Angry Metal Guy

Eden’s Curse – Symphony of Sin Review

By Steel Druhm on October 12, 2013 in 2013, AFM Records, English Metal, Heavy Metal, Reviews, Heavy Metal, 5 comments

“Standing at the crossroads of catchy hard rock and traditional metal, Eden’s Curse has been quietly killing it since 2007. Founded by vocalist Michael Eden, this quasi super group (composed of players from bands I mostly never heard of) has released three albums of high quality, hook-filled, anthemic music similar to Leverage, Masterplan, Starbreaker and the Russell/Lande albums. Though the members have ample musical chops, they eschew wankery in favor of simplistic, rocking tunes with memorable choruses and their approach invokes the charms of 80s style, bluesy, quasi-hair metal.” In the mood for something light and sweet? Eden’s Curse has just the thing for your musical sweet tooth. Oh, the sugar rush!!

Cult of Erinyes – Blessed Extinction Review

By Grymm on October 11, 2013 in 2013, Belgian Metal, Black Metal, Code666 Records, Reviews, Black Metal, 5 comments

“Man, I do love me some Blut Aus Nord. Ever since their landmark 2003 album, The Work Which Transforms God, the rebellious French “trio” (are they actually a band?) set a new standard for uncomfortably cold, ridiculously unpredictable black metal, inspiring future robe-wearers of the world to put down their torches and pick up a copy of Streetcleaner on vinyl. One such band to follow in their grimy footsteps is Belgium’s Cult of Erinyes, who have returned with their second album (and fourth overall release since their inception in 2009), Blessed Extinction. Have these upstarts taken the tools given to them by Vindsval and company to usurp the throne from the French masters of the frozen arts?” Is any French throne really guarded all that well? I think not!

Sarkom – Doomsday Elite Review

By Madam X on October 10, 2013 in 2013, Black Metal, Dark Essence Records, Norwegian Metal, Reviews, Black Metal, 3 comments

“End days… Fimbulvetr… the cold, darkness of three consecutive winters; the sun and moon torn from the sky; the dead rising from their graves and poison filling the air – all-encompassing despair! That’s what comes to mind when you pick up Sarkom’s Doomsday Elite, well that and cardio; double-tap; limber up and it’s a marathon not a sprint, unless it’s a sprint, then sprint already! But I digress, Norwegian based Sarkom play the kind of black metal that’s packed with jagged, razor sharp blast-beats, inflicting a bite as deep and destructive as say Gravdal, Endezzma or Nidingr.” End days, marathons, cold and darkness. Some of these things make Madam X happy. Find out which!

Running Wild – Resilient Review

By Steel Druhm on October 9, 2013 in 2013, German Metal, Heavy Metal, Reviews, SPV, Heavy Metal, Progressive Metal, 13 comments

“Pirates occupy a strange place in popular consciousness; being at once badass and completely silly. For every historical tale of marauding, pillaging and rapine, there’s a counter-balancing pop culture anecdote like the mincing and prancing Captain Jack Sparrow. For every macho Captain Morgan, there’s Jerry Seinfeld’s pirate shirt. The same problem infects the sparsely populated “pirate metal’ genre pool. While the original outlaw crew known as Running Wild rode the pirate motif for decades of relative coolness, newcomers like Alestorm and Swashbuckle came along and unceremoniously pissed in that pool, making the very idea of pirate metal seem untenable and comical.” It’s almost Halloween, so why not get out the eye patch and pirate hat and celebrate the return of the original buccaneers, Running Wild. ARRRRRR!

Domovoyd – Oh, Sensibility Review

By JF Williams on October 8, 2013 in 2013, Doom Metal, Finnish Metal, Reviews, Stoner Rock, Svart Records, Doom Metal, Stoner Metal, 0 comments

“Finland has a dark legacy within the subterranean world of doom metal. Browsing the Encyclopaedia Metallum’s list of Finnish bands reveals the likes of funeral doom pioneers Thergothon and Skepticism, as well as other underground stalwarts of the genre such as Wormphlegm, Shape of Despair and Stabat Mater, to name a few. Indeed, the Finns do not fuck around with their doom – perversion, depression, sadism and Lovecraftian horror is the name of the game. Even the more traditionally oriented Reverend Bizarre was similarly steeped in lyrical and musical despondency alongside their trademark tongue-in-cheek snarkiness. Yet, here we have relative newcomers Domovoyd. Somewhat of an anomaly within the country’s pitch-black doom metal reputation, Domovoyd is a stoner doom group that looks to the likes of Electric Wizard, Sleep and The Sweet Leaf for inspiration.” A new and exciting band and a review of same by a new and exciting writer for AMG. JF Williams is here to discuss doom, stoner rock and all things Sabbath worshipping.

Soulfly – Savages Review

By Dr. Fisting on October 7, 2013 in 2013, Groove Metal, Nuclear Blast, Reviews, 9 comments

“Alright, full Angry Metal Confession time: back in the day, I actually enjoyed the first Soulfly album. To my drug-addled brain, Max Cavalera and co. had created an interesting blend of exotic world music and utterly shitheaded nu-metal. “Eye For An Eye” and “Fire” still kick ass, and a lot of the record is unintentionally hilarious (sample lyric: “No bullshit/No slave ship/No muthafuckin’ Hootie and the Blowfish!”). Many years and countless lineup changes later, Cavalera remains the creative force behind a heavier, more self-conscious Soulfly. The band’s core sound remains intact — if anything, he’s learned to incorporate other styles as they came into fashion, be it throwback Sepultura-ish thrash (Dark Ages) or pseudo-death metal (Enslaved). This brings us to the current record, Savages, which is thrust into a world dominated by djent and deathcore, where Soulfly’s foundation is seen as hopelessly outdated.” Is this new metal or nü-metal? You have to read to find out because we aren’t giving hints!

Beaten To Death – Dødsfest! Review

By Jordan Campbell on October 6, 2013 in 2013, Grind, Mas-Kina Recordings, Norwegian Metal, Reviews, Grind, 6 comments

“Extreme metal has a problem: It’s aggressively conservative. For a culture that’s supposed to be about pushing forward – physically, intellectually, musically – it too often circles back into itself. The supposed outsiders and iconoclasts that comprise the metal scene rabidly pounce on opportunities to become insiders and conformists. Wanna write about metal? Rub the right elbows and suck ass for “access.” Wanna proclaim your allegiance to poseur-crushing death metal? Join a club. Wanna start a band? Grab a template and start building your box from the inside out. Ah, you want to go for the gusto, don’t you? You want to start a band. Good for you. Now: What kind of metal do you want to play? Thrash metal? Death metal? Black metal? Because there are rules, kid. You need to tweak your tone. Bolster your BPM. Hire the right artist. Wear the right t-shirts. You need to minimize risk. Unless you were born with gigantic balls. And you’re Beaten To Death.” Got an appetite for risk defying grind? Follow Jordan Campbell to the promised land.

Monster Magnet – Last Patrol Review

By Steel Druhm on October 5, 2013 in 2013, 3.5, American Metal, Heavy Metal, Napalm Records, Reviews, Stoner Rock, Hard Rock, Heavy Metal, Stoner Metal, 4 comments

“That sketchy van is back in town. You know, the one with New Jersey plates, mushrooms and wizards painted on the side and the “Free Candy” bumper sticker. And as usual, there’s more smoke pouring from the tinted windows than from the tailpipe. That can only mean Monster Magnet is back to drop more of their spaced-out, stoner-themed hard rock to conjures the era of bongos, free love and lava lamps. Coming off 2010s masterful Mastermind release, Dave Wyndorf and company had some big sandals to fill.” So how do you fill a sandal exactly? Monster Magnet fills it with rowdy, stripper club friendly rock and that can’t be a bad thing, can it?

The Body – Christs, Redeemers Review

By Alex Franquelli on October 4, 2013 in 2013, American Metal, Reviews, Sludge, Thrill Jockey, Sludge, 1 comment

“Nobody understands The Body. Not even The Body understand The Body. It is a musical gesture pure and simple, with no need to be described and no reason to be judged. It is there and then, with no epistemological meaning whatsoever; it is an artistic expression lying on an imaginary floor deprived of attributes. Or full of attributes, which is the same thing. This duo of pain inflictors from Portland, Oregon, knows how to fiddle with cacophony while, at the same time, titillating your senses with moments of supreme beauty. Not happy with the description?” When Alex gets in a groove, he doesn’t care if you like his descriptions or not. That won’t stop him for waxing poetic all about these sludgesters.

Slegest – Løyndom Review

By Madam X on October 3, 2013 in 2013, Black Metal, Dark Essence Records, Norwegian Metal, Reviews, Black Metal, 2 comments

“I typically associate the Norwegian style of black metal with either the raw aggression of say Gorgoroth, Carpathian Forest or Taake or the more classic atmospheric beauty of Burzum or Ulver. One of my favorite movie depictions of this very dedicated brand of black metal is that goose-bump moment in Until the Light Takes Us when Fenriz is sitting on the train and Ulver’s “Not Saved” starts playing… atmosphere as thick as mist you can’t help re-playing that moment over and over. So when did this very somber brand of metal, so dedicated to opposition, start to follow the crowd and take on such a dirty, ear-friendly, catchy groove?” This is a valid and intriguing question and Madam X demands answers! Comply or get whipped.