Acid King

Acid King – Beyond Vision Review

Acid King – Beyond Vision Review

“Nothing moves quickly in the world of San Francisco cult stoner-doom stalwarts Acid King. From expansive, dreamy psych-smattered jam sessions to low and lazy stoner-doom riffs, and groovy plods, through to their sporadic recording output, Acid Kin do shit at their own relaxed pace. And in the realms of kaleidoscopic, thick, heavyset stoner-doom, Acid King do it well and never disappoint.” Acid King can do…anything.

Sun Below – Sun Below Review

Sun Below – Sun Below Review

“With summer fast approaching in my neck of the woods, some good old stoner rock vibes are always welcome. Up and coming Toronto act Sun Below are dropping their debut self-titled album and all the ingredients for a good old time in the land of fuzz and sand are in tow. Sun Below boast a stripped back, garage-y production, fat guitar and bass tones, laid-back jammy vibe, lots of trippy psychedelic flourishes and crude, no-nonsense vocals.” Sun, sand, stoners.

Crypt Monarch – The Necronaut Review

Crypt Monarch – The Necronaut Review

“Sometimes, you need something a little bit different. Other times, you need something a lot a bit different. In times other than those, you need a lot of somethings a lot a bit different. This is one of those times for me; for whatever reason, I’m not finding that 2021 is a good year for new music – at all. So I have increasingly been opening my arms and ears far and wide in an attempt to find something different, something new to excite me and rekindle the spark. This path has today led me to Crypt Monarch, a stoner doom band from Costa Rica, and The Necronaut, their debut full-length release.” Lost in Necropolis.

Moanhand – Present Serpent Review

Moanhand – Present Serpent Review

“Try as I might, it’s hard to break out of patterns that take months, if not years, to craft and make a template out of. I still put actual milk in my coffee and not that oily Coffeemate bullshit. My breakfast omelets will always have cheddar cheese, bacon, and enough garlic to anger vampires. Above all, I like my doom metal to be… doom metal. Heavy. Oppressive. Mournful. That said, sometimes a little deviation can work wonders, and Roman Filatov, chief songwriter and solo proprietor of Moanhand, is seeking to woo the masses over with his creative take on a classic sound using a wide swath of influences.” Snake’s take.

Red Fang – Arrows Review

Red Fang – Arrows Review

“Ever wanted to spend your afternoon crafting a suit of armor from empty beer cans to go make drunken, bloody war on the D&D nerds at the local park? Portland, Oregon’s Red Fang got you. Ever been in the shower, sipping on a beer, when two, large hairy and, it has to be said, naked stoners apparate to invite you to an air guitar contest, before disappearing (with your tinny)? This four-piece stoner outfit understands. After a five-year hiatus, Red Fang is back with fifth full-length, Arrows, and in reassuringly generous mood.” Pay as you slow.

Tombstoned – II Review

Tombstoned – II Review

“With a name like Tombstoned, you can probably gather that these boys love the sweet leaf and the doomy, sludgy sweet life of the ’70s. Warping back to a time once ruled by Black Sabbath and shared by Hawkwind, Tombstoned lather up in the buzzy, dynamic, heaviness of the former, while incorporating the psychedelics of the latter.” The rolling stoned gather no moss.

Acid King – Middle of Nowhere, Center of Everywhere Review

Acid King – Middle of Nowhere, Center of Everywhere Review

“The stoner doom warriors, led by vocalist/guitarist Lori S. finally returned to the studio after a self imposed hiatus following the release of their excellent III long player a decade ago. The result is this anticipated fourth full-length album, entitled Middle of Nowhere, Center of Everywhere. So where do Acid King stand in 2015? Has a lengthy period of gestation resulted in a drastic detour from their long established and rarely tweaked formula?” Prolific they are not, but back they are.

Victor Griffin’s In-Graved Review

Victor Griffin’s In-Graved Review

“As a long time fan of American doom pioneers Pentagram, I’ve been an admirer of Victor Griffin’s playing and his bluesy, but street tough style. Sure, he borrowed a lot of his sound from Tony Iommi, but he made it his own by mixing it with the sound of Cream-era Clapton and a touch of Hendrix. When he left Pentagram, their stock dropped precipitously, and when he returned for their Last Rites opus, everything was right in the doom world again. I enjoyed most of the material from his Place of Skulls outing, so when I heard of the new Victor Griffin’s In-Graved project, I expected solid results, which this delivered, along with a few surprises.” Doomy biker rock? Does Steel Druhm need to say more? Well, he will anyway because he’s wordy!