Luna Mortis Dropped by Century Media

Unfortunately, the up-and-coming Madison, Wisconsin progressive metal act Luna Mortis has been dropped by Century Media. There’s a lot that I can say, but I think honestly that Century is not only making a mistake here, but I think just in general that labels are unwise to not let bands develop. Honestly, the business is so cut-throat and retarded sometimes. These guys are seriously talented, and I hope they get picked up by someone who gives them a chance. Especially since Century signed fucking Iced Earth and gave them how many records to get good? Seriously…

In Mourning – Monolith Review

In Mourning – Monolith Review

In 2008 the underground was taken by storm by a little-known Swedish progressive death metal band called In Mourning that released a tour de force entitled Shrouded Divine. A powerful combination of melodic death metal, Opeth-y style progressive bits and death metal with just a touch of core (trust me, just a touch), they were ranked highly on many year end lists and, frankly, left a bit of an impression on this Angry Metal Guy. See, there is life past Opeth in Swedish progressive metal, something that I had been coming to doubt. In Mourning managed to put out a record that had all of the great heaviness and thickness that one wants in a death metal record, while still managing to keep the haunting progressive parts fresh and interesting. The question is can they keep it up? Is it possible that they’re able to follow up such a lauded record with something even better?

Things You May Have Missed: Kalisia – Cybion

Things You May Have Missed: Kalisia – Cybion

One of the most surprising records of this year for me and one that I’d sort of forgotten about until recently was Kalisia’s epic concept album Cybion. Sold online as a single track for very cheap, this is one long-ass amazing progressive soundscape that probably shouldn’t be missed. These guys come from France which puts […]

The Norrman Brothers Leave Katatonia

I kyped this from Blabbermouth ’cause they had it first: Fredrik “North” Norrman (guitar) and Mattias “Kryptan” Norrman (bass) have both left Sweden’s KATATONIA. The band states, “We respect their decision and would like to take the opportunity to collectively thank them both for all the years gone by, all the ups and downs we […]

Be’lakor – Stone’s Reach Review

Be’lakor – Stone’s Reach Review

Be’lakor is an Australian melodic death metal band that has been getting some serious attention in the underground despite the fact that much melodic death metal has pretty much been declared by the scene to be dead on arrival. I’d been reading about them for some time so I just wrote them a message on MySpace and the guys were cool enough to send me a copy to review. And I can see why they’re so eager to get their music out to the masses, it’s a bit like ear heroin.

The Chasm – Farseeing the Paranormal Abysm

The Chasm – Farseeing the Paranormal Abysm

In a lot of ways one has to feel a bit bad for The Chasm these days. They have worked as hard, or harder, than almost any band in the underground and fought for ground the whole time. They finally managed to fight their way to a good record deal with a good label that subsequently collapsed and now they’re back at at ground zero. Well, not really ground zero, think Point A. But not even really Point A, because honestly Point A is “write good music,” which they’ve got down. However, as opposed to breaking up after getting knocked down, The Chasm have instead produced a record: 2009’s opus Farseeing the Paranormal Abysm, which doesn’t have the same kind of support that it should have despite its fantastic quality.

Blaze Bayley: At the End of the Day – Lawrence Paterson (Book Review)

Blaze Bayley: At the End of the Day – Lawrence Paterson (Book Review)

A few of you might have noticed that I have taken to reporting a lot on Blaze Bayley (the man and the band), and this is partially due to the fact that I have long been a fan of his solo stuff (and his tenure in Iron Maiden). As I’ve stated before, I think that X Factor is a classic album and I will continue to defend that to this day (though, I will definitely also point out that it is poorly produced, as was Virtual XI, which in my book was also poorly conceived). In any case, I, like others who gravitated to the Blaze-era Iron Maiden, continued to follow him afterwords and were happily surprised by the quality of the material that his newly formed band BLAZE had produced. Since then, I have paid attention, with a heavy heart often times, to an ongoing saga of an excellent underground band getting ignored, fucked repeatedly by labels, management and finally crumbling under the weight of outside and inside pressures. For me, the collapse of BLAZE and the rise of Blaze’s current self-titled incarnation was shrouded in mystery as I was just a fan witnessing it from the outside, but much of what I did not know is now available in a book written by current Blaze Bayley drummer Lawrence Paterson entitled At the End of the Day (and conveniently available for Christmas!).