Apr21

Ungfell – Es grauet Review

Ungfell – Es grauet Review

Ungfell launched into life with 2017’s Tôtbringære, an album displaying a singular blend of weird atmospheres with melodic black metal. 2018’s Mythen, Mären, Pestilenz developed this a little but stalled on the potential of the debut, failing to balance the punchy atmosphere with punchy music. A longer gap to write and more time for the music to stew boded well for their sequel, entitled Es grauet (It Is Dreadful) and I was keen to hear how they had progressed. Above all else, their themes and atmosphere are prized by the band but I wanted to hear music to match.” Mood over meat.

Body Void – Bury Me Beneath this Rotting Earth Review

Body Void – Bury Me Beneath this Rotting Earth Review

“After recent (and in one case accidental) forays into genres somewhat removed from my traditional hunting grounds – funeral fucking drone and death metal – I am pleased this week to be back in more familiar waters with some sludgy doom. Vermont two-piece, Body Void return with their third full-length, Bury Me Beneath this Rotting Earth.” Cull and void.

Insane – Victims Review

Insane – Victims Review

“My door is always open for 80s-inspired speed metal. You see, all you younger folks merely adopted the speed. I was there when it first broke through the ground and started hunting for scalps. I was raised by it, molded by it. I owe it a debt. And so I grabbed the promo for Insane’s sophomore outing based on a sample I heard that sounded like the ugly stepbrother to classic Canadian speedsters Razor. I expected knuckle-dragging, saliva spraying acts of rapid-fire depravity on Victims. In this I was not disappointed, though the method of delivery had some surprises in store for me.” Wictims ov changes.

The Circle – Metamorphosis Review

The Circle – Metamorphosis Review

“The phrase “avant-garde” spliced with “metal” is so confusing. Much like similar descriptors “extreme” and “modern,”[1. *shudder*] it’s an extremely broad term that implies much and is much abused. Describing the Children of Bodom-esque Messora to the weird-as-shit Maudlin of the Well, overuse quickly becomes Inigo Montoya’s second most-famous quote: “You keep using that word. I do not think it means what you think it means.” So, what does “avant-garde” actually mean? Beats me! Nevertheless, the newest crew to throw their avant-garde hat into the ring is Germany’s The Circle.” Larva-core.

Nattverd – Vandring Review

Nattverd – Vandring Review

“It’s hard to think of an example of the third part of a trilogy being the best. Return of the Jedi? No way. Return of the King? Nope. Spider-Man 3? The Matrix Revolutions? Godfather Part III? It seems like the concluding chapter of these epic sagas never quite lives up to what preceded it. Just over a year ago, I reviewed Norwegian black metal band Nattverd’s sophomore album, Styggdom. Man, it had an awesome cover. The music, however, while maintaining a wonderfully oppressive atmosphere, simply dragged at times. It was too long, with too few actual riffs to sink your teeth into. Nattverd are now back, and have declared that their latest album, Vandring, is the concluding chapter in a trilogy that began with the EP Skuggen, with Styggdom forming the middle section. Considering my somewhat underwhelming response to Styggdom, expectations for Vandring to buck the trilogy trend were low.” Third time’s the harm.

Vreid – Wild North West Review

Vreid – Wild North West Review

“Like I Krig and Milorg, this new release is a concept album. Instead of learning some history, the concept here is the ups and downs of life as we wait for death. But, more specifically, bassist Hváll says the inspiration for Wild North West comes from his struggles, knowledge, and experience. One of the coolest parts about the album (not to bring Windir up again) is that some of what you’ll hear Valfar wrote back in 2002. Crazy enough, you’ll also hear him play it. He hasn’t risen from the grave, but it sure as shit feels like it.” Wild and dead.

Bloody Hell – The Bloodening Review

Bloody Hell – The Bloodening Review

“I’m a simple kind of metal fan. If you title your album “The Bloodening,” I’m going to seize the promo and run off into the night cackling like a crazed seal. Finnish heavy metal act Bloody Hell gave me just such an opportunity with their sophomore opus and I’m truly thankful. I’m less thankful for that eye-scorching poopsicle of an album cover, but you can’t always get what you want. You may get what you need though, if brainless, testosterone-powered 80s metal with both fists in the beer barrel is what you require.” The BloodeningER.

Miasma Theory – Miasma Theory Review

Miasma Theory – Miasma Theory Review

“Hey, remember Zach Randall? Not only did this super cool dude found badass off-kilter epic doom outfit Northern Crown, he even participated in the very important and worthwhile interview series on mental health right on this here blog. Zachary is practically a member of the family at this point, so I couldn’t let his little side project Miasma Theory go unnoticed. It’s a relatable project too, because just like all of us, most of the band members have not been in a room together, instead using the power of the internet to tune in from around the globe.” Doom from a distance.

Lucifuge – Infernal Power Review

Lucifuge – Infernal Power Review

“When I reviewed Lucifuge’s last effort, The One Great Curse, it was a different age. OK, it was February 2020 but it feels like it was a different age. I remember sitting in riverside bar – indoors, no less – sipping a craft beer, while tapping out my thoughts on what was the third full-length in as many years from this Germany-based four piece. Well, one year (and a global pandemic) on, and Lucifuge is back with fourth offering, Infernal Power.” All the power, 100% less Danzig.

Akiavel – Væ Victis Review

Akiavel – Væ Victis Review

If you’re about my age, you probably remember being a teenager and being rather surprised by Arch Enemy’s “Nemesis” video. For those unfamiliar, a speedy melo-death riff kicks the song off and we see a girl dressed like a Hot Topic version of Britney Spears in the “Oops, I Did it Again” video. She lets out a scream, and everyone watching goes “whoa, I can’t believe a girl can make those sounds!” The novelty wore off quickly despite my efforts to like the band because I liked Michael Amott’s work in Carcass. The Angela Gossow version Arch Enemy was inoffensively boring, and the band has since deteriorated into being offensively boring in the current Alissa White-Gluz iteration. The takeaway here is that Arch Enemy at their most popular is bland and uninspiring, and I’m lost as to who would take musical inspiration from that sound. Enter French death metal band Akiavel.” Archetypes.