Agalloch

Wolves in the Throne Room – Primordial Arcana Review

By Doom_et_Al on August 17, 2021 in Reviews, Black Metal, 75 comments

“Wolves in the Throne Room is an important band for me. When I was just getting into black metal, I found my way to the early albums in the band’s discography, which demonstrated to me the intrinsic and glorious bond black metal has with nature. I was absolutely captivated and I still consider the trilogy of Diadem of 12 Stars, Two Hunters and Black Cascade to be one of the strongest in black metal’s catalog. While I may be less enamored with the later albums (Thrice Woven, apart from its thunderous opener, left me cold), I feel a very close affinity with the band, and any new release is a very big deal to this reviewer.” Wolves or sheep?

Vouna – Atropos Review

By Dear Hollow on July 16, 2021 in Reviews, Atmospheric Black Metal, Black Metal, Doom Metal, Dungeon Synth, 37 comments

“Vouna was one of my first reviews here at AMG. While I certainly feel dated by the release of Atropos, it also allows me time to reflect. Sole member Yianna Bekris has undoubtedly honed her craft, and I’d like to think that I have as well, even as the morale-boosting beatings continue and the terrifying ape-in-charge keeps staring at me from the dark corner over there. An associate of Wolves in the Throne Room’s Weaver brothers, Bekris took me completely off-guard with Vouna’s self-titled debut in 2018, an effort dubbed “funeral doom” but was anything but the bellowing subterranean lurching we’ve come to know and love. Atropos offers a huge step forward, adding a healthy dose of obscurity and an unrelentingly bleak atmosphere to sink your teeth into.” Bleak houses.

Anael – Mare Review

By Dear Hollow on February 14, 2021 in Reviews, 21 comments

“Black metal carries an image, a culture, and an aesthetic. You know the hallmarks: corpse-paint, leather, spikes, frosty forests, an appreciation of all things blasphemous and evil. Initially shocking and terrifying, its image becomes tacky and cringeworthy with repeated exposure, so I’ve discovered greater appreciation for humble musicians who don’t buy into the novelty. Anael is such an act.” Restrained kvltness.

Scáth Na Déithe – The Dirge of Endless Mourning [Things You Might Have Missed 2020]

By Dear Hollow on February 7, 2021 in Things You Might Have Missed 2020, 26 comments

“There’s something special about the Irish metal. Mythological elements intertwine with its primordial melodies in a unique blend of sounds that conjure rage, desperation, melancholy, and heritage, often simultaneously. One-man project from Rush, Scáth Na Déithe is a shining example of this balancing act of death and black metal.” Dirge and purge.

Arbrynth – A Place of Buried Light [Things You Might Have Missed 2020]

By Carcharodon on January 5, 2021 in Things You Might Have Missed 2020, Atmospheric Black Metal, Post-Metal, 37 comments

“It’s nine years since Arbrynth dropped their self-titled debut. At that time, these Australians were a five-piece, playing a brand of folk-inspired, prog-tinged black metal, given an almost symphonic note by then-bassist and vocalist Tina, who has since departed. Scrolling forward to 2020 and their sophomore effort, Arbrynth — now a quartet — have narrowed their scope and arguably been somewhat less adventurous on A Place of Buried Light, which is a 50-minute slab of atmospheric black metal. What makes this such an excellent release, however, is the quality of the songwriting and the depths of emotion it plumbs.” Crouching atmosphere, hidden light.

Dynfari – Myrkurs er þörf Review

By Doom_et_Al on September 22, 2020 in Reviews, Post-Metal, 10 comments

“One of the countless awful consequences of COVID-19 has been music from artists having their releases delayed. Icelanders Dynfari were one of many victims of this. Their fifth album, Myrkurs er þörf (Darkness is Needed), originally slated for an April release, is only seeing the light of day now. For the uninitiated, Dynfari plays an organic blend of black metal and post-metal in the vein of Sólstafir and Agalloch. Their last LP, The Four Doors of the Mind, was a concept album chronicling the various human responses to profound mental trauma.” Therapy delayed.

Over The Voids – Hadal Review

By Akerblogger on September 12, 2020 in Reviews, Black Metal, 6 comments

“The Fall, the sole member of Over The Voids, has stated that the great motivator is his ‘fear of death.’ This infatuation with the unavoidable is the pulse of metal and the life force of Over The Voids, a spectral blackened project that seeks to evoke the mystery of the second wave whilst constructing an immersive narrative.” Death fuels art.

Fellwarden – Wreathed in Mourncloud Review

By Emya on June 24, 2020 in Reviews, Atmospheric Black Metal, 27 comments

“Fellwarden is an atmospheric black metal project created by Fen frontman, the Watcher and joined by fellow Fen drummer, Havenless. Much like many black metal projects we know (think Agalloch or Panopticon), Fellwarden’s music is inspired by the nature that surrounds them. For the Watcher and Havenless, the nature that surrounds them means the rearing landscapes and quiet, understated majesty of the fells of North-Western England.” Mournclouds in your coffee.

Blaze of Sorrow – Absentia Review

By Twelve on April 23, 2020 in Reviews, Black Metal, 10 comments

“It’s amazing the things you discover lurking around the Promo Pit. Blaze of Sorrow is not a band that has been on my radar, but between that album art (I mean, look at it), that name (Absentia is such a cool name it nets you twelve band name search results on Metallum), and the promise of “windswept, cascading black metal [that] is undoubtedly melancholic at heart” (I know, I know, marketing copy is marketing copy, but what can I say, it sounded good), I was sold on Blaze of Sorrow’s Absentia before I’d heard a single note.” Grand declaration of expectations.

Drakonis – Blessed by Embers Review

By Mark Z. on April 3, 2020 in 2020, Black Metal, Hostile Media, Reviews, United Kingdom Metal, Black Metal, 13 comments

“I’m getting too old for this shit. That was my initial thought after starting my third or fourth listen of Blessed by Embers, the debut album by U.K. black metal band Drakonis. Hailing from Northern Ireland, the group initially had some promising signs that drew me in. The promo blurb told of a band that had captivating live shows, a string of EPs that garnered positive reception, and a style that mixed black and death metal without falling neatly into any one genre (several members are also part of folk metal band Waylander, so they have some experience under their belts as well).” Olde and cranky.