“I became intrigued by Thy Darkened Shade from a very interesting interview I read recently. So when the opportunity came up to review their new album (Liber Lvcifer I: Khen Sedjet) I jumped right into this dark realm of satanic black metal full of wonder and excitement.” Satan worship is certainty exciting!
“Since 1997, 1349 has evolved a lot. And I mean a lot. They’ve changed so much that their musical career can only be compared to driving down the freeway at 70 miles per hour and hitting black ice. First, you accelerate along the on-ramp (Liberation and Beyond the Apocalypse), until you achieve top speed (Hellfire). When you come upon the ice, it sends you into uncontrollable spins (Revelations of the Black Flame) that you miraculously manage to steer free from.” Winter is fast approaching so it’s time to check your snow tires and drive safely out there!
“As many metal fans know, Anti-Cosmic Satanism is the life blood of many black metal bands. Some use it as lyrical content and some as a life philosophy. While I’m not going to delve into the Misanthropic Luciferian Order/Temple of the Black Light, I will point out that it has sharp contrasts to not only LaVeyan Satanism but also to Christianity and Catholicism. You might be wondering, “Doc, what the fuck does this have to do with the current review?” My question to you would be, “how the fuck does a band cemented in anti-cosmic philosophy jump ship and take up Catholicism?”” Wait, who did what now? Oh boy, the fecal matter is about to hit the proverbial oscillation device.
“”One of the most hateful and gloomy records Norway has spawned,” “a twisted remedy for joy and must have for black metal enthusiasts.” Seems the promo gods are oozing praise like a big fat weepy festering boil for this little super-group of ex-Gorgoroth, 1349, Koldbrann, Fortíd and Nidingr members!” Hey look, another “super group.” Blah!
“Anton Szandor LaVey could have been writing about In the Presence of Death when he wrote this line “Each verse is an inferno. Each word is a tongue of fire. The flames of Hell burn fierce” – he wasn’t writing about this album of course, but after spending the week with Crest of Darkness, that’s a damn(ed) fitting description ov their Norwegian melodic black metal style that bears strong music, lyric and vocal similarities to the likes of Naglfar, some vocal similarities to Illnath (Narrenschiff days), has some of the same cvlt blackness of 1349 (pre their directional change) and dare I even say it… a hint or two of Cradle of Filth lurking around.” According to Madam X, you can’t judge this black metal beast by the cheesy album cover. I hear what she’s saying…but DAMN! Is that cheesy or what??
This post has been removed because it promoted Nazi or Nazi-adjacent metal bands or musicians. We apologize.
When I got this disc last year via Jester Records I missed it. I don’t know why it got shuffled off to the side, or what happened exactly, but for some reason it just didn’t get done in time. In any case, I just recently got wind that they’re readying for the US release so I figured I’d break out the Internet-pen and have at a review of this super group’s (Line-up: bass and guitars: Teloch [1349, Gorgoroth, Ov Hell, Orcustus, Umoral, Konsortium]; bass and guitars (again): Blargh [Gravferd, Dødheimsgard]; vocals: Cpt. Estrella Grasa [Kort Prosess]; and drums: Hellhammer [Immortal, Shining, Thorns, Umoral, Mayhem, Winds, Arcturus]) stab at reclaiming Norwegian black metal glory.
I first became acquainted with 1349 at their landmark Hellfire album which marked them as leaders of the post-90’s Norwegian black metal scene. It seems with their subsequent release, Revelations of the Black Flame, they lost a lot of support from their “true” supporters for their favoring more ambient passages and relying more on atmospherics than blistering black metal. Luckily, 1349’s latest offering attempts to strike a balance between the two extremes in the genre and Demonoir looks like a very solid album, treading the waters between dark ambient and black metal to great effect.
Order of Ennead is the side project of the venerable Steve Asheim, better known as the drummer and primary writer of death metal legends Deicide. While it’s hard to a review like this, particularly on a newer project like this, without referencing the guy’s older work, the responsible reviewer in me thinks that one should probably draw a line here. Instead, I’d like to focus on the content and quality of An Examination of Being, the second record from these Floridians blackened death metallers without taking cheap shots at Glen Benton. So I’ll just take one: Order of Ennead is better because Glen Benton isn’t in it.
