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Voices of Destiny – Crisis Cult Review

By Angry Metal Guy on January 17, 2015 in 2015, Deathcore, German Metal, Massacre Records, Melodic Death Metal, Metalcore, Reviews, Symphonic Metal, 45 comments

“Voices of Destiny is a German symphonic metal band putting out their third record in 2015 (well, 2014 for Europe, but for some reason we didn’t get the promo). Since you’ve never heard of them, the best way to describe them is to say that they have a brand of symphonic metal that’s somewhat like a combination of the beauty and the beast style we all know and have mixed feelings about and, well, “core.” After putting out a pretty good debut in 2010 (From the Ashes), they followed up what was a bit more of a straight record with Power Dive in 2012. On Power Dive the band introduced Deadlock-like breakdowns, but still managed to produce a pretty good record with Maike Holzmann’s unique soprano doing a lot of heavy lifting. While they weren’t quite taking the symphocore scene by storm, Voices of Destiny had two adequate records under their belt and seemed to have some promise.” Then tragedy struck…

In Tormentata Quiete – Cromagia Review

By Grymm on November 8, 2014 in 2014, Avante Garde, Black Metal, Gothic Metal, Italian Metal, My Kingdom Music, Reviews, Black Metal, 19 comments

“”Emphatic Music.” This is how the PDF file describes the accompanying Cromagia, the third album by Italian septet In Tormentata Quiete, in which the band blends theatricality, black metal, and progressive folk elements into a heady mixture. According to the bio, Cromagia revolves around the concept that our existence is colored by emotions, and the music explains how these songs are an interpretation of said colors. So is this a melting pot of the prismatic rainbow colors of humanity, or is it just a puddle of crayons left out in the sun for too damn long?” Roy Gee Biv and all the chromatic death crew are here to paint you a memory.

Cemetery Fog – Towards The Gates EP Review

By Grymm on July 27, 2014 in 2014, Death Metal, Doom Metal, Finnish Metal, Iron Bonehead Productions, Reviews, 7 comments

“When I was a wee little Grymmling, I played bass in a band with my old high school friends. Inspired by the local music at the time, we aimed high with our lofty ambitions and hoped to be on the same hallowed page as our inspirations. To put it bluntly, we weren’t anywhere close. However, we were young and hungry. Finland’s Cemetery Fog are similarly young and equally hungry. After three demos, their debut five-song EP, Towards The Gates, landed upon my grumpy, bitter old lap. Does ambition and an unquenchable inner fire succeed at bleeding upon your ears, causing you to twitch with excitement and anticipation?” Well, if nothing else they have a badass moniker.

Lacuna Coil – Broken Crown Halo Review

By Grymm on March 23, 2014 in 2014, Century Media, Gothic Metal, Italian Metal, Reviews, Gothic Metal, 19 comments

“When a band hits a certain level of fame, usually it gives them free reign to do whatever their innermost muse guides them to create without fear of their label dropping them. They can craft new masterpieces to guide the listener to unknown lands, and hold them there for the duration of the album’s captivating length. They can also lull the unsuspecting fan into a false sense of security before bludgeoning them to a wet, slushy pulp. In other words, no matter what the band does, it’s guaranteed that their label will back them up, as they are proven to sell like virtual gang-busters.” Which approach will Lacuna Coil take? Are you sure?

Boston – Life, Love & Hope Review

By Dr. Fisting on December 6, 2013 in 2013, Frontier Records, Not Metal, Releases, Reviews, 11 comments

“As someone who grew up in the Midwestern U.S., I am more than familiar with the music of Boston. Ever since the late-’70s, FM radio has played almost every track from the band’s 1976 debut album on a daily basis. I’ve never been a huge fan of the band, but some of those songs are pretty badass, if cheesy. More recently, the band was dealt a tragic blow when founding singer Brad Delp committed suicide in 2007. A brief tour followed with Michael Sweet (Stryper) taking Delp’s place, but when Sweet returned to his main band, it was assumed that Boston would be laid to rest. So I was intrigued by the news of a new record, Life, Love & Hope, recorded by mainman Tom Scholz and a mostly new lineup.” The lead singer on their “new” album has been dead since 2007. And it gets worse.

Enbilulugugal – Noizemongers for Goatserpent Review

By Grymm on October 26, 2013 in 2013, American Metal, Black Metal, Crucial Blast Records, Reviews, Black Metal, 6 comments

“33 COPIES. That’s the amount of copies pressed of the 2011 re-release of Noizemongers for Goatserpent, the seminal 2004 “classic” by California’s black/noise merchants, Enbilulugugal. On CDR, no less! This would cause the hearts of both hipsters and black metal elitists to flutter in obscure bliss and revel in the notion that, truly, you have never heard of this before. Sadly, for those (devil) horn-rimmed glasses-wearing folk, Crucial Blast is re-re-releasing Noizemongers for Goatserpent, this time on a two-disc digipak with beautiful art, liner notes… and two discs containing 79 FUCKING TRACKS (!!!) of some of the worst sounds ever put to record.” 79 tracks is a whole lot of bang for the buck. Who would complain about a bargain like that? Our man Grymm, that’s who!

Savage Annihilation – Cannibalisme, Hérésie et autres Sauvageries Review

By Madam X on September 30, 2012 in 1.0, 2012, French Metal, Grind, Reviews, Grind, 0 comments

When Madam X heard this album was full of sick, inhumane grind, she wanted to taste the blood in her mouth as she enjoyed the carnage. When that didn’t happen, she got very unhappy. Lesson for the day: never deprive Madam X of her blood tasting!

Denial Fiend – Horror Holocaust Review

By Steel Druhm on August 5, 2011 in 1.0, 2011, American Metal, Death Metal, Heavy Metal, Ibex Moon Records, Reviews, Death Metal, 8 comments

Like a swift kick to the frank N’ beans, the new release by this death metal “super group” is shocking and very painful. I really loved Denial Fiend’s quirky 2007 debut They Rise. It merged nasty, old school American death metal and punk rock with a party atmosphere and although very tongue in cheek, it rocked and raged convincingly. To this day it remains in regular rotation at stately Steel Druhm manor. That debut featured some grizzled veterans of the old school scene like bassist Terry Butler (Death, Massacre, Six Feet Under, Obituary) and mega Cookie Monster Kam Lee (Death, Massacre) on vocals. What made They Rise work was the strong similarity to the classic Massacre sound (their From Beyond album is one of the all time best American death metal albums). The songs were savage and raw but also catchy and fun. Basically, it was a damn fine treat for death metal fans. When I heard a new Denial Fiend album was pending, I got giddy like a school girl. When I heard Kam Lee had taken his immense vocal talent elsewhere, I was sad but still hopeful. Well, hope is officially dead. Horror Holocaust features the “vocals” of Blaine Cook (The Accused) and he destroys everything as surely as cops destroy fun and work destroys free time. While there are some decent musical moments, he renders the bulk of the album unlistenable and there’s no denying that it sucks, bigtime.

Morbid Angel – Illud Divinum Insanus Review

By Angry Metal Guy on June 4, 2011 in 1.0, 1.5, 2011, American Metal, Death Metal, Reviews, Season of Mist, Death Metal, 49 comments

Morbid Angel is elite death metal and has been the standard for as long as I can remember. They have defined death metal for listeners of the genre for decades, influenced all of the great bands to come out of the genre after them, and have been away for 8 long years. 2003’s Heretic was not the best record they’d ever produced, this is most certainly true. But there was no reason not to believe after hearing “Nevermore,” the single that was released ahead of time, that the return of David Vincent would usher in the kind of catastrophic reaction that has ensued. I make it my business to never read reviews of any record before I write my own review, hell, I haven’t even read Steel Druhm’s (which is below this one) of this record. But it was hard to miss the fury, anger and disappointment that has been floating around the ether. I had to ask myself “could it really possibly be this bad?” You see, I’m a stalwart defender of some pretty hated records (most notably Iron Maiden’s The X Factor and Mayhem’s Grand Declaration of War), and I try to listen to every record with a clean slate. And I attempted to do so with this record, as well.

Against the Flood – Against the Flood Review

By Angry Metal Guy on January 12, 2011 in 1.0, 2011, Deathcore, Eurocore, Reviews, Siege of Amida Records, Deathcore, Metalcore, 11 comments

So apparently the UK has a lively metalcore and deathcore scene that is being picked up and flown around the world right now. Against the Flood is one of those bands that sits right on the border between the two genres (which are basically just one genre if you look at their girl jeans and stupid hair cuts) and who have taken from me nearly 60 minutes of my life that I will never, ever, ever, ever get back. As a punishment, I will pee on them publicly, from my blog (and wait for their stupid oaf fans, and buddies, to come here and insult me).