Asphyx

Deserted Fear – Kingdom of Worms Review

Deserted Fear – Kingdom of Worms Review

“As many AMG readers know, production quality plays a major role in the reviews posted on this site. Love it or hate it, care about it or don’t give a fuck about it, awareness of the “Loudness War” and the desire for quality metal is real. And with a new Angry Metal-Fi article out on dynamic range, I found it timely that I would be reviewing Deserted Fear’s sophomore release, Kingdom of Worms. Why, you ask? Well, Dan “The Man” Swanö himself handled the mixing and mastering of the album.” Here Dan is to save the day!

Ophis – Abhorrence in Opulence Review

Ophis – Abhorrence in Opulence Review

“Five doom/death songs comprising sixty minutes of music is a risky proposition that lives and dies by one thing: riffs. If you’re going to write songs that average out to twelve minutes in length, the riffs contained within had better be interesting, dynamic, and, of course, crushing.” That means some long, potentially ADHD offending tunes. Can Ophis hold the interest of the busy metaller?

Vainaja – Kadotetut Review

Vainaja – Kadotetut Review

“Finnish folklore tells the tale of a small rabid cult in the 19th century, performing blasphemous actions on followers of old Finnish religions, including ritual sacrifice and burying innocent townsfolk alive. This small cult was discovered, and sentenced to die by fire on the altar in their own mansion, burned alive with most of their scriptures, save for one book which was left miraculously intact. Such is the story of Kadotetut, told by relative newcomers Vainaja. Svart Records labeled this as “one of the heaviest records ever made in the Finnish language,” and I’ll be hard pressed to disagree.” Really heavy shit about creepy Finnish murder cults. That my friends, is metal.

Megascavenger – At the Plateaus of Leng Review

Megascavenger – At the Plateaus of Leng Review

“The idea of a death metal version of Tobias Sammet’s ambitious and overblown Avantasia vanity project is sure to inspire curiosity and I suspect, a fair amount of bemused doubt and sniggers. After all, that vehicle famously attempted to cram every notable metal vocalist into diverse styles of music ranging from Euro-power to hard rock and even poppy hair metal. Leaving aside the success ratio of that project (which was surprisingly high), dragging that template into the crusty world of death metal could easily lead to a train wreck on the scale of Six Feet Under covering Yes and Jethro Tull.” Is this a disaster or a delight? Steel Druhm gives you the straight skinny.

Hail of Bullets – III The Rommel Chronicles Review

Hail of Bullets – III The Rommel Chronicles Review

“While the mighty Bolt Thrower lies in their house at R’lyeh, dead but dreaming, Dutch super group Hail of Bullets have become the undisputed champions of war-themed death metal. Featuring the likes of Ed Warby (The 11th Hour, Demiurg) and the immortal Martin van Drunen (Asphyx, ex-Pestilence, ex-Bolt Thrower), these grizzled veterans have made a name for themselves by adopting a winning Bolt Thrower meets Asphyx meets more Bolt Thrower schtik and they’ve churned out some truly tank-busting, old school death over their short but nasty career. Their albums always feature a fantastic mix of classic death grooves and monstrously oppressive doom riffs (especially on On Divine Winds) and they remind me of long forgotten Winter and the dirgey glory of vintage Celtic Frost and Hellhammer. III The Rommel Chronicles doesn’t upset the ammunition cart and the band delivers another broootal, throwback album with little in the way of finesse.” Old school death metal about war and battle. That shit just sells itself, don’t it? Yes it does!

Decaying – The Last Days of War Review

Decaying – The Last Days of War Review

“I’m not one to suggest there can ever be too much war metal, and while Bolt Thrower has ground to a halt for the time being, there are plenty of bands trying to keep the flame of strife and global conflict alive. Hail of Bullets may be the most prominent at the moment, but the recent Just Before Dawn debut is good enough to challenge them for world domination. Finland’s Decaying also have a tank in this battle, and their 2012 Encirclement album was a well done, Bolt Throw-y dose of ugly death metal with a heavy war theme and vocals that could easily pass for those of the great Martin Van Drunen (Hail of Bullets, Asphyx, ex-Bolt Thrower, ex-Pestilence etc.). Now they’re back with The Last Days of War and hoping to carve off a bigger piece of the war market.” Steel Druhm loves him some war metal, so what does he think of the new battle-ready opus from these Finnish vets?

Entrails – Raging Death Review

Entrails – Raging Death Review

“In the retro Swedish death sweepstakes, you can’t get much more committed than Sweden’s Entrails. Having been around in one form or another since the original wave of Swede death, they weren’t able to release anything until 2010s Tales From the Morgue. While I went quite gorilla shit over that platter and its 110% pure Entombed worshipping awesomeness, I was let down by their The Tomb Awaits follow-up, which seemed watered down and lacking in the raw charm of its predecessor.” Can Entrails recapture the glory of their (of more accurately, Entombed’s) debut? Does anyone even care that they changed their logo?

Just Before Dawn – Precis Innan Gryningen Review

Just Before Dawn – Precis Innan Gryningen Review

“Another project from Rogga Johansson? When does the man sleep and find time for the finer things in life, like beer and Mexican wrestling? These questions plague me as I peruse the list of bands, side-projects and side-side projects which Rogga has his paws on (The 11th Hour, Paganizer, Demiurg, Megascavenger, Ribspreader, etc. etc.). Now you can add Just Before Dawn, which is his collaboration with Anders Biazzi (Blood Mortized, ex-Amon Amarth) and a gaggle of friends from bands like Puteraeon, Zombification, Revel in Flesh and Godhate. Together they’ve churned out a crusty, thick and vicious ode to all things Bolt Thrower and Asphyx, which is similar to Rogga’s recent work with Megascavenger, but better and more consistent.” Do you like Bolt Thrower? Do you think metal and war go hand in hand? Are you okay with retro Swedish death? If the answer to all these questions is yes, join Sgt. Steel Druhm on the front lines as he examines Just Before Dawn.

Vorum – Poisoned Void Review

Vorum – Poisoned Void Review

Back in 2009, Finnish death metallers Vorum produced what I think is probably the finest EP ever written. At twenty minutes long, Grim Death Awaits is a veritable tour de force of the kind of evil, heavy-but-groove-oriented death metal with an old school feel that so many bands have tried to imitate but never really could. The riffs were razor sharp, but there was a fiendish furiousness and seriousness reminiscent of the most orthodox of black metal bands. Few songs on Grim Death Awaits peaked longer than 2 minutes, and while some reviewers complained about certain aspects, this was death metal of a pure, distilled form. Twenty minutes of death metal perfection. But of course, you all know what expectations means…