2.5

Leaves’ Eyes – King of Kings Review

Leaves’ Eyes – King of Kings Review

“Once a writer has reviewed a band, it’s standard practice for them to review any subsequent records that band releases. Unless, of course, AMG wrote the original review and is too busy masturbating over old Iron Maiden records to critique new music. As you will have noticed, this scenario arose just the other week, and that’s why it’s fallen to me to review Leaves’ Eyes’ latest platter.” We have a system and you’re gonna use it!

Iron Maiden – The Book of Souls Review

Iron Maiden – The Book of Souls Review

On October 5th, 1930 while flying over France on its maiden voyage, the airship R101 crashed, killing 48 of the 54 people on board. The ship was the jewel of the British empire and had been built with increased lifting capacity, and was (at the time) the world’s largest flying vessel. Much like the Titanic, the R101 is a story of hubris—particularly as told by Dickinson on the track “Empire of the Clouds,” The Book of Souls’ 18-minute closer. The R101 never was put through its paces, having not done full endurance and speed trials, before it undertook its maiden voyage for India, and on that voyage it tragically crashed. As a closer, “The Empire of the Clouds” is an epic which pushes Iron Maiden into territory never before explored. As an analogy for The Book of Souls, it strikes a little too close to home.

Skepticism – Ordeal Review

Skepticism – Ordeal Review

“Live albums are a dicey bag. Not every band has the capabilities to produce something classic along the lines of Live After Death or Alive in Athens, and most certainly not from the funeral doom genre. On top of that, to make your first album after a seven-year absence a live album that’s three-quarters new material? That’s some rather gutsy planning right there….” Play live or die.

Motorhead – Bad Magic Review

Motorhead – Bad Magic Review

“Like death and taxes, Mötörhead is an institution that can easily be taken for granted. For the past 40 years, it’s been an article of faith that A) frontman Lemmy Kilmister is a god in human form, and B) his band will release an album of consistent (if predictable) amphetamine-fueled rock ‘n roll every two years or so.” The band that beat up your grandfather is still around, and they want your lunch money.

IIVII – Colony Review

IIVII – Colony Review

“Josh Graham is a serial pie fingerer. Aside from his visuals and art work for established names such as Neurosis and Vattnet Viskar, he’s also embarked on a number of music projects including the post-rock Red Sparowes and post-metal A Storm of Light. Now he brings his tight atmospherics and stunning visual design to his new ambient project IIVII and its debut, Colony.” There’s complete anarchy here at AMG headquarters!

Sibiir – Swallow & Trap Them Review

Sibiir – Swallow & Trap Them Review

“While there are some who would have ol’ Kronos trapped in a padded room reviewing deathcore and only deathcore for the foreseeable future, one of the perks of Angry Metal Guy’s preoccupations is that I’m able to slip in a review every now and then that doesn’t quite fit the death/grind beat that I usually work.” Hey. Who approved this review?

Coffins – Craving to Eternal Slumber Review

Coffins – Craving to Eternal Slumber Review

“Fresh from their evidently finite dormancy, Japan’s popular death-doom export, Coffins, is back with the mini-album Craving to Eternal Slumber. The legend that is Happy Metal Guy favorably reviewed their previous release, and this largely fits into the canon they’ve already established for themselves.” It’s funny you should mention Happy Metal Guy and canon in the same sentence….