Atheist

Second to Sun – The Walk Review

Second to Sun – The Walk Review

By Dr. A.N. Grier on November 22, 2018 in 2019, Black Metal, Death Metal, Reviews, Russian Metal, Self-released, Thrash Metal, 115 comments

“Second to Sun hails from St. Petersburg, Russia and plays slick atmospheric black/death with a touch of thrash tickling the edges. But, before that, they played djent… Though you aren’t allowed to talk about that because the band doesn’t acknowledge Based on a True Story (or their ‘debut’ record, Gal agnostiske drømmer) as being a part of the band’s official discography. Instead, it all began with 2015’s The First Chapter. And though a transition from djent to wicked, unsettlingly melodic black metal (with clear headbangable moments) is odd, the strangest part about The Final Chapter is that it’s an instrumental album… I know what you’re thinking: shit’s getting weird.” Walk on home, boy.

Horrendous – Idol Review

Horrendous – Idol Review

By Saunders on September 27, 2018 in 2018, American Metal, Death Metal, Progressive Metal, Reviews, Season of Mist, Death Metal, 191 comments

“So where does Horrendous go from here? And where do I go after recklessly hurling superlatives over their past two albums with the salivating enthusiasm of a heavy set man at a hot dog eating contest. One thing’s certain, expectations from the band’s bloated fan-base will be sky high after the three-year wait following Anareta.” Worship at this Horrendous Idol.

Monstrosity – The Passage of Existence Review

Monstrosity – The Passage of Existence Review

By Diabolus in Muzaka on September 7, 2018 in 2018, American Metal, Death Metal, Metal Blade, Reviews, Death Metal, 83 comments

“For what many people come to know nowadays as “Corpsegrinder’s old band,” Monstrosity has built a sterling reputation for themselves without the Cannibal Corpse front-beast. My first introduction to them was on Death…is Just the Beginning Vol. 2, but that was just one song. My true introduction was on 2007’s Spiritual Apocalypse, one of my favorite death metal records of that decade. Having not grown up in the prime era of Floridian death metal, the sound and the iconic Morrisound production style were awesome relics of a bygone time. With Spiritual Apocalypse, Monstrosity brought that time to the present; the Morrisound production was perfect, the songs were impeccable, and then… silence. That is, until now.” Now, Monstrous.

Oblivion – The Path Towards… Review

Oblivion – The Path Towards… Review

By Ferrous Beuller on November 28, 2017 in 2017, American Metal, Death Metal, Reviews, Technical Death Metal, Unique Leader, Death Metal, Technical Death Metal, 48 comments

“Having generated quite the buzz with their debut album thanks, in no small part, to the reputation of frontman, Dr. Nick Vasallo, whose legacy as musical professor, composer extraordinaire and deathcore wizard continues to precede him, expectations were set justifiably high.” The path to tech-wank.

Gravesite – Neverending Trail of Skulls Review

Gravesite – Neverending Trail of Skulls Review

By Mark Z. on August 2, 2017 in 2017, Death Metal, Italian Metal, Reviews, Xtreem Music, Death Metal, 40 comments

“On 2015 debut Horrifying Nightmares…, the quartet excelled at slinging riff after riff at the listener, offering an experience that was enjoyable but didn’t always stick. Nevertheless the record impressed me enough with its lurching guitars and vintage horror creepiness that it narrowly escaped a Things You Might Have Missed writeup and a spot on my Year-End list. With sophomore full-length Neverending Trail of Skulls, I’m finally here to make the trek and reveal the sick world these former Undead Creep members have created.” Goodbye Yellow Brick Road.

Cara Neir/Wildspeaker – Guilt and His Reflection [Split] Review

Cara Neir/Wildspeaker – Guilt and His Reflection [Split] Review

By Mark Z. on September 16, 2016 in 2016, American Metal, Black Metal, Broken Limbs Recordings, Crust Punk, Hardcore, Reviews, Sludge, Black Metal, Crust Punk, Hardcore, Sludge, 23 comments

“Crack a beer and grab a seat. Today’s entertainment is a double feature from two Texas-based bands with a proclivity for taking black metal and turning it on its ugly, corpse-painted head. First up is Cara Neir, an idiosyncratic, punky duo whose hardcore-tinged blackness often lends itself to wild stylistic forays, as heard on 2013’s Portals to a Better, Dead World. On the flip side is Wildspeaker, a crustier, sludgier outfit who formed in 2013 and released debut Survey the Wreckage last year. They’re here to deliver Guilt and His Reflection, 13 tracks depicting ‘humanity crumbling into itself’ through ‘the story of post-civilization sins committed when desperation overwhelms.'” That certainly sounds cheery.

Defeated Sanity – Disposal of the Dead // Dharmata Review

Defeated Sanity – Disposal of the Dead // Dharmata Review

By Diabolus in Muzaka on July 27, 2016 in 2016, Death Metal, German Metal, Progressive Death, Reviews, Willowtip, Death Metal, 29 comments

“Most people can’t, for one reason or another, split their talents and passions into two separate wholes. The pizza place near my home in Ontario makes good wings, but they’re not great enough to start up a separate wing business and succeed, so they just do both at once. Some folks are terrible salespeople, so they invite you over to their place to eat some pizza and have a “party” while they try to pitch you an energy drink-based pyramid scheme; the free pizza is supposed to make up for the fact that they couldn’t sell icewater in the Sahara Desert, I guess. Germany’s Defeated Sanity are not most people. They happen to like ultra-brutal death metal and the old Florida proggy death scene, so instead of just combining the two they up and did a split with themselves.” Schizoids are never alone.