Analepsy

Enragement – Atrocities Review

Enragement – Atrocities Review

“It’s slammin’ time! Yes, the often divisive brutal death variant can seem at times difficult to do exceptionally well. The quality versus quantity ratio does seem a tad out of whack, and while I prefer my slam with other intriguing stylistic or compositional elements, it certainly has a bludgeoning, base-level appeal when the mood strikes and the execution is on point. Unheralded Finnish act Enragement are hardly a household name, however, the quartet have been bouncing around the underground since forming in 2006 and have two LPs under their belt prior to dropping this third slab of chunkified slammy death, entitled Atrocities.” Rage intensifies…

Insect Inside – The First Shining of New Genus Review

Insect Inside – The First Shining of New Genus Review

“Slam is a style I’ve never understood. Often layered with gory shock novelty and the variety of deathcore, bands like Abominable Putridity and Epicardiectomy have only gotten a head-scratch from me with endless “djunz” and br00tal “eeeeees”. Insect Inside is a young Russian trio from Zlatoust, a demo and single released since their 2017 inception. Debut LP The First Shining of New Genus creates the soundtrack of being eaten alive by the swarm in its beatdown of groovy, thick riffs, and hell-scraping gutturals.” Slam beetles.

Organectomy – Existential Disconnect Review

Organectomy – Existential Disconnect Review

“The Summer of Slamcore and Other Slammy Things™ continues for this guy right here. So far, my choices from the promo bin failed to impress or rapidly soured after the initial bout of Shiny New Thing Disorder lifted. But there must be light at the end of the tunnel. As soon as I saw New Zealand’s very own modern slam juggernauts Organectomy peeking out from under all of the mediocre black metal dreck littering the place, I knew I had found that light.” Wham, bam, thank you, slam!

El Cuervo and Diabolus in Muzaka’s Top Ten(ish) of 2017

El Cuervo and Diabolus in Muzaka’s Top Ten(ish) of 2017

“Making a successful and popular Top Ten list involves a series of complex calculations, comprised of, but not limited to the following: a tallying of recorded scores, estimated scene cred, a precise proportion of big and underground bands, a spot for that one record universally praised during the year, and a pathological need to seem like one has not missed anything.” Making a list, checking it thrice.