Alice In Chains

Wicked Maraya – Lifetime in Hell Review

By Steel Druhm on March 8, 2016 in 2016, American Metal, Heavy Metal, Progressive Metal, Progressive Metal, 9 comments

“Destined to be one of the weirdest releases of the year, the obscure but fascinating New York act Wicked Maraya resurfaces after 18 years in the ground. Flash back to 1994: The upstart band drops their Cycles debut at a critical time for metal. The Seattle grunge revolution was well underway and metal had lost the limelight – forcing a slow, inexorable retreat back to the rancid underground. Cycles was very much the product of that tenuous era as the band tried to synthesize these opposing musical approaches into something new and exciting.” Metal history class is now in session!

Oceans of Slumber – Winter Review

By Angry Metal Guy on March 7, 2016 in 2016, American Metal, Century Media, Death Metal, Hard Rock, Melodic Death Metal, Progressive Metal, Progressive Rock, Progressive Metal, Progressive Rock, 84 comments

Oceans of Slumber is walking a very unique path. A combination of melodic death, doom and black metal influenced by the Century Black roster from about 1998, Winter blends that with a sadboy metal and alternative rock base. The album is beautiful, mysterious, and oddly chaotic. It’s also really good.

Wailin Storms – One Foot in the Flesh Grave Review

By Madam X on November 22, 2015 in 2015, American Metal, Hard Rock, Heavy Metal, Magic Bullet Records, Reviews, Hard Rock, Heavy Metal, 39 comments

“One Foot in the Flesh Grave’s take on doom punk and swamp rock is just the kind of experience I was hoping for. Formed in the cruel, unrelenting heat of Corpus Christi (Texas), Wailin Storms must have quickly realized that to stand out, their sound needed more than just the country and rockabilly twang they were being exposed to.” Music for misfits and serial killers.

Apocalyptica – Shadowmaker Review

By Madam X on April 11, 2015 in 2015, Finnish Metal, Hard Rock, Harmageddon Records, Non-Metal Metal Things, OMN Label Services, Reviews, Hard Rock, Neo-Classical Metal, Non-metal Metal Things, 26 comments

“I felt some remorse back in 2013 that I didn’t make more effort to review Apocalyptica’s Wagnerian tribute (Wagner Reloaded), an album that’s seen me through many long flights between South Africa and New York. Along comes Shadowmaker, Apocalyptica now have a dedicated vocalist as Franky Perez (ex-Scars on Broadway) takes his spot in the limelight and I get a chance to make right.” These guys lasted way longer than you expected, didn’t they?

Grymm’s Top Ten(ish) Albums of 2014

By Grymm on December 28, 2014 in Blog Posts, 34 comments

“Man, so much has happened in 2014, aka my second year writing for Angry Metal Guy. Having my very own office away from the boiler room (which reeked of desperation, sadness, and decaying flesh… kinda like your local Abercrombie & Fitch with less Axe body spray), seeing familiar faces leave, welcoming in a new batch of talent… it’s been a pretty hectic year.” Grymm’s all grown up and has a man’s list! *Sniffle*…Where did the time go?

Ghost Brigade – IV – One With the Storm Review

By Steel Druhm on October 31, 2014 in 2014, Death Metal, Doom Metal, Finnish Metal, Reviews, Season of Mist, Death Metal, Doom Metal, 24 comments

“Ghost Brigade are tough to neatly pigeonhole into a specific genre. Their early material was definitely post-metal/post-hardcore, but as they matured their sound evolved to include doom, gothic rock, alternative music and slight touches of black metal and prog. By the time they released Until Fear No Longer Defines Us, their style was quite the interesting stew of influences, yet their music remained accessible, direct and highly emotional.” Lineup changes abound, so does the classic sound stick around? We have…the DEETS!

Shores of Null – Quiescence Review

By Grymm on March 16, 2014 in 2014, Candlelight, Doom Metal, Italian Metal, Reviews, Doom Metal, 6 comments

“Swimming among an overcrowded sea of retro-thrashers, tech-death wankers, and sweepy-haired shoegazers playing post-whatever-the-fuck-the-flavor-is-this-week, there’s a band from Italy that’s looking to Finland and Seattle for the inspiration behind their début, Quiescence. Shores of Null may be a brand-spankin’-new band, but they are looking to capture your attention in pretty interesting ways. And they succeed to a degree.” Grymm just might have stumbled on something interesting here.

Fisting Andrew Golota’s Top Ten(ish) of 2013

By Dr. Fisting on December 30, 2013 in Blog Posts, 29 comments

“I don’t really have any clever observations about the past year in metal. A few of my AMG cohorts have griped that 2013’s release schedule was somewhat lacking, but I didn’t have that problem at all. There may have been fewer good albums quantity-wise (I wasn’t counting), but the ones that were good were REALLY fucking good.” Always the optimist, Mr. Fisting found the good in 2013 and tells you where it was hidden. He’s like Mr. Silver Linings!

Vista Chino – Peace Review

By Jordan Campbell on August 29, 2013 in 2013, 3.0, American Metal, Napalm Records, Reviews, Stoner Rock, Heavy Metal, Stoner Rock, 2 comments

“No, this isn’t the title of the second Palmsszzzzzzzz record. Vista Chino is the mercifully rechristened Kyuss Lives! (A moniker so abysmal that even something like Kinda Kyuss would’ve been an acceptable alternative.) John Garcia and Brant Bjork’s resuscitated baby now has a name befitting something classier than a casino-circuit cabaret act, and they’ve got eyes on reclaiming the long-abdicated stoner / desert rock throne. 2013 is becoming the year of comeback records: Gorguts, Carcass, and now Kyuss. Well, kinda ,
Kyuss.” There’s a special sandy place in many hearts for the desert rock of classic Kyuss. Can the members of that seminal act recapture the magic with the awfully named Vista Chino? Jordan Campbell reports from Sky Valley.

Retro-spective Review: Wicked Maraya – Cycles

By Steel Druhm on August 6, 2013 in American Metal, Heavy Metal, Progressive Metal, Retro Reviews, Heavy Metal, Progressive Metal, 6 comments

“When I do these little retro-reviews, I try to find albums that really had a lot to offer, but somehow never caught the public’s attention. Be it bad marketing, poor timing or short band life, there’s always a reason why a high-quality album slips through the cracks into oblivion. Perhaps no better example exists than Wicked Maraya and their debut album Cycles. Steel Druhm’s clinical diagnosis here is one of terminally poor timing. While Cycles sported a winning and catchy-as-fuck traditional heavy metal sound that strikes me as a darker, edgier, more proggy Queensryche mixed with Crimson Glory and Nevermore, it arrived at the very height of the Seattle grudge explosion where everything metal was forced back underground after a decade of prominence and popularity.” More goodies from the vault? Steel Druhm is in a giving mode to be sure. Ignore the terrible band name and awful album cover and let’s all focus on what counts: the music!