4.5

Thomas Giles – Pulse Review

Thomas Giles – Pulse Review

Oh man, the Internetz are abuzz with love for this record already. Apparently everyone and their dog who runs a review website got this album 3 months ago and has been subsequently shitting themselves over the awesome!!!! that is Thomas Giles’ Pulse. A bit of background information as to why that might be. Yeah, because this is the vocalist from Between the Buried and Me. Yup. That’s it. I want to state with all certainty that if this were an independent record put out by a dude actually named Thomas Giles who wasn’t in a band that was well-respected even though being associated with a scene that everyone hates, this record would not be listened to by metal guys or reviewed on a metal website. Because this record is not metal. It contains minor bits o’ metal, but it for the large part a progressive-indie-electronica record. So be forewarned.

Helrunar – Sol Review

Helrunar – Sol Review

Well, we’re certainly off to a great start for black metal in this shiny new year. First we get a righteously good release from Belphegor and now the unheralded German unit Helrunar erupts from relative obscurity with a double album of masterfully grim, bleak blackness. Yep, you read that right, a DOUBLE ALBUM of massive black metal clocking in at ninety minutes! So, you might be asking, who do they think they are? How dare they release a double album? Well, the short answer is, they’re Helrunar and a whole lot more people are going to know them REAL soon because Sol is going to stamp them firmly on the black metal map.

Belphegor – Blood Magick Necromance Review

Belphegor – Blood Magick Necromance Review

I’m pretty sure loads of people were waiting for this one with baited black breath. Well, the wait is over and Austrian black/death mongers Belphegor have exceeded expectations to unleash a truly monstrous opus of blasting and burning to blight and ravage all the lands. Prepare thyself for one of the more intense, epic and fucking GREAT blackened death metal albums to come around in a while. Taking the best of both the black and death metal genres and stitching them together into a tentacled, writhing mass of gelatinous evil, Belphegor has created one mercilessly heavy yet strangely melodic beast with Blood Magick and Necromance and in the process, eclipsed the entirety of their past works (no easy feat since their previous releases were very good indeed [note: very good (3.5) is indeed the rating I gave Walpurgis Rites: Hexenwahn – AMG). In case it didn’t come across, I love this album!

Ghost – Opus Eponymous Review

Ghost – Opus Eponymous Review

How can this be? Yet another metal treasure nearly escaped the watchful eye of Steel Druhm and makes me feel shame for failing to include it in my Top Ten(ish) of 2010. Please forgive this epic oversight as I belatedly introduce you to Opus Eponymous, the debut by Sweden’s Ghost, which is a goldmine of expertly written and played mega-retro 70’s style satanic heavy metal. Taking inspiration from old Mercyful Fate, Witchfinder General, Pentagram and every horror film about satanic cults ever made, Ghost operate in a time warp where metal was as much about mood as sheer musical heaviness and where melody and accessibility were king. Opus Eponymous sometimes feels like the soundtrack to The Exorcist and at other times like Anton LaVey’s satanic mass set to music but it’s compelling, instantly likable and a lot of evil rocking fun for those among us in the left lane of the highway to hell.

Dawnbringer – Nucleus Review

Dawnbringer – Nucleus Review

Interesting release we have right here folks. For those unaware, Dawnbringer is a project band of sorts for Chris Black (Pharaoh, Nachtmystium, Superchrist) and his guitar playing buddies and together they create something like a mix of NWOBHM, straight up American metal, black metal, thrash and doom (there’s even moments of quasi-southern rock). Tell me that doesn’t sound intriguing, I dare you! Nucleus is their fourth full-length and yep, it’s one humdinger of a rickety metal contraption. At times sounding like a weird mash-up of Iron Maiden, Slough Feg, Motorhead and Black Sabbath, this thing rumbles and rambles all over the place and always seems ready to come unhinged but it just screams METAL! From the production, riffs and vocals, there’s an ever present rough and tough vibe and despite the myriad of styles and influences Dawnbringer tries to squish together, they somehow managed to craft some great metal songs that will stick in your head for a long time.

Fejd – Eifur Review

Fejd – Eifur Review

Last year I received Swedish folk-metallers Fejd’s Napalm Records debut with great excitement. I had been listening to the band for a long time and was really impressed with their material in general. Their earlier demos I en tid som var and Huldran had both been constantly on my playlist since I downloaded them (and with good reason). But while I was not disappointed with Storm, the material didn’t blow me away as much as the earlier demos had. Maybe this was a “slump” or something, but it didn’t quite live up to those standards.

Torture Division – Evighetens Dårar Review

Torture Division – Evighetens Dårar Review

Sometimes reviews are short because you don’t have anything to say about a band. I mean, something just doesn’t wake that ire in you because it sucks, but isn’t really great enough to really rant about. This is a problem when you set yourself informal word limits for every review, and this is even more of a problem when the issue with the record is that it’s too fucking good to even warrant much of a review, per se. So before the jump, even, let me say this: what are you waiting for? Buy this fucking record.

Atlantean Kodex – The Golden Bough Review

Atlantean Kodex – The Golden Bough Review

Crushing my friends, simply crushing. Like being flattened by some type of heavy industrial smoothing machine, The Golden Bough, the debut full-length from Germany’s Atlantean Kodex will compress you in a major way. However, this crushing may be one of your better listening experience this year if you dig epic/doom metal. Although I was lead to expect good things by their well-regarded Pnakotic Demos EP, I wasn’t prepared for anywhere near this level of asskickery. To put it quite simply, this is one of the most epic and huge sounding metal albums to drop on us in years. With a sound combining Into Glory Ride-era Manowar with the doom of While Heaven Wept and the atmosphere of Bathory’s Hammerheart opus, these guys have birthed a monstrous metal titan that should be essential listening for all fans of doom, epic or just plain old heavy metal.

Allen/Lande – The Showdown Review

Allen/Lande – The Showdown Review

Regular readers of the Angry Metal Guy’s mighty webpage will have noticed that I consider Sir Russell Allen (Symphony X, Star One, Avantasia) and Jorn Lande (Jorn, Masterplan, Avantasia, Ark) two of the very best metal vocalists in operation today. It was only last week I was ranting and raving about Allen’s performance on the new Star One opus and now I must rant anew, but what else can Steel Druhm do? Allen and Lande are both such enormously versatile and talented vocalists and it’s always a pleasure to hear them show off said talents. It should come as no surprise to anyone that I’ve gone hog wild over the previous Allen/Lande recordings where the two masters engaged in epic battles for metal pipes supremacy. Both their previous albums have become mainstays in my music rotation and hold up admirably to the repeated spins they receive. Now we are blessed with their third album The Showdown and the masters have once again delivered the goods and reaffirmed their place at the top of the metal vocalist food chain.

Monster Magnet – Mastermind Review

Monster Magnet – Mastermind Review

Monster Magnet is one of the coolest band names ever, hands down, don’t argue. As for the music they’ve produced, I’ve been back and forth on it over the years. I liked their first two albums with their over-the-top 70’s psychedelic, fuzzed out, space rock worship and I always thought Dopes to Infinity was their crowning achievement in terms of rock songwriting. After that things seemed to go downhill as they drifted toward a more commercial rock sound lacking the style that originally drew me in. Despite this drop off, I never lost respect for band mastermind Dave Wyndorf because he was churning out stoner rock before it was called stoner rock and WAY before it became hip, trendy and “retro.” Like his band, Mr. Wyndorf has had his share of ups and downs but there is no disputing that the guy is stoner rock personified and a living, breathing throwback to another musical era. Therefore, it’s with mucho gladness I report that Mr. Wyndorf and Monster Magnet are back on top in a big way with their eighth album Mastermind.