Ambient

Schemer Heer – The Dragon, His Angels and the Exaltation of Death Review

Schemer Heer – The Dragon, His Angels and the Exaltation of Death Review

“Imagine, if you will, a bright-eyed and bushy-tailed black metal enthusiast hopping out of bed one bright January morning excited to rake the promo bin for some lovely blasphemous soundtracks for cursing dead gods above with outstretched fist. He sees Schemer Heer, scanning the promo: “Schemer Heer… brings bombastic, black metal and horror…” and he hungrily snatches it up. It certainly looks icy and blasphemous, and he gets all tingly inside, the way others might feel about that special someone or a hug from their favorite teddy bear. He presses play and…Dungeon synth.” Dungeon punked.

Golden Ashes – In the Lugubrious Silence of Eternal Night Review

Golden Ashes – In the Lugubrious Silence of Eternal Night Review

“Black metal is great at it, as its entire purpose is to conjure blasphemous and decrepit images of icy forests and iconoclastic rituals, but there are twists to your snow-crusted Norwegian fjords and the sounds of Hail Satans: Austere‘s desolate Australian deserts, Blut Aus Nord‘s hellish industrial landscapes, and Saor‘s Scottish highlands, to name a few. While images painted are up for grabs, the general consensus is one of darkness, bleakness, and spiritual desolation. But what happens when the black metal is, ya know, not that?” Bright darkness.

Crowhurst and Gavin Bryars – Incoherent American Narrative Review

Crowhurst and Gavin Bryars – Incoherent American Narrative Review

“Not knowing what to expect from Crowhurst and Gavin Bryars‘s new album Incoherent American Narrative, I snuggled into a corner of my couch with a piping hot mug of mint tea at my side and put on my Sennheisers. Now that I have experienced the album more than a handful of times, the idea that keeps coming to mind is that of a sound collage. Sound collages, like their visual counterparts, are compositions created from “gluing” together various, oftentimes disparate, sound pieces. Incoherent American Narrative fits that description to a T.” Art and crafts.

Abyssal – A Beacon in the Husk [Things You Might Have Missed 2019]

Abyssal – A Beacon in the Husk [Things You Might Have Missed 2019]

“Dissonant death metal is a polarizing style, one whose purposes are often unclear. While it encompasses a variety of interpretations, its beginnings in Immolation and Demilich can be summed up in its attempted balance of malice and menace. British death metal act Abyssal‘s fourth full-length A Beacon in the Husk is the perfection of this balance: a sunless journey into the depths of the abyss, guided by its philosophical lyricism and patient dynamics.” Void tunes.

Drifting in Silence – Away Review

Drifting in Silence – Away Review

“Metal music and ambient music share a lot in common. In the same way that non-metal listeners think, ‘Gee, what is that hellish noise?’ when they hear metal music, many consider ambient music to simply be noise reserved for elevators or dentist office waiting rooms. In other words, the genres of ambient and metal both have a history of being mistakenly classified as ‘not real music.’ Of course, the genre of metal is incredibly vast and nuanced and cannot be generalized in this way. Nor can ambient.” Kindred musical spirits.

Griiim – Pope Art Review

Griiim – Pope Art Review

“Once upon a time there was a dude named Maxime Taccardi. Max has a twisted and dark mind, and I fear it. His music is equally frightening, and it makes me uncomfortable. Yet, I can’t turn it off. Try as I might to fend it off his insidious vision haunts my imagination, conjuring the most depraved scenarios for me to weather. For Max, it seems, this place of nightmares which he creates represents the repugnant underbelly of his Paris home. And so he put all that we refuse to see inside the “most romantic city in the world” to music. Ladies and gentlemen, Griiim‘s Pope Art.” Warhol’s twisted Id.