Agalloch

Firtan – Marter Review

By Dear Hollow on October 23, 2022 in Reviews, Black Metal, Melodic Black Metal, 0 comments

“Firtan got a middling review from the gone-but-unforgotten Akerblogger, praising its atmosphere and moments of clarity but cautious of its scattered songwriting and inconsistent passages. To their credit, the German quartet listened, tightening up their songwriting to enhance its more streamlined approach. While it clocks in at quite a bit longer than Okeanos, the third full-length Marter makes the most of it, creating a distinct flow and balancing its power and atmosphere with concise performances and a lethal multipronged attack.” Flirtan with disaster.

Acausal Intrusion – Seeping Evocation Review

By Dear Hollow on October 10, 2022 in Reviews, Death Metal, Experimental Metal, 12 comments

“Nulitas was one of the most promising debuts of 2021, its otherworldly atmosphere and outrageous replay value adding up to a lurching and lumbering beast with spines of searing dissonance cutting through the thick slogs of slimy riffs. While this soundscape is certainly not uncommon among the melody-hating hordes of masochists and self-flagellants, Acausal Intrusion injected a meditative quality that contrasted lethally with its hell-scraping gutturals and slam-esque pong snare. As such, upon its announcement, followup Seeping Evocation is easily one of my most anticipated releases of the year.” Seeping expectations.

AMG’s Unsigned Band Rodeö: Autonoesis – Moon of Foul Magics

By Dolphin Whisperer on October 7, 2022 in Angry Metal Guy's Unsigned Band Rodeo, Black Metal, Melodic Black Metal, Progressive Metal, Thrash Metal, 54 comments

“Back in the primordial days of this here blog, we attempted something called “AMG’s Unsigned Band Rodeö.” The basic idea was to select a bunch of unsigned bands and give them the collective review treatment to find the most worthy buried gems. It was our humble effort to remind folks that the metal underground is still an important part of the world of metal.” Autonoesis vs the Foul Magics.

Soul Dissolution – Sora Review

By Twelve on October 6, 2022 in Reviews, Black Metal, Post-Metal, 14 comments

“Post-metal and black metal are both styles of music I can enjoy mainly under the right circumstances. There are so many interesting ways to apply each one, but combining them together, I feel, has the greatest potential. The Agallochs of the world hold special places in my heart, and this is a big part of what initially attracted me to Belgium’s Soul Dissolution.” Post runners.

Liminal Shroud – All Virtues Ablaze Review

By Carcharodon on August 4, 2022 in Reviews, Atmospheric Black Metal, 67 comments

“I was first alerted to the upcoming release of All Virtues Ablaze, the second full-length record from Canada’s Liminal Shroud, in a social media post by Hypnotic Dirge Records. That post brought excitement, as I loved the band’s debut record, Through the False Narrows, which was a proper, pitch-black soundtrack to my 2020 Autumn. Hypnotic Dirge’s post also, however, brought sadness, as, in a rather classy fashion, it was promoting the upcoming release of All Virtues Ablaze, even though Liminal Shroud had moved labels (to the very good Willowtip) because Hypnotic Dirge is winding down its operations.” Thresholds, shrouds and bittersweet endings.

Alburnum – Buitenlucht Review

By Doom_et_Al on July 14, 2022 in Reviews, Atmospheric Black Metal, Black Metal, 12 comments

“Certain things just go together. Prawn and avocado. Holdeneye and 4.0s. Ozzy and Black Sabbath. You get the gist. Two of those things are “black metal” and “nature.” From its early pagan roots, black metal has always had a close affinity with the great outdoors, rejecting rigid theism for a more atavistic, mystical spiritualism. It’s why half the shitty black metal videos you see happen in forests or on mountaintops. New Dutch band, Alburnum (another name for “Sapwood”) are therefore trodding well-worn ground; when compatriots, Fluisteraars have an album with flowers all over the cover, you’re going to have a tough time out-naturing the competition.” Play outside!

Serpentent – Mother of Light Review

By Maddog on May 21, 2022 in Reviews, Dark Neofolk, Folk, Neofolk, Not Metal, 11 comments

“If all you want is raw riffs, skull-crushing rhythms, or dissonant aggression, you’ve come to the wrong place. Serpentent’s debut full-length Mother of Light flirts casually with distorted guitars and heavier percussion, but there’s no metal to be found here. The brainchild of Seattle multi-instrumentalist Anne K. O’Neill, Serpentent plays minimalist dark folk music built around O’Neill’s emotive vocals and acoustic guitars. Spring 2022 has set a high bar for folky non-metal around these parts, with Urferd releasing an intricate slab of Nordic folk and Darkher continuing to set the standard for introspective doom. Mother of Light doesn’t quite reach those lofty heights, but it’s a pleasant surprise in a crowded genre.” Snake charming.

Falls of Rauros – Key to a Vanishing Future Review

By Dr. A.N. Grier on March 24, 2022 in Reviews, Black Metal, Melodic Black Metal, 54 comments

“This multi-instrument outfit continues to work with its traditional format of six tracks over forty-five minutes. But, while this new record doesn’t have anything you haven’t already heard, the band has a knack for execution. Somehow, they continue to breathe uniqueness into each effort and supply just enough originality to make each new record different from the last.” Vanishing returns?

Izthmi – Leaving This World, Leaving it All Behind Review

By Doom_et_Al on March 8, 2022 in Reviews, Atmospheric Black Metal, Black Metal, 21 comments

“Izthmi sure have a sense of timing. Their debut album, The Arrows of Our Ways, was released in mid-February 2020, right around the time a certain virus you may have heard of began entering the news… Despite impressing a cantankerous Grymm with its progressive and melodic take on atmospheric black metal (as well as a frankly gorgeous cover), it kinda got lost in the craziness that followed.” Storms and storming out.

Noltem – Illusions in the Wake Review

By Carcharodon on October 12, 2021 in Reviews, Melodic Black Metal, 75 comments

“It’s an uncomfortable moment in a reviewer’s life when you stumble across some promo blurb from a band’s label or PR company that is actually right on the money. While I recognize it must be no easy life if your day job is relentlessly writing promo for bands, these mini-essays are normally so pumped full of hyperbole, so riddled with awkward phraseology and so glowing with praise that this band is the second coming of [insert relevant genre titan], that the write-ups are effectively useless as a guide to the band one is about to sonically ingest. Every now and again, however, the promo hits the nail on the head. Such was the case for Connecticut-based atmospheric black metal trio Noltem and its debut, Illusions in the Wake.” Good PR.