Amon Amarth

Skálmöld – Með vættum Review

Skálmöld – Með vættum Review

“I dislike ‘Viking metal’ as a descriptor. It’s a vague term which alludes to lyrical content above the music itself. It can entail black or folk metal-derived darkness (Bathory), epic doom (Atlantean Kodex), raucous melodeath (Amon Amarth), and even power metal (Týr). Iceland’s Skálmöld falls somewhere between Amon Amarth’s melodeath and the galloping triple-axe attack of Iron Maiden, stopping off at black metal for its raw tone and dabbling in doom for its long songs. See, wasn’t that easier than just ‘Viking metal’?” It is easier, but then Wotan will smite us.

Gormathon – Following the Beast Review

Gormathon – Following the Beast Review

“It seems like many in the melodic death camp are getting the Viking bug these days and Gormathon is another example. Like many, they borrow extensively from the well established Amon Amarth formula, but use ‘80s heavy metal elements. These include soaring, high-pitched vocal ranges and classic guitar noodling that borders on power metal.” Viking metal with power metal elements? Hmmm….

King of Asgard – Karg Review

King of Asgard – Karg Review

“Formed from the ashes of the highly underrated and (AMG worshipped) Viking metal act Mithotyn, King of Asgard has more or less continued the mission statement of releasing odes to the northern winds, Viking valor and snowy landscapes, all heavily influenced by latter period Bathory as well as Einherjer, Ensiferum. Karg is their third such endeavor and it observes the traditions of its ancestors with all due reverence, while moving things in a darker, more stripped down direction.” Do you feel the need to plunder and pillage? If so, here’s your liege lord.

Angry Metal Guy’s Top 10(ish) o’ 2013

Angry Metal Guy’s Top 10(ish) o’ 2013

Angry Metal Guy is becoming an interwebs institution. You might not realize this, but this is my fifth Top 10(ish) Records o’ the Year since I started this as a lone Internet Metal Warrior back in 2009, reviewing for my literally dozens of readers, none of whom commented. Can’t believe it? Try these on for size. It’s impressive how far this little blog that could can come, and it’s amazing how much I used to review! Several CDs a week! Incredible. Anyway, the times they are achangin’, but the one thing that isn’t changing is that I have opinions and galldarnit, I’m going to tell you them.

Angry Metal Guy’s Top 10(ish) Songs of 2013

Angry Metal Guy’s Top 10(ish) Songs of 2013

Every year we listen to a lot of music, and while some records might be superior, they don’t always contain the best songs. So, I started doing the “Top 10(ish) Songs o’ the Year” to point out the amazing songs that I love even if they come from records I don’t have to love. So here’s the first of my amazing Top 10(ish) lists from 2013. I’ll write a year-end look for my Top 10(ish) albums later, so without further ado…

Netherbird – The Ferocious Tides of Fate Review

Netherbird – The Ferocious Tides of Fate Review

“Steel Druhm has for some time been riding me to finish, or, more accurately, begin this review. Squeezed in before end of the year lists, I have rather wisely decided to comply with his request [As you should ALL of my requests! — Steel “Imperious” Druhm] and reveal my thoughts on the latest release from Stockholm’s Netherbird, a relatively unknown black metal quintet with a surprising taste for melody in the vein of their countrymen in Gothenburg.” Better late than never, Kronos arrives with a review of Netherbird’s latest blast of blackened death. However, because it’s so late, Kronos will begin the new year in metal detention.

Månegarm – Legions of the North Review

Månegarm – Legions of the North Review

In the late ’90s and early ’00s (aughts, as I call ’em), there was a swath of Scandinavian bands forming something of a scene around the sound of folk influenced black metal. Chief among these were Thyrfing, Moonsorrow, and Månegarm. While Moonsorrow changed their sound with time and went on to have widespread respect, the Swedish bands (Månegarm and Thyrfing) both labored in relative obscurity. Why Månegarm never quite pushed their way onto the international stage is mysterious for me, because they’ve always been a band producing unique, interesting, and enjoyable music. In any case, Legions of the North marks the band’s first record since 2009’s Nattväsen which was released on the struggling (and now defunct) Regain Records. While Nattväsen was excellent, my major complaint was simply that it was largely a repetition of 2007’s Vargstenen. After 4 years, signing with Napalm Records, getting a new drummer and losing violinist Janne Liljeqvist, can Månegarm present a fresh face and fill their little niche in folk metal?

Record(s) o’ the Month – June 2013

Record(s) o’ the Month – June 2013

I’ll admit it: June was better than much of the year before it. I mean that as in: June produced more records I really like than the entire month before it in almost its entirety. It gave us great releases from Amon Amarth, Autopsy, Summoning, Locrian, Author & Punisher, Svart Crown, Queensrÿche, Black Sabbath, White Wizzard (no accounting for taste, as they say), and last (but certainly not least) The Black Dahlia Murder. That’s a list not to be trifled with. So let’s cut through the bullshit and hand out the award for Record o’ the Month!