Asphyx

1914 – Where Fear and Weapons Meet Review

1914 – Where Fear and Weapons Meet Review

“If I said that a new 1914 album is a big deal for me, it would be a huge understatement. The band’s 2018 opus The Blind Leading the Blind was one of the first records I covered for this site—and my first 4.0. I was still a probationary writer at the time, and as a brand new music journalist, watching the metalverse collectively lose its mind over what 1914 accomplished on that record was a surreal and humbling experience. 1914 have already demonstrated that they are consummate pros with a clear strategic objective, and I would have been shocked if 2021 follow-up Where Fear and Weapons Meet was anything less than great.” War 4 sale.

Dead Soul Alliance – Behind the Scenes Review

Dead Soul Alliance – Behind the Scenes Review

“I’ve soaked up more death metal in 2021 than in the past five years combined. Why? Hard to say exactly. Perhaps the combination of an unending pandemic and the generally chaotic state of world affairs helped rekindle my love of the extreme and ugly side of metal. The Ottawa-based duo behind Dead Soul Alliance also prefer things ugly and extreme. On their full-length debut Behind the Scenes, they’ve conjured the worst angels of old school death metal, going hard for the heavy and unpleasant without entirely forsaking hooks and memorable dynamics.” Dead collective bargaining.

Celestial Sanctuary – Soul Diminished Review

Celestial Sanctuary – Soul Diminished Review

“There’s little I enjoy more than boastful, vain-glorious chest thumping in a young band’s promo package, and the U.K.’s Celestial Sanctuary delivered just that, proudly proclaiming themselves the forerunner of a New Wave of British Death Metal. Strong words for such a young act with nary but a demo and single to their name, but can they back it up on their full-length debut, Soul Diminished?” Diminishing soul returns?

Asphyx – Necroceros Review

Asphyx – Necroceros Review

“I warned you all this would be a year of Steel on a mean death bender and here we are. Let’s kick it off in grand fashion with the brand new offering from death metal royalty, Asphyx. After shamefully overlooking 2016 release Incoming Death, I found myself needing to get my phyx of new material from a band I’ve enjoyed since my college days. Necroceros is the Dutch devils’ tenth album and the first written and recorded during a global pandemic.” Necro-Destructo.

Sodom – Genesis XIX Review

Sodom – Genesis XIX Review

Genesis XIX will be the first time in thirty years Blackfire has recorded a full-length with Sodom. It’ll also be the first time in the band’s storied career to have two guitarists. What will these changes do to the Sodom sound? Obviously, Angelripper sees life coming back to the band. But are four just one too many? And how many more war-themed thrash riffs does Ole Tom have left in him?” Re-Sodomized.

Soulburn – Noa’s D’ark Review

Soulburn – Noa’s D’ark Review

Originally formed by two members of Asphyx when their band went on hiatus, Soulburn resurfaced under their original moniker in 2014, after a hiatus of their own and a stint carrying the name To The Gallows during which Rogga Johanssen briefly joined the line-up. Nowadays, the cast still includes founding member Eric Daniels, as well as Legion of the Damned guitarist Twan van Geel and Graceless members Remco Kreft and Marc Verhaar. On paper, a team like this should be able to make a pretty killer record.” Death reclamation.

Benediction – Scriptures Review

Benediction – Scriptures Review

“When I first heard Benediction, it was on the indispensable Death…Is Just the Beginning II with “Dark is the Season.” I still get that opening riff stuck in my head from time to time. Many moons ago when I first discovered Anaal Nathrakh, I learned that vocalist Dave Hunt had performed on Benediction’s 2008 release Killing Music, I was rather ambivalent upon hearing it. Sometime around then I heard Bolt Thrower’s underrated Honour Valour Pride, which featured Benediction’s best-known vocalist Dave Ingram, and I loved his performance. Ingram’s stellar performance on the title track of Megascavenger’s At the Plateaus of Leng was a big factor in me picking it up. Scriptures, Benediction’s first release since Killing Music, sees Ingram return to the fold and my expectations measured.” Death… is beginning again.

Dead Carnage – From Hell for Hate Review

Dead Carnage – From Hell for Hate Review

“Some things seem to be just one tweak away from being great. Dead Carnage is an okay band name, but it seems a bit redundant. Isn’t most carnage dead? Better, I think, would be Live Carnage. The image of butchered and bloody bodies, moaning and clinging to their last vestiges of life, seems a lot more brutal to me than any imagery evoked by “Dead Carnage.” But hey, I’m a guy that listens to Goatpenis—a band’s moniker has never stopped me from checking out an album before.” Live undead.

Angry Metal Days 2020: COVID-19 update

Angry Metal Days 2020: COVID-19 update

“Well. This fucking sucks. As most of you are probably aware unless you literally just woke up from a 2 month coma, the summer of 2020 has effectively been cancelled because of the COVID-19 pandemic. Concerts, tours and festivals the world over have bid months of preparations and investments goodbye. Now, MetalDays has joined the fallen, as the Slovenian government has decided to keep the ban on public events in place.” You can’t stop the Metal Days.

Graceless – Where Vultures Know Your Name Review

Graceless – Where Vultures Know Your Name Review

“One of my very first reviews as a n00b saw me tackling 1914‘s The Blind Leading the Blind, an album that effectively combined the rumbling death/doom of Asphyx and the grooving attack of Bolt Thrower, so when I saw that the latest release from Dutch band Graceless was touted as embodying that same combo, I thought I’d give it a whirl and hope that it would be the shot in the arm I desperately need.” Death inoculations.