Altars of Grief

Rise to the Sky – Death Will Not Keep Us Apart

Rise to the Sky – Death Will Not Keep Us Apart

“It was a warm day in June when I first came across the Chilean one-man doom project that is Rise to the Sky. In the Grave of a Forgotten Soul piqued my interest enough that when I learned that they’d been signed to GS Productions and had a full-length coming out later this year, I immediately set up a fiendish trap in the Promo Pit to ensure that I would be the only one to reach that record alive. At last, here it is.” Rise to die.

Bell Witch/Aerial Ruin – Stygian Bough Volume I Review

Bell Witch/Aerial Ruin – Stygian Bough Volume I Review

“Dylan Desmond and Jesse Shreibman’s decision to make official their partnership with Erik Moggridge, the man in Aerial Ruin‘s one-man dark folk band, made sense. Moggridge’s guest vocals on Mirror Reaper conveyed grief and loss on a frequency that Bell Witch couldn’t have reached alone. Stygian Bough Volume I pries those mournful dimensions wide in a symbiotic give-and-take quite unlike anything either act has produced before.” Witch in flight.

AngryMetalGuy.com’s Aggregated Top 10(ish) of 2018: The List to End All Lists

AngryMetalGuy.com’s Aggregated Top 10(ish) of 2018: The List to End All Lists

“We have finally reached the conclusion to 2018’s list season: the AngryMetalGuy.com Meta List. In all, despite our best efforts to bemoan the quality of metal in 2018, 221 unique releases have made their way into our compiled lists which span the entire heavy spectrum. This not only goes some way to dispel any notion that metal is dead but also illustrates that the Angry Metal Hall is now shockingly crowded despite Steel Druhm‘s frequent and violent ejections. I am intrigued and entertained to observe which records which rise to the top of the heap and am delighted to honor our collective favorite records from 2018.” The best of the beasts as determined by maths.

Altars of Grief – Iris Review

Altars of Grief – Iris Review

“In 2004, a close friend of mine lost not one but both of his parents in the Indian Ocean tsunami that claimed nearly a quarter of a million lives. While I hope I will never experience tragedy as dramatic and profound as his, the impact reverberated throughout our small group, and to a comparatively infinitesimal degree, we shared in his loss. Without wanting to cheapen such sorrow, doom metal — particularly in its more extreme iterations — has always offered me a similar catalytic capacity to know its author’s pain.” Tragic beauty.