Aquilus

Hasard – Malivore Review

Hasard – Malivore Review

By El Cuervo on May 10, 2023 in Reviews, Black Metal, 38 comments

“AMG.com has had mixed feelings about the musical work of ‘Hazard,’ the enigmatic songwriter behind Les Chants du Hasard. Claiming fatigue from this project following its most recent album, Hazard returns in 2023 with something that’s just as experimental but much heavier. Hasard principally extracts the black metal and secondarily extracts the orchestrations from its progenitor’s sound, carefully examining what remains in uncomfortable detail and manipulating it into deformed shapes.” At all Hasards.

Tómarúm – Ash in Realms of Stone Icons Review

Tómarúm – Ash in Realms of Stone Icons Review

By Kenstrosity on May 2, 2022 in Reviews, Atmospheric Black Metal, Black Metal, Melodic Black Metal, Progressive Metal, Technical Death Metal, 69 comments

“We as a community speak often of defining and categorizing genres, but sometimes a promo comes along that legitimately challenges those definitions. Atlanta, Georgia’s Tómarúm received a generic “black metal” tag from Prosthetic Records’ PR team, and it falls short as a descriptor for what Tómarúm play. As you’ll surely deduce after giving debut album Ash in Realms of Stone Icons even just one spin, this nascent two-piece perform forbidden alchemy with myriad metallic ores, smelting a writhing, metamorphic amalgamation. It’s that very transmogrification that not only makes this album difficult to categorize but also exciting and satisfying to experience.” Pigeon holes don’t come easy.

Aquilus – Bellum I [Things You Might Have Missed 2021]

Aquilus – Bellum I [Things You Might Have Missed 2021]

By El Cuervo on January 12, 2022 in Things You Might Have Missed 2021, Atmospheric Black Metal, Black Metal, 66 comments

“Griseus by Aquilus was the best metal album of the 2010s never reviewed by AngryMetalGuy.com. It is a wonderful, ethereal, expressive, other-worldly experience tied to the metal genre by its atmospheric, blackened qualities, but spending just as much time and energy on its classical ones. It is, in short, symphonic black metal, but is so much more than this implies. This brings us to December 2021 and its long-overdue sequel, a decade in the making.” Music of blackened socialites.

Dessiderium – Aria Review

Dessiderium – Aria Review

By Eldritch Elitist on December 10, 2021 in Reviews, Technical Death Metal, 32 comments

“December is an exceptionally bad time to release any album. Between all the list compiling and TYMHM-ing that comes with the territory, I like to try to squeeze in a review or two for the “good enough” albums that find themselves caught out in the cold amid list season celebrations. Mind you, I don’t let them inside to partake, but I at least open the door just a crack to grant them a fleeting breath of celebratory warmth. For an album like Aria, this is an exceptionally disappointing fate. Had this been released even a few months prior, I feel that I would have had the time to digest this immense record to its fullest by list season.” Scrooged.

Gloosh – Timewheel Review

Gloosh – Timewheel Review

By Kenstrosity on February 26, 2020 in 2020, Atmospheric Black Metal, Black Metal, Reviews, Russian Metal, Self-released, Atmospheric Black Metal, Black Metal, 22 comments

“One man atmospheric black metal projects. You know ’em. You love ’em (or you love to hate ’em). They’re everywhere. Precious few manage to make it into the annals of great acts, but there are notable ones such as Mare Cognitum and Aquilus whose output have made diehard fans out of me. Newcomers have it pretty rough now that those two, among several others, have set the bar as high as they have. Russian multi-instrumentalist George “Foltath” Gabrielyan stands bravely in front of that bar with his atmoblack project Gloosh (a transliteration of the Russian word for “wilderness,” “Ãëóøü”), determined to bring the genre to the next level with debut album Timewheel.” Put on yer Glooshes.