“In 2013, I attended a concert in Santa Fe, New Mexico, with hopes of seeing Intronaut and Scale the Summit. However, because I’m a good little Hollow, I decided to stop in for the openers. The youth center in which this was played was scrawled with graffiti in the dim lighting, and the stage was a makeshift affair about a foot or less off the ground, and a row of beaten couches comprised the seating. When I was welcomed into the concert area, Albuquerque quartet (at the time) Distances came up, a band whose numbers rivaled the audience members. There we stood, bobbing our heads to a post-metal sound whose colossal quality blew the roof off the shady little venue.” From youth center to center stage.
Abest
Doom_et_Al’s and Dear Hollow’s Top Ten(ish) of 2022
Doom_et_Al and Dear Hollow spice up the season with their Top Ten(ish) of 2022. Come for the selections, stay to harass them over same.
Abest – Molten Husk Review
“Molten Husk is an album built on a balance of synchrony and glitches, a duel of cohesive riffs and splattering experimentation. We embark on a journey with Abest, witnessing this dichotomy and wondering what the hell we do with its lesson. As the journey dwindles to its final moments, Molten Husk fully succumbs to the chaos. A corrosive and unforgiving beast, whose growls are abruptly interrupted by a spare moment of humanity in the haunting “Possessor,” it pummels and unnerves in a soundtrack of breathing darkness. But this is no black metal, though it makes sporadic appearances. This is not death metal, although listeners may be reminded of it. Although based in sludge, density is eschewed for a palpable crunch instead of earth-shaking weight. At the end of Molten Husk, Abest will challenge what you think about post-metal.” Abeast.