Apollon Records

Cloud People – Simulacra Review

By Iceberg on March 6, 2024 in Reviews, Electronica, Not Metal, Synthwave, 21 comments

“One thing I really admire about The Administration here at AMG is their willingness to allow us writers to explore what exists on the fringes of metal. Some of my most memorable finds over the years—before the onset of my indentured servitude—have carried tags like not-metal, folk, or synth wave. Norwegian musical collective Cloud People claim to draw inspiration from jazz, electronica, and metal, and have decided to submit their album Simulacra to these hallowed halls for mild praise or summary execution.” Watch the skies.

Strange Horizon – Beyond the Strange Horizon Review

By Steel Druhm on May 8, 2022 in Reviews, Doom Metal, 38 comments

“As a child of the 80s metal scene, I grew to statuesque manhood marinating in the sounds of Pentagram and Saint Vitus. Those 80s doom titans are still near and dear to me and any act that tries to recapture the sound of that era has me as an ally. Norway’s Strange Horizon are one such band, striving to recapture that classic doom magic on debut Beyond the Strange Horizon.” Dawn of the doom.

Kryptograf – The Eldorado Spell Review

By Maddog on March 1, 2022 in Reviews, Doom Metal, Psychedelic Rock, Stoner Metal, Stoner Rock, 11 comments

“With that album cover, you know exactly what you’re getting. You’ve heard it before – a bunch of musicians who smoked one too many joints in high school, and then one too many joints in college, and decided to share their boundless love for early Black Sabbath with the world. Norwegian four-piece Kryptograf is relatively new to the overcrowded stoner rock scene, but they made a splash with their self-titled 2020 debut, which melded vintage doom, hard rock, and psychedelic jams.” Loving the leaf.

Mythopoeic Mind – Hatchling Review

By Twelve on August 19, 2021 in Reviews, Progressive Rock, 18 comments

“I love learning new words. Yesterday, Cherd made me aware of ebullient, and I’m still waiting for an opportunity to use pulchritudinous, which I learned from the review of the last Shape of Despair album (also waiting for a new Shape of Despair album), in casual conversation. Mythopoeic is another new word for my vocabulary, which is becoming increasingly pretentious at a frightening rate, and it’s also the main reason I selected Hatchling for review today. According to the notes that came with the album, this is the sophomore release from Norwegian prog-rockers Mythopoeic Mind, formerly the studio project of one Steinar Børve of Panzerpappa.” Words can hurt.

Wudewuse – Northern Gothic Review

By Twelve on November 16, 2020 in Reviews, Neofolk, Not Metal, 18 comments

“From the forests of Norway emerges Sondre Bergersen Mæland, a man of many talents and of many names. Known largely for his work in Tusmørke and Wudewuse, the multi-instrumentalist of Scandinavian folk and rock circles certainly seems to live an interesting life. According to my liner notes, for example, he wrote most of Northern Gothic, the sophomore full-length from the latter band, “over a period of three years while [he] was living in the forest and worked at a graveyard,” a journey that involved a “cosmic psychosis, following a death trip [he] had while on various substances.” So… that got my attention.” Grave matters.

Pixie Ninja – Colours out of Space Review

By Carcharodon on July 2, 2020 in Reviews, Ambient Metal, Electronica, 6 comments

“Having spun Ultrasound a couple of times before hitting Colours, I have to say my interest was not piqued. There was nothing wrong with Pixie Ninja’s debut outing but, as a commenter remarked on a previous instrumental record I reviewed, “yeah, this is nice, I could work to this.” On pressing play on Colours, however, I was immediately struck by the shift in mood and intensity on the band’s latest offering.” Pixie Colour Space Attack.

Kryptograf – Kryptograf Review

By Twelve on June 12, 2020 in Reviews, 7 comments

“Kryptograf cite influences that include Witchcraft, Uncle Acid & the Deadbeats and Black Sabbath, and it all fits. Between the band lineup—two guitarists, three vocalists, plus bass and drums—and a healthy helping of fuzz that permeates without overpowering, Kryptograf wears its ‘60s influences loudly and proudly.” Fuzzy navel gazing.

Telepath – Mental Mutations Review

By Saunders on October 28, 2019 in 2019, Apollon Records, Instrumental Metal, Progressive Metal, Progressive Rock, Psychedelic Rock, Reviews, Progressive Metal, Progressive Rock, Psychedelic Rock, 3 comments

“Although there’s been the odd exception over the years, generally speaking, instrumental metal is not really my bag. Not that I’m incapable of appreciating the often experimental aspects, self-indulgent jams, and technically proficient textures and moods conveyed from purely instrumental forms of metal. But even when vocals can be an afterthought or weak link on certain albums and genres of metal, I still generally prefer the vocal counterpoint. Yet I possess an open mind and variety is the spice of life, so when Telepath’s Mental Mutations remained unclaimed in the promo portal, I jumped into the unknown with optimism of what may lie ahead.” Tasting the mind of music theory.

Swifan Eolh & The Mudra Choir – The Key Review

By Lord Doom on January 20, 2019 in 2019, Apollon Records, Progressive Rock, Reviews, Progressive Rock, 45 comments

You know how almost every crappy family TV sitcom has an inevitable flashback episode? The family kids have discovered some contemporary genre of music that Dad doesn’t understand, and it’s causing him to wax nostalgic about his younger days. He regales his children with tales of the halcyon days of the wild 60’s and 70’s, of weed and hippies and free love, and about the time he and his high-school buddies had a prog band; probably called something like “Wizard’s Sleeve” or “Maxwell von Phlogiston and his Marvellous Dragonling Starship.” The Key sounds exactly like what I imagine sitcom Dad’s throwback prog band sounds like.” Dad rock is the best rock.

Howlin’ Sun – Howlin’ Sun Review

By El Cuervo on February 7, 2018 in 2018, Apollon Records, Hard Rock, Non-Metal Metal Things, Norwegian Metal, Psychedelic Rock, Reviews, Blues, Hard Rock, Psychedelic Rock, 10 comments

“I’ve already waxed poetic about my deepening love for ’70s rock but the ’60s remain a relatively uncharted territory for me. I’m of the not-so-humble opinion that The Beatles are overrated (though unquestionably hugely influential) and I find the progressive developments and greater variety found in ’70s rock far more appealing to a decade whose bands who were still much simpler and overtly blues-based. Thus, the promise of ’60s rock with a heavier edge, professed on the promo sheet appealed—on what am I missing out? Can the ’60s interest me? Will I ever stop questioning myself? Answers to some of these questions might be found below.” Question self, question music.