2.5

Agalloch – The Serpent and the Sphere Review

By Madam X on May 3, 2014 in 2014, American Metal, Black Metal, Eisenwald Records, Folk Metal, Reviews, Black Metal, Folk Metal, 98 comments

“Marrow of the Spirit’s “Black Lake Niðstång” marked the beginning of my journey through American band Agalloch’s sizeable discography. The album delicately, but rather doggedly introduced me to the band’s neat fusion of avant-garde black-ish metal, neo-folk and post-rock, drawing influence and inspiration from the atmosphere of Ulver and the ambient nature of October Falls. It’s John Haughm’s talent for merging this kaleidoscope of textures that gives Agalloch a level of inspiring complexity while still giving the songs an air of accessibility and easy listening.” Madam X tries to wrap her arms around infinity and the cult of great expectations that comes with every Agalloch release. Expect dislocated shoulders.

Super Massive Black Holes – Calculations of the Ancients Review

By Kronos on April 26, 2014 in 2014, Canadian Metal, Minotauro Records, Progressive Metal, Reviews, Experimental Metal, Progressive Metal, 8 comments

“Have you ever listened to Between the Buried and Me and thought “Wow, wouldn’t it be great if there was a band just like this, but with even worse vocals?” I sure have, so it’s a good thing that Calgary’s Super Massive Black Holes are about to release their début album, Calculations of the Ancients. This experimental metal quartet has crafted a suite of tracks for the proggiest of them all, playing tuneful basslines and intricate riffs while filling the vocal skill gap between Between the Buried and Me and me.” Kronos wrestled this straight from the snapping jaws of a great white! Was it worth the fight?

Insomnium – Shadows of the Dying Sun Review

By Steel Druhm on April 16, 2014 in 2014, Century Media, Death Metal, Finnish Metal, Melodic Death Metal, Reviews, Melodic Death Metal, 29 comments

“Over the past decade, Insomnium has been one of, if not the most consistent of the morose Finnish styled melo-death acts in operation. They’ve delivered album after album of “dead puppy under the Christmas tree” flavored music, loaded with gothic trappings and they’ve won the melancholy sweepstakes more often than not. In recent years, fellow countrymen Omnium Gatherum have stolen some of their thunder and lunch money with ripping albums like New World Shadows and Beyond, but the sleepless ones soldiered on regardless, doing what they do best on quality platters like One With Sorrow.” Ready to cry a frozen river? Steel Druhm clearly wasn’t.

Prong – Ruining Lives Review

By Dr. Fisting on April 15, 2014 in 2014, American Metal, Industrial Metal, Releases, Reviews, SPV, SPV Records, 8 comments

“After Prong’s original incarnation crashed and burned in the mid-’90s, bandleader Tommy Victor has been gradually working his way back into the metal world’s good graces. 2003’s “comeback” album Scorpio Rising may have been seriously misguided, but the records that followed made great strides towards restoring Prong’s dignity. 2012’s Carved Into Stone particularly recaptured a lot of the elements that made the band’s breakout album, 1994’s Cleansing, a classic. Perhaps sensing that he’s on the right track, Victor wasted little time in releasing a follow-up, entitled Ruining Lives.” You think Prong is done and over? They beg to differ.

The Drip – A Presentation of Gruesome Poetics Review

By Madam X on April 8, 2014 in 2014, American Metal, Crust Punk, Grind, Hardcore, Relapse, Reviews, Hardcore, 1 comment

“Looking for some seething death grind that attacks you like a horde of rotting zombies crudely ripping your intestines from your gut? Of course you are, who wouldn’t be!” Can The Drip deliver the zombie-tastic carnage or are they just another brain dead clone? That name certainly isn’t helping them any.

Coltsblood – Into the Unfathomable Abyss Review

By Grymm on April 4, 2014 in 2014, Candlelight, Doom Metal, English Metal, Reviews, Doom Metal, 1 comment

“Colts are young male horses. Colts, assuming that they are not neutered in their upbringings, will eventually grow up to be stallions, free to roam the range, gallop at high speeds, and get their horsey groove on with the nice mare a few barns down. I know you’re thinking to yourself, “Gee, Mr. Grymm, why the educational lesson on horses?” (Okay, you’re not thinking this at all, but roll with me here, dear readers.) As mentioned earlier, horses are fast creatures, hence their use as a mode of transportation in the olden days. Coltsblood, a fairly new band from Liverpool, England, is so very, very, very not fast. At all. Into the Unfathomable Abyss crawls and lurches like a pissed off, swamp-covered turtle in a race that’s impossible to win nor does it care for victory, but will you stay involved through all 58 minutes of its marathon duration?” I like turtles as much as the next guy, but…yeah.

Massacre – Back From Beyond Review

By Steel Druhm on March 19, 2014 in 2014, American Metal, Century Media, Death Metal, Reviews, Death Metal, 6 comments

“Massacre holds a special place in the annals of American death metal. They were one of earliest true death metal bands, and along with Death, they started the infamous Florida death metal scene. Hell, original vocalist Kam Lee is even credited with inventing the death metal growl! At one time or another, members of Obituary and Death passed through their ranks and though they released a series of highly influential demos like Aggressive Tyrant, their plans to release a debut album in 1988 were hamstrung when Terry Butler, Rick Rozz and Bill Andrews all jumped ship to record Death’s immortal Leprosy album instead.” The co-originators of American death metal are finally back from beyond with a new album. But should we seal the portal from whence they came?

Die Choking – Die Choking Review

By Madam X on March 10, 2014 in 2014, American Metal, Crust Punk, Earsplit Records, Grind, Reviews, Crust Punk, Grind, 1 comment

“The way Die Choking bursts out of your speakers, gnashing its angry yellow, plaque covered teeth at your throat, they have me wondering whether to skip the intro and dive straight into the heart of the review… well almost. Philadelphia based Die Choking are on the verge of releasing the first vinyl press of their début, 5-track, self-titled EP and with it comes a crust-based grindcore sound that harkens to the very early days of Napalm Death and at the same time worships the sacred ground walked by Nails. ” Madam X delves into some ugly grind in a very…revealing review.

Nothing – Guilty of Everything Review

By Madam X on February 23, 2014 in 2014, American Metal, Not Metal, Relapse, Reviews, Shoegaze, Not Metal, Shoegaze, 6 comments

“An odd album crept its way onto the Angry Metal promo list in this past month, one that while plenty dark, is far removed from metal, and despite all it’s heavily worded promise, as wholly lacking in anger as I’ve come across in a while. At its most basic, it appears the band couldn’t come up with a decent band name and so took the easy way out, calling themselves Nothing…” Madam X has reviewed nothing lately and frankly, we expected more from her. That said, here goes Nothing.

Kampfar – Djevelmakt Review

By Madam X on February 3, 2014 in 2014, Black Metal, Folk Metal, Indie Recordings, Norwegian Metal, Reviews, Black Metal, Folk Metal, 5 comments

“With a career spanning a near lifetime (20-years to be exact), Kampfar refuse to sit squarely in any one particular niche. They shamelessly delivered their self-titled EP, Mellom Skogkledde Aaser and Fra Underverdenen as part of their first creative wave, hitting you up with old school black metal with the typical raw traditionalism you’ve come to expect of a two-man Norwegian act. When that didn’t translate into a particularly nifty live performance, more members were added and the the band forged ahead with with their second creative wave delivering Kvass and Heimgang….” Madam X surfs the waves of black metal as brought to you by Kampfar. But is their next wave worth catching?