Amenra

Wolvennest – Temple Review

By Dear Hollow on March 5, 2021 in Reviews, Black Metal, Doom Metal, 27 comments

“Belgium is a weird place. Maybe it’s the chocolate or waffles, but any country that offers groups like Neptunian Maximalism, Emptiness, or Amenra & Co. needs to have its cholesterol checked. Spewing out bizarre organic atmosphere with haunting repetition, artists like these have strangely minimalist tendencies that end up feeling bigger than the individual parts suggest. While spanning a broad range of metallic subgenres, it comes across as otherworldly, surreal, and fiercely dark. To add their two cents to these Belgian shenanigans is Wolvennest.” Temple of Weird.

Novarupta – Marine Snow Review

By Akerblogger on November 15, 2020 in Reviews, Post-Metal, Sludge, 13 comments

“The ocean acts as a metaphor for the the mind’s transition from light to dark, knowing to unknowing, reality to irreality. For Novarupta‘s songwriter and leader Alex Stjernfeldt, former bassist for The Moth Gatherer, the ocean is reflects a dismal acceptance of a depressed state of mind.” Deep waters run deep.

Dark Buddha Rising – Mathreyata Review

By Dear Hollow on November 14, 2020 in Reviews, Doom Metal, Sludge Metal, 28 comments

“Dark Buddha Rising is a Finnish band, formed in 2007 and packing six full-lengths and an EP under its belt. For a collective that channels drone, doom, and sludge (you’d be safe to throw some stoner doom in there too), their megalithic songwriting is surprisingly restrained, relying on simple bass riffs, distant vocals, and other instruments to communicate their psychedelic soundscape as it reaches a drone climax.” Buddha don’t play.

Déluge – Ægo Templo Review

By Dear Hollow on November 2, 2020 in Reviews, Black Metal, Post-Hardcore, 11 comments

“Déluge is a French black metal/post-hardcore quintet, a demo and debut full-length Æther under their belt since their 2013 formation. Perhaps most similar to acts Downfall of Gaia or Celeste, Déluge‘s sophomore effort Ægo Templo is content channeling the worship of hyper-melodic post-rock-influenced post-hardcore or screamo acts like Envy, So Hideous, or Suffocate for Fuck Sake.” After France comes the flood.

Self Hypnosis – Contagion of Despair Review

By Carcharodon on August 18, 2020 in Reviews, Doom Metal, Stoner Metal, 9 comments

“What do you get when two stalwarts of the British stoner and doom scenes come together to make a record they felt was too experimental for their existing projects? Self Hypnosis is the brainchild of Camel of Doom main man Kris Clayton, partnering with Esoteric’s vocalist, guitarist and occasional keyboardist Greg Chandler. The trio is rounded out by drummer Tom Valleley. Combining elements of Clayton and Chandler’s other projects, Self Hypnosis are now ready to drop their avant-garde debut, Contagion of Despair.” Doom trancers.

Eyeless in Gaza – Act I: The Protagonist Review

By Carcharodon on May 28, 2020 in Reviews, Ambient Metal, Doom Metal, 19 comments

“Band names are important. They can often tell you a lot about a band or artist. Of course, the music matters most but I will frequently, while plumbing the murkier depths of Bandcamp, stick on a track purely on the strength of a band’s name. That is how I came to find Chained to the Bottom of the Ocean, for example. Conversely, a poor name can be a big negative, although, as Gazpacho demonstrate, a stellar band can rise above a terrible moniker. Every now and again though, I stumble across something I want to like simply because of the name. And that is how I feel about Eyeless in Gaza.” What’s in a name?

Bâ’a – Deus Qui Non Mentitur Review

By Dear Hollow on April 20, 2020 in 2020, Ambient, Black Metal, French Metal, Hardcore, Osmose Productions, Post-metal, Reviews, Ambient, Black Metal, Hardcore, Post-Metal, 48 comments

“Bâ’a is an anonymous French black metal trio, and while pronunciation of the name remains unclear, their debut album Deus Qui Non Mentitur[ rips open the gates with stunning clarity in scorching tremolo, blastbeats, bass riffing, mammoth songwriting, morose atmosphere, and a fiery preacher for a vocalist.” Sheep becomes wolves.

Dwaal – Gospel of the Vile Review

By Cherd of Doom on March 5, 2020 in 2020, Dark Essence Records, Doom Metal, Norwegian Metal, Post-metal, Reviews, Sludge, Doom Metal, Post-Metal, Sludge, 6 comments

“Dwaal is made up of six full-time members, a lot for this genre, and they spring from the sludgy post landscape founded by Neurosis. A close contemporary in sound and style would be Amenra, with both bands adept at slow building tension, but there are moments, especially in closer “Descent,” that indicate they are very much down with Why Oh Bee (yeah you know me).” Sludge hammer.

An Evening with Knives – Sense of Gravity Review

By Dear Hollow on March 5, 2020 in 2020, Ambient Metal, Argonauta Records, Doom Metal, Dutch Metal, Groove Metal, Post-metal, Post-Rock, Reviews, Sludge Metal, Ambient Metal, Groove Metal, Post-Metal, 5 comments

“Our latest post-metal loving Dutch trio An Evening with Knives is hoping to take a stab at the scene with their second full-length, Sense of Gravity. They advertise their sound as ‘where the wall of sound falls down into a sea of tranquility’ in a fusion of post-metal and stoner-doom. Does their intriguing premise succeed in a cut above the rest or will it just settle being another post-metal old knives‘ tale?” Falling blades.

Deliverance – Holocaust 26:1-46 Review

By Dr. A.N. Grier on February 18, 2020 in 2020, Black Metal, Deadlight Entertainment, French Metal, Reviews, Sludge, Black Metal, Sludge Metal, 27 comments

“Like Amenra, they have the ability to suck you deep into tension-building ascensions before coming down on the front of your skull like a sledgehammer. But, the biggest difference between Amenra and Deliverance is that the latter prefers the accompaniment of rasping vocals and black-metal song structures. Combining this foundation with Amenra-like builds and Gojira-esque, concrete-cracking riffs, 2020 finds Deliverance releasing their most-impressive work to date. But, good luck looking beyond the haunting artwork, the heart-sickening album title, and a band name that reminds one of hillbilly butt sex. Now, everyone, open your books to the chapter of ‘Holocaust’ and let’s begin.” End times.