Aerial Ruin

Bell Witch – Future’s Shadow Part 1: The Clandestine Gate Review

Bell Witch – Future’s Shadow Part 1: The Clandestine Gate Review

Mirror Reaper expanded the scope of what doom could be, delivering a towering epic dedicated to the band’s original drummer Adrien Guerra, who passed away in 2016. Any reasonable human would look at this accomplishment and probably decide it was time to scale things back. Dylan Desmond and Jesse Shriebman are not reasonable. One wonders if they’re even human as they prepare to test the limits of attention span again with Future’s Shadow, a proposed tryptic of one-song records of which the 83-minute The Clandestine Gate is first.” Gate Reaper.

GardensTale’s Top Ten(ish) Album Art of 2020

GardensTale’s Top Ten(ish) Album Art of 2020

“We spend every single day of the year on this blog talking about music. The highs, the lows, the marshes of the meh. Occasionally, we give a nod to an especially beautiful cover (or an especially heinous one) to buff our word count for the article, but it’s barely a condiment on the edge of the buffet plate, stacked with pretentious slop, that we throw casually in front of the voracious readership. But this one time a year, I don’t have to talk about the music at all.” Gardens variety galleries.

Bell Witch/Aerial Ruin – Stygian Bough Volume I Review

Bell Witch/Aerial Ruin – Stygian Bough Volume I Review

“Dylan Desmond and Jesse Shreibman’s decision to make official their partnership with Erik Moggridge, the man in Aerial Ruin’s one-man dark folk band, made sense. Moggridge’s guest vocals on Mirror Reaper conveyed grief and loss on a frequency that Bell Witch couldn’t have reached alone. Stygian Bough Volume I pries those mournful dimensions wide in a symbiotic give-and-take quite unlike anything either act has produced before.” Witch in flight.