2.5

Inanimate Existence – A Never-Ending Cycle of Atonement Review

Inanimate Existence – A Never-Ending Cycle of Atonement Review

“Hey gang, it’s time to play a game. A fun game – but also a dangerous one, so make sure you’re qualified for it. In order to play you’ll need a few things: a bucket, a glass, a strong liver, and a large amount of (ideally) a slightly less strong drink. That’s right, we’re about to engage in every tech-death nerd’s plastering procedure: the Unique Leader Records drinking game! Here are the rules; I’m going to review an upcoming album from Unique Leader, and every time a Unique Leader trope appears, you take a shot.” Everybody grab a Zima and brace yourselves!

Zgard – Contemplation Review

Zgard – Contemplation Review

“You never know when the winds of inspiration will go wafting through your soul like a favorite home-cooked meal. People will spend a good long time hammering out songs, putting hammer to anvil, cooling them off for a short time before honing them to perfection, and presenting their bared souls to the festering masses. Unless you are uber-prolific like Ukraine’s Zgard and release album after album, and I mean “four albums and one split in two years” prolific. And now, mastermind Yaromisl has unleashed Contemplation upon us.” The Ukraine may be in upheaval, but you can still count on Zgard’s productivity.

Humut Tabal – The Dark Emperor ov the Shadow Realm Review

Humut Tabal – The Dark Emperor ov the Shadow Realm Review

“This week’s foray into the blackened underworld takes me via the humid subtropics of Houston Texas – perhaps their abundance of air-conditioning helps keep them kvlt? At any rate Humut Tabal are new to me, and what little I’ve heard of their Gods ov Darkness, Hate and Flame debut doesn’t get me all hot under the collar or fill me with expectation outside a few ‘wait, what?’ moments. A lengthy five years after the release of the debut, one would hope Humut Tabal pulled out their self-regenerating dark matter power core and used the time wisely to hone their craft. So does The Dark Emperor ov the Shadow Realm lambaste you with its Megatron-sized punch or is this just another example of blah meh-tal?” Can Texas produce cult black metal? Texans would say yes. Madam X is prepared to mess with Texas.

Rippikoulu – Ulvaja Review

Rippikoulu – Ulvaja Review

“Two decades ago, a young troupe of bummed-out Finns churned out two primitive death/doom demo tapes, and promptly disappeared following the death of one of their guitar players. Rippikoulu’s latter release, 1993’s primitive doom/death gem Musta seremonia, followed suit with other short-lived doom/death groups from the early 90s by accruing a great deal of kvlt charm cultivated by many years dwelling in obscurity and anonymity.” Back from dead, we get some old timey doom/death right out of Finland.

Corrosion Of Conformity – IX Review

Corrosion Of Conformity – IX Review

“Considering that the band was left for dead after 2005’s In The Arms Of God, North Carolina’s Corrosion of Conformity has been on a fucking roll these last few years. The band’s original trio reconvened in 2010 and embarked on heavy-duty touring, followed by 2012’s excellent self-titled LP and the hastily-assembled Megalodon EP for Scion A/V. Just two short years later, COC is back again with their 9th album, creatively titled IX.” Old stoner/hardcore bands never die, they just get more garage-y.

Pillory – Evolutionary Miscarriage Review

Pillory – Evolutionary Miscarriage Review

“Promos come in and promos go out, and amongst the parade of CDs labelled as heavy metal, re-thrash, or ridiculously specific (read: nonexistent) black metal genres, there’s a disappointingly low number of tech-death releases. The last few years have been pretty good for tech-death, so it’s no surprise that the release schedule for the genre is in a lull right now, but that doesn’t make me any less sad. Thankfully, Pillory are breaking the silence with their sophomore effort Evolutionary Miscarriage.” Here’s some tech-death to noodle you into paste!

Arch Enemy – War Eternal Review

Arch Enemy – War Eternal Review

Arch Enemy keeps soldiering along, ever honing their super polished, shiny and pretty version of melodic death metal. This despite the departure of such key parts as guitarist Christopher Amott and vocalist Angela Gossow. Easy peasy, in comes Nick Cordle (Arsis) and Alissa White-Gluz (The Agonist) and we get another typical Arch Enemy platter, full of power metal ideas smashed into melo-death templates and layered with snazzy guitar-work from Michael Amott.” Ready for more Power-Death? Yes, it’s a thing!

Bloody Hammers – Under Satan’s Sun Review

Bloody Hammers – Under Satan’s Sun Review

“It seems Bloody Hammers has a new album in the pipeline every few months. In fact, this is the third of their platters I’ve reviewed since late 2012, which pretty much makes them the anti-Necrophagist. Under Satan’s Sun is their first album without a topless woman on the cover (which I take issue with, purely for marketing reasons, mind you), but their style continues to broaden and evolve, blending the occult rock shtick made so notable by Ghost with the throwback doom of Hour of 13 and Uncle Acid and the Deadbeats.”

Bombs of Hades – Atomic Temples Review

Bombs of Hades – Atomic Temples Review

“Sure, we’ve all heard of beating a dead horse, but have you heard of D-beating a dead horse? Retro Swedish death is that rotting carcass and Bombs of Hades return once again to kick and stomp it with more Entombed and Dismember based bootery. Atomic Temples picks up right where 2012s The Serpent’s Redemption left off and delivers another overdose of unrefined Swedish death mixed with rudimentary crust punk and half baked Motörhead outtakes, and much like the last platter, it’s a fairly fun listen if you’re in the proper frame of mind.”

High Spirits – You Are Here Review

High Spirits – You Are Here Review

“Running searches on the vast database that is the Metal Archives can be a fascinating – and sometimes hilarious – way of looking at the genre at a whole. For example, filtering for “lyrical themes”, unsurprisingly, finds that “nihilism” and “national socialism” trump out “rock”, “rocking” and “fun” in the heavy metal thematic lexicon. We sure are a cynical bunch, aren’t we? I’d like to think that Chicago-based traditional metal champion Chris Black (fellow music journalist and leader of a number of lauded traditional heavy metal groups such as Dawnbringer and Pharaoh, both of which I’ve unfortunately managed to neglect) himself went on a sojourn into these nether reaches of the Archives and decided that enough was enough. Black clearly has no time for modern metal cynicism, and his one-man throwback project High Spirits, with lyrical themes tagged in the Archives with “rocking” and “being in high spirits,” is about as light-hearted and easily palatable as modern metal gets.” Chris Black continues to be the new black in the world of throwback metal.