Æther Realm

Hinayana – Shatter and Fall Review

Hinayana – Shatter and Fall Review

“We’ve been waiting for this for years. With only 2020 EP Death of the Cosmic to tide us over from Hinayana’s excellent 2018 debut Order Divine, which received the TYMHM treatment from the great and mighty Dr. Wvrm, it has been a dry spell. The Austin, Texas quintet’s sound lends itself to the melodic death/doom, notably Finnish, melancholy of Insomnium or Swallow the Sun, but with tight songwriting and a patient unfolding through relentless plodding of Amon Amarth, Order Divine became a bit of a sleeper hit for 2018. Featuring a tight and concise bite that will soothe your soul before forcing you to spit out broken teeth, will you invite follow-up Shatter and Fall’s slow-motion beatdown?” Soundtrack to Fall or stumble and fall?

Ancestral Curse – In Dreams of Endless Darkness Review

Ancestral Curse – In Dreams of Endless Darkness Review

“Since the first chords of “Black Sabbath” rang out from Tony Iommi’s tipless fingers, horror and metal have been intertwined. Horror can be injected into a record any number of ways, be it through gratuitous slasher samples, thematic lyrical content, or a general focus on terrifying atmosphere. New York new bloods Ancestral Curse claim to brandish a “horror-themed concoction of melodic blackened death metal.” In Dreams of Endless Darkness is the self-released debut from this quintet, which always tempers expectations, but the band managed to pull in a couple of notable guest spots that caught my eye.” Scared by death.

Neverus – Burdens of the Earth Review

Neverus – Burdens of the Earth Review

“To any germinating young metal bands reading this, please heed my advice: Don’t attempt what Neverus has done here with your first record. Without so much as a public demo under their belt, this young Dutch act simultaneously revealed themselves and began releasing singles in 2022, culminating in this debut LP, Burdens of the Earth. But it’s not just that Neverus started releasing music with no pent-up hype or a label to back them; it’s that they did so while swinging for the damn fences, sprinting before anyone knew they could even crawl.” The burden of potential.

Forsaken Eternity – A Kingdom of Ice Review

Forsaken Eternity – A Kingdom of Ice Review

“I like it when black metal is fun. And I know, I know, that’s not “the point” of the genre, except we’re way past the ‘90s and black metal is a whole lot cooler than it used to be. And if you don’t believe me, why not take a gander at that cover art and wilt under the crushing weight of your own doubts? Forsaken Eternity is a symphonic black metal act from the United States, and, despite having been around since 2015, A Kingdom of Ice is their debut full-length album. Here, we see a comparatively young band who plays it fast, plays it cool, and plays it pretty fun.” Forsaken frowny faces.

Fall of Stasis – The Chronophagist Review

Fall of Stasis – The Chronophagist Review

“Extreme music and cheer have an uneasy relationship. Power metal is generally expected to be upbeat and not take itself too seriously, but when the growls and screams enter the building, such attitudes are wont to leap out the window. Death and black metal are serious business, dammit! Except when they’re not, and examples abound of bands that embrace both the dark and the light. At first glance, Fall of Stasis seem to be the serious sort. A faux Old English logo, a grim apocalyptic cover, and a title that literally means ‘the time eater.’ But is it all as dark as it seems?” Goro-core.

Aether – In Embers [Things You Might Have Missed 2019]

Aether – In Embers [Things You Might Have Missed 2019]

Wintersun has long been a favorite of mine. Sure, it’s a band with a whole bunch of frustrations, but Jari Mänepää is a strong composer, and he’s got a cool sound that I can’t help but like. His wild blend of melodeath, power metal, black-tinged folk, and symphonic over-the-top wizardry appeals to me. It’s always a good Time T(w)o listen to well-composed symphonic heavy metal, and this is where the Polish group Aether come in.” Less spa, more metal.

Crepuscle – Heavenly Skies Review

Crepuscle – Heavenly Skies Review

“With scant few acts from the golden era of Finnish melodic death metal living up to their former glitter and gusto, the torch has been unwittingly passed across state lines. From Æther Realm to Aephanemer, the kids who grew up worshiping at the altars of Ensiferum, Children of Bodom, and scores of others are now handily matching the quality of their influences. California’s Crepuscle is no exception.” The American way.

Embrace of Disharmony – De Rervm Natvra Review

Embrace of Disharmony – De Rervm Natvra Review

“Stagnation is a problem. In this wondrous day and age where music can be shared across the globe at a mere few clicks, you’d think that “too much of the same” in metal would be a laughable concept. Instead, it’s an actual problem. An uncountable number of fledgling bands are being influenced by the same big acts and creating essentially the same sound over and over again. There is nothing more exciting in this musical sphere than a band that breaks the cycle of stagnation, who smashes through stereotypes and clichés both to rise above the rest and revitalize their sad, tired genre. Symphonic metal, I give you Embrace of Disharmony and their sophomore effort: De Rervm Natvra.” Symphonies of slickness.