I was surprised to see Katatonia’s Jonas Renkse show up on a record with The Pineapple Thief’s Bruce Soord—’cause I have no idea what the connection between these two is or has been. But seeing this combination—two people who come from pretty different worlds in my brain—I couldn’t give this a skip. And neither should you.
“You really have to hand it to My Dying Bride. This 23 year old band have stuck to their guns unlike any other band of their kin – not only by staying true to their death-doom roots without much in the way of deviation, but by their sheer amount of unwavering activity. Especially when you consider the other British death-doom pioneers of their ilk, both Anathema and Paradise Lost, going down different paths to musical pastures so far detached from their roots, you’d be forgiven for thinking they’re a completely different band than the gothic pessimists of they began life as. My Dying Bride, however, has had a core sound since their very first album and aside from minor experimentation here and there it’s remained very much the same.” While consistency is the hobogoblin of little minds, it seems to work for these UK doom-mongers. Noctus analyzes if consistency kills or thrills on their new EP.
“Cosmic Child came through a little thin on the promo information (and in fact prior to listening to it for the first time, I didn’t even know the name of the album – so much for embedded album info) at any rate, I figured alright, close your eyes, hit play and go from there – how bad can it be right? The band name conjured up images of something with a Finntroll flavor – tell me a band name like New Keepers of the Water Towers doesn’t sound even remotely folky and troll-like right? It actually ended up being absofuckinglutely nothing like Finntroll, go figure!” But…if it isn’t like Fintroll, what the hell is it like??? Calm down. Madam X will now answer your questions.
Angry Metal Guy mails in his Top 10(ish) of 2012.
In our first of many lists, we will focus on the greatest songs from the year 2012. I started this last year because I thought it was important to point out that just ’cause a whole record isn’t amazing doesn’t mean there aren’t moments of brilliance even on the most banal of records. This year, I’m happy to say many of the best songs are from very good records, but that’s not true across the board. Instead, I’ve compiled songs that have forced me back to them again and again, like some sort of Angry Metal Obsessive Compulsive. Over and over I have listened to these songs and I’ve narrowed it down to the 10(ish) that I think really stand out from the year 2012. I’m assuming no one will agree with me. But hey, who has the eponymous website? Yeah, that’s motherfucking right, bitches.
It’s the holiday season and Steel Druhm is here with the gift of “best of” lists! This time it’s the best songs of 2012. There’s some great stuff here so reflect on the year, fill yourself with holiday cheer and let the tunes kick you in the rear. Pat. Pending.
We finally found Steel Druhm’s secret hiding place located deep below the Earth’s crust and served him with a CEASE-AND-DESIST order banning all power metal reviews for a period to be determined. This made him sad, so now we get this review of the mega-gloomy, doom rock stylings of Aoria. Composed of members of Katatonia and October Tide, don’t expect a lot of sunshine here, but Steel seems to like it quite a bit.
If Anathema, Obscura and Cynic got stuck in an elevator, What would happen? Alex attempts to answer this and other existential questions as best he can while reviewing the new opus from The Contortionist. Is it progressive? Is it metalcore? Is there enough air in that damn elevator??? Read on.
Finland’s penchant for downy frowny metal is pretty well known. Sporting doom, melodeath and atmospheric black metal acts the like of Swallow the Sun, Insomnium and October Falls and being known for long, dark, vodka-soaked, winters speckled with knife fights and rumors of sunlight somewhere south, it’s actually a surprise that Finland hasn’t produced a lot of more music consisting of both downies and frownies. Indeed, post-metallers The Chant are really the first in their particular idiom. What is their particular idiom, you ask? Well, you know, the kind of music you write when the sun hasn’t risen for a three months: depressive post-rock.
Is it that time already? Kinda! Steel Druhm gives his picks for “Best in Show” so far for 2012. Send all criticisms to [email protected].
