An Autumn for Crippled Children

Morwinyon – Pristine Review

Morwinyon – Pristine Review

“Italian duo Morwinyon formed in 2019 as a side project of post-black group Falaise, offering three full tracks and an ambient outro for an atmosphere worthy of its debut’s namesake – Pristine. Utilizing a synth-heavy ambient black metal template of Golden Ashes or Midnight Odyssey, there’s little new to be found. However, it revels in its saccharine melodic qualities, liberally serving serene soundscapes for the blackened escapist, even if it might only offer cavities and headaches to the more discerning listener.” Bittersweet.

Nattverd – Styggdom Review

Nattverd – Styggdom Review

“Nostalgia. In times of uncertainty, people seek its warm and motherly embrace: the familiar smells, the sense of safety, the notion that things were ‘better and less complicated’ back then. Artists have been trading off nostalgia for years now, whether it’s dropping the Millennium Falcon in The Force Awakens or the Pixies reuniting to perform Doolittle, there’s an undeniable comfort in the familiar. Perhaps this is the reason ‘traditional’ sounding black metal appears to be making a comeback of sorts.” Familiar demons.

Den – Iron Desert Review

Den – Iron Desert Review

“Think about running a marathon. Through the desert. On one leg. With gastroenteritis. And no map. This is how difficult it is to forge a unique and compelling sound in the saturated world of metal. Bands generally either go super heavy, or adopt a hybrid sound of some kind. But when you have bands like An Autumn for Crippled Children combining dream-pop with black metal, and Devourment making music so dense it almost absorbs light, what is a band to do? Well, if they have the balls, they could try to do both. Enter Den, a band that wants to offer you a joint, then smash it unceremoniously through your skull after two tokes.” Heavy sand.

Chrome Waves – A Grief Observed Review

Chrome Waves – A Grief Observed Review

“I’m always fascinated by bands that could have been. Not ‘could have been famous,’ but could have been anything. They’re the bands that muddle about in the underground, release an EP or two, and then fade into the ether without ever releasing anything again. For years Chrome Waves were one of those bands. Formed in 2010 by famed American black metal musician Jeff Wilson (formerly of Abigail WilliamsWolvhammer, and Nachtmystium) and drummer Bob Fouts (formerly of The Gates of Slumber and Apostle of Solitude), the group released a self-titled post-black metal EP in 2012 before going totally silent.” Waves from the void.

An Autumn for Crippled Children – The Long Goodbye Review

An Autumn for Crippled Children – The Long Goodbye Review

“Three consecutive releases reviewed by three different writers on AMG? This must be unheard of. Carving a little niche as one of the better and more evocative offshoots from the much-maligned ‘blackga(y)ze’ genre, An Autumn for Crippled Children have produced their fifth full-length in the beautifully desolate The Long Goodbye.” Many an AMG writer has tried his hand at figuring these cats out. They’re all gone now….