Aborted

Embryonic Autopsy – Prophecies of the Conjoined Review

Embryonic Autopsy – Prophecies of the Conjoined Review

“Listen to this record and it might just put a baby in you. Not by the traditional means, interesting though it might be to imagine those mechanics. Instead, Arizona’s Embryonic Autopsy debut with a concept album about the experiments, designed to birth human/alien hybrids, that may or may not have been performed at Area 51. With songs like “Telekinetic Insemination” and “Craving of the Mutated Fetus,” these gentlemen have a very specific kind of breeding on the brain. The sci-fi milieu, and some elements of the music, put this offering of brutal death metal squarely in Artificial Brain territory.” Newgenics.

Feed the Corpses to the Pigs  – This Insidious Horror Review

Feed the Corpses to the Pigs – This Insidious Horror Review

“Promo selection is not always a calculated plan of precision. I’m sure every AMG writer has their own methodical ways or quirky preference when they dive into the sordid world of metal promos. But in some cases, it’s the promise of simple pleasures that can allure. Case in point is the new album from New Mexico’s deathgrind/crossover crew Feed the Corpses to the Pigs. I must admit it was their part cool, part clumsy moniker, and deathgrind tagging that dragged me in.” Hurls before swine.

Aborted – ManiaCult Review

Aborted – ManiaCult Review

“There’s no such thing as a truly objective review so let’s get one thing straight: I fucking adore Aborted. Their brand of pulverizing death metal appeals to me on a primitive level and I’ve followed these Belgians for years. For the most part, I have enjoyed being reduced to DNA and endorphins every few years. And it’s that time again. 2018’s TerrorVision was good but it had some issues. Or rather it had one big issue. It just seemed to ramble on too long, which, for a band with grind sensibilities, isn’t optimal. ManiaCult is the definitive younger model.” Culted nuts.

Recorruptor – The Funeral Corridor Review

Recorruptor – The Funeral Corridor Review

“We interrupt the regularly scheduled program to bring you something much better. I am the mighty Kronos, Master of Br00tality, and I listen to things that most metalheads wouldn’t even calI music. I can alliterally alliterate alliteration all day long and I know everything there is to know about the feeding and breeding tendencies of every fucking kind of animal that has ever or will ever live. I eat power metal loving weenies like Holdeneye for breakfast, and I fucking did it — I ate him for breakfast.” Chain of foods.

Katalepsy – Terra Mortus Est Review

Katalepsy – Terra Mortus Est Review

“Ah, death metal, my old nemesis. This style and I have never quite seen eye to eye on things, which I think comes down to me not having an especially high tolerance for prolonged brutality. I like rhyme and reason, order, and all things calm and sane. So given that, you might wonder why I would read the words “Russian brutal death metal masters Katalepsy return with their devastating new record Terra Mortus Est” and think “sounds good to me!” Honestly, I would too.” Insanity and Terra.

Cognizance – Malignant Dominion Review

Cognizance – Malignant Dominion Review

“Until a few years ago, I didn’t realize that technical death metal was even a thing. Sure, I’d heard it before, but in my simple mind, tech-death was merely death metal that goes ‘clickity-clickity click and noodly-noodly nood, and sometimes has a bass that goes farty-farty fart.’ As you can imagine, I was relieved to find out that there’s a shorter way to describe this genre.” Commence the noodly-noodly!

Holy Tide – Aquila Review

Holy Tide – Aquila Review

“Musically, Holy Tide sounds a lot like Pyramaze, specifically Immortal and Disciples of the Sun. Vocalist Fabio Caldeira reminds much more of Disciples’s Terje Haroy than the inimitable Matt Barlow, largely due to the lack of Barlow’s gruff edge. The main reason for the Pyramaze comparison, though, is the keyboards. Both Pyramaze and Holy Tide make heavy use of that once-maligned instrument, smartly toning down the guitars when the keyboard takes the lead and vice-versa.” Big stuff is big.

Basilysk – Emergence Review

Basilysk – Emergence Review

“The word “emerge” comes with sinister connotations. Think about where things emerge from: the fog, underneath things, out of the shadows and darkness. For Philadelphia quartet Basilysk, their debut full-length comes after almost a decade of honing their craft in obscurity with a series of demos.” Does Emergence find this independent Philly act emerging from the crowd?

Sad Eyes – vIV0 Review

Sad Eyes – vIV0 Review

“As a wee lad, I met a guy at camp who was quite the contortionist. He delighted in the responses his disconcerting levels of flexibility granted him, basking in the wide-eyed, slack-jawed and mildly disgusted attention of his peers. However, his flexibility never garnered him any true friends. He was a spectacle, an object of attention, nothing more. Hailing from Spain, one-man death metal project Sad Eyes, helmed by Santi Gzlez, seeks to turn his project into a musical contortion of sorts, assembling an album with a list of collaborators longer than I’ve had friends.” Death metal camp is rough.

Aborted – TerrorVision Review

Aborted – TerrorVision Review

“Everyone loves a good horror movie, and for years Aborted have given us the musical equivalent. Since vocalist and Belgian native Sven de Caluwé began the project in 1995, he’s taken everything from goregrind to Carcassy death metal to melodic groove experimentation and bludgeoned it into his grotesque sonic mold. If you want to know what Aborted sounds like, shove your fist into a jar of old mayonnaise while watching the grossest horror film you know.” Special sauce and TerrorVision.