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Metal is blessed with bands that have unparalleled musical ability, bands that write intricate, elegant, and at times breathtaking compositions. Indeed, metal is blessed with bands that spend hours deep in creative reflection, striving to produce a piece of art that captivates listeners and subtly expresses some universal higher truth. Gehennah is not one of those bands.” They’re the other kind.
“I have to admit that I picked up Frostbite’s Etching Obscurity for the cheesy band name and the “progressive black metal” tagline. Expecting a pretentious ambient/avant garde black metal album to laugh circles around, I instead found Etching Obscurity well worth my time.” And you know a doctor’s time is very valuable.
“It was on a tepid spring night that I witnessed, for the first time, the show put on by three mysterious French shamans going by the name of Aluk Todolo. A psychedelic, trance-inducing “krautblack” assault washed over the audience, permeating and shaking each molecule and atom of their beings. An unforgettable experience.” Darkness, beauty and brutality.
“Sure, we weren’t exactly charitable toward the last two Megadeth albums, but who among us hasn’t been rooting for Dave Mustaine to get his shit together and give us another Rust in Peace or at least another Endgame. For my part, I’d pretty much given up on seeing that day, especially after the dumpster fire that was Super Collider. With major line up changes (Kiko Loureiro in for guitar god Chris Broderick and Chris Adler in for Shawn Drover), blood was in the water and it seemed Dystopia might end up an ironic statement on the state of Megadeth’s health.” Time to turn your head and cough, Dave as we offer a double examination of the state of Dystopia.
“One look at that cover and you knew I’d be the chosen one to review it, didn’t you? And rightly so, as Ravensire has an imposing Throne of Usurpation built directly on the epicenter of my metallic wheelhouse. They rock a burly form of trve metal similar to Visigoth and Ironsword, and since that means Conan-core, you can expect much Cirith Ungol worshiping, Manowar loin clothing and Manilla Road raging.” If you’re bored, reforge the sword!
“I first came across the nightmarish raptures of Spektr in 2006 with Near Death Experience. That album was perhaps the most unsettling record in my music collection at the time, and served to worsen my already-horrific insomnia. Since then I’ve been captivated by every one of Spektr’s disturbing soundtracks.” To sleep, perchance to scream?
If you’ve been around since 2014, you may be aware that I’m rather taken with Andy Marshall’s solo project, Saor. As a talented song-writer and multi-instrumentalist, he has capably demonstrated that he knows his way around Gaelic culture and melodic intensity. Fuath—Gaelic for ‘hate’—is more fierce, more ominous, more closely tied with Norwegian black metal than Marshall’s other work, but it retains the profoundly evocative atmosphere for which his work is known. The imaginatively-titled I is his first release under this new moniker and it seems he’s on to another winner.” Come for the Christmas trees, stay for the music.
“Hexvessel came into my life in 2012 and filled a void in my soul I didn’t even know existed. You see, I didn’t have any Finnish psychedelic forest folk in what passed for my miserable existence, and only when I tasted of its rich goodness did I realize how much I always subconsciously hungered for it.” And the fire still burns.
“After nearly seven years on hiatus, Baphomet’s Blood have returned (minus S.V. Goat Necromancer) with booze in their beards, blood on their jackets, shovels on their shoulders, and eyes set on murdering lawns-o’-plenty as only Motörhead could do.” Lemmy would be pleased.
“If there was ever a “Yacht Metal” band, Tobias Sammet’s aspirational ego project Avantasia is it. Perpetually over-sized, ostentatious, crowded with celebrities and in danger of sinking under the weight of its own pretentious pomposity, the entire catalog is a monument to the man’s inherent lack of restraint.” But is that ship still seaworthy and can they see the Ghostlights from the distant shore?
