ranging from 1995’s Burnt Offerings, with all of its dark imagery and heavy riffing, to 1998’s Something Wicked this Way Comes, whose last three songs became the basis for the multi-record Something Wicked Saga, an epic fantasy about the rise and fall of man.

Retro-spective Review: Obsession – Scarred for Life

Retro-spective Review: Obsession – Scarred for Life

“Of all the albums one listens to in a lifetime, there are always those elite, sacrosanct platters that never get old, always sound fresh and perpetually deliver that same thrill they did upon the virgin spin. For whatever reason, Obsession’s debut Scarred for Life is one of those special pleasures for yours truly.” Steel Druhm takes you on a tour of one of his most beloved albums. Beware of chronic fanboyism.

Soreption – Engineering the Void Review

Soreption – Engineering the Void Review

Technical death metal. You know the images and sounds those three words conjure up: endless sweep arpeggios, slapped bass with only the freshest of strings, fast double-bass drumming, an album cover that utilizes colors on the cooler side of the Color Wheel (mostly hues of purple and blue) and has an alien somewhere in it, the band logo in a sharp, nigh-symmetrical font…. And for the most part, you know what to expect when someone tries to take the throne from the likes of Decapitated, Gorguts, or Necrophagist. We’re all about the Color Wheel here at AMG, but only the cool side. We also appreciate some good tech-death. Does this qualify?

Suicidal Angels – Divide and Conquer Review

Suicidal Angels – Divide and Conquer Review

“Just weeks into 2014 and I’ve fallen off the rethrash wagon for a second time. That’s because long-suffering Greek thrashers Suicidal Angels are back with a fifth album full of music striving to recreate the second wave of Bay Area thrash. Naturally, that means heaps of Exodus, Slayer, Vio-Lence worship and where you stand on that is a wholly personal issue. While I only became aware of these chaps on their past few albums, I’ve never been totally sold on their brand of rethrash. It’s always reasonably enjoyable, competently performed, meat-and-potatoes speed, but there was always a sense of “been there, done that, got punched by the bouncer” about it that left me on the sidelines.” Did you know thrash was as big a part of Greek culture as gyros and big weddings? Me either.

Retro-Spective Review: The Autumn Offering – Embrace the Gutter

Retro-Spective Review: The Autumn Offering – Embrace the Gutter

“The name “The Autumn Offering” evokes the mental image of a hooded cultist bent down on his knees, holding up a platter of orange, rotting leaves as a leafy sacrifice of some sort to some leaf-munchin’ goat demon. But as a band that was once signed to Jamey Jasta’s Stillborn Records, The Autumn Offering is hardly obsessed with the environment or the occult.” Happy Metal Guy goes back to 2006 to regale us with tales of quality metalcore. Fairy tales maybe? You make the call.

Omnivore – Omnivore Review

Omnivore – Omnivore Review

“Reductivity is hard to resist when reviewing a band like the Italian death/thrash 4-piece Omnivore. If I were lazier, my review of their self-titled debut would be comprised entirely of Youtube links to various songs by Sadus, Kreator, Demolition Hammer and early Sepultura. I’d be a jerk, but accurate nonetheless.” JF Williams is a jerk, but he’s our jerk, so it’s okay. BTW, here’s more re-thrash.

Blackfinger – Blackfinger Review

Blackfinger – Blackfinger Review

“If the prospect of Trouble without longtime vocalist Eric Wagner seems like a bad idea, the thought of Wagner without Trouble is simply a question mark. Other than his Lid project back in the ’90s, the man hasn’t done much outside of his main band, leaving us to wonder what Eric Wagner might sound like if left to his own devices. And it seemed like we’d never find out, given his lack of output since leaving Trouble back in 2007. Finally, after a six-year absence, Wagner re-enters the music world with his new band, dubbed Blackfinger.” There are a few big Trouble fanboys on the AMG staff and they were all atwitter over this release. Should they be? Should you?

Astrophobos – Remnants of Forgotten Horrors Review

Astrophobos – Remnants of Forgotten Horrors Review

“Following on from their 2010 self-released EP, Arcane Secrets, Swedish band Astrophobos have arrived at the funeral dressed in all all their Triumvirate Records finery, in a manner that I can only describe as just a smidgen outside of fashionably late. Yup, the eulogy’s in the process of wrapping up – can you say awkward silence?” Awkward silence at a funeral? That sounds weird.

Lvcifyre – Svn Eater Review

Lvcifyre – Svn Eater Review

“Alright, enough of the goddamn “V” replacing the “U” in band and song names! It’s dumb, trite, annoying, I’m mad as hell and I’m not going to take it anymore! Moving on, Lvcifyre is a blackened death outfit from the U.K. and Svn Eater (irritating isn’t it?) is their sophomore outing. Having never heard them before, I admit to being pleasantly surprised by what they’re offering here, which is a fascinating mix of Norwegian black metal circa 1993 and hyper-riffy, technical and mega-brootal death metal. In a nutshell, their sound is vicious-as-fuck, mean-as-hell and heavy-as-a-two-ton-heavy-thing. You can expect to hear traces of old Darkthrone, Behemoth, Nile, Immolation and Deathspell Omega in a SINGLE SONG, all stitched together with power of the almighty riff.”